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Paul McCartney and Penny Lane

Paul McCartney
Paul McCartney

         “Penny Lane” from Magical Mystery Tour

The iconic character in the movie Almost Famous notwithstanding, Penny Lane is a place, not a person.  Paul wrote this loving tribute to a street in his hometown of Liverpool. In the Barry Miles biography Many Years from Now, McCartney talked about the song and Penny Lane itself:

Childhood Reminiscences

“It was childhood reminiscences: there is a bus stop called Penny Lane. There was a barber shop called Bioletti’s with head shots of the haircuts you can have in the window and I just took it all and arted it up a little bit to make it sound like he was having a picture exhibition in his window. It was all based on real things; there was a bank on the corner so I imagined the banker, it was not a real person, and his slightly dubious habits and the little children laughing at him, and the pouring rain.

The fire station was a bit of poetic license; there’s a fire station about half a mile down the road, not actually in Penny Lane, but we needed a third verse so we took that and I was very pleased with the line “It’s a clean machine.” I still like that phrase, you occasionally hit a lucky little phrase and it becomes more than a phrase. So the banker helped me with the third verse, as often was the case. We were writing childhood memories: recently faded memories from eight or ten years before, so it was a recent nostalgia, pleasant memories for both of us. All the places were still there, and because we remembered it so clearly we could have gone on.

Lennon and McCartney

This song and the flip side of the double-A-sided single – “Strawberry Fields Forever” – are an object lesson of Lennon and McCartney at the peak of their creative collaborative powers. And if you would like a true visual and auditory treat to go with today’s Beatles song, scroll 31 minutes into this special show in the East Room of the Barack Obama White House:

https://www.pbs.org/video/in-performance-at-the-white-house-celebrating-the-music-of-paul-mccartney

Elvis Costello

Play Elvis Costello’s rendition of “Penny Lane.”  And I’ll defy you not to get goosebumps when Master Sergeant Matthew Harding of the Marine Corps Band absolutely nails the piccolo trumpet solo.  The entire hour and a half show is all-star performances of some of Paul McCartney’ songs, capped by McCartney himself and his band. 

Think of Penny Lane

I’d invite all of you to think of “Penny Lane” as an invitation to pay attention to what is going on in your community.  Notice what is happening, what is not happening, who is in need, what you’re willing to do to be involved. These would be important goals for any community, and especially during any challenging time.

Find out more about the songs the Beatles wrote in Tim Hatfield’s great book:

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The Genius of Paul McCartney

Paul McCartney
Paul McCartney

Paul is the rare musical talent, which only comes by once so often. Of course, all Beatles had great musical talents: John’s contribution to contemporary music cannot be overestimated, George wrote beautiful songs, and Ringo was an excellent drummer and even he wrote some nice songs. But even among those musical talents Paul did stand out.

The Day John Met Paul

Already on July 6, 1957, the day when Paul met John, Paul’s musical talent became obvious. That day, the Quarry Men played at a church party at St. Peter’s church in Woolton Liverpool. Paul McCartney was invited by a mutual friend, Ivan Vaughan, to see and meet them. Paul was impressed with John, the singer, who had great presence and clearly was the leader of the band. After some time, he noticed that John was playing banjo chords on his guitar, using only four of the six strings.

Twenty Flight Rock

After the show John and Paul met and started talking music. After a while Paul, being only fifteen years of age, asked whether he could have a go on John’s guitar. He corrected the banjo tuning, turned the guitar upside down, being left-handed, and played Twenty Flight Rock by Eddie Cochran, from the beginning to the end, knowing all the words. None of the Quarry Men could do anything like this.

Throughout The Beatles Years and after that, there are many illustrations of Paul’s special talent. You can find them in …

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Paint Your Own Beatle By Numbers

Paint Your Own Beatle
Paint Your Own Beatle
Paint Your Own Beatle

Paint Your Own Beatle by Terry Crain

A budding painter could be immersed in the artistry of The Beatles with a ‘Paint Your Own Beatle’ set. The set was available in four different paint-by-number versions, one for each Beatle. Produced in 1964, the collection came with oil-colored paints, two bristled brushes, a thinner/brush cleaner, and an 11″x14″ numbered, ready-to-paint canvas board for you to paint a life-like portrait. Artistic Creations made it, Incorporated at 12825 South Broadway in Los Angeles, California.  

The box, which was14″x19″, advertised “Paint Your Own Beatle” and included a graphic depicting the finished product. “Sensational Real-Life Oil Portrait. Do it yourself by the numbers. It’s fun; it’s easy! So great… you’ll want to do all four Beatle portraits” “Everything you need to create an exciting oil painting.” “Not a print, not a picture…genuine 11″x14″ oil painting. Paint it…frame it…hang it! The Official Beatles licensed oil paint kit by Artistic Creations, Inc.”

Printed on the box exterior was a list of the contents:

–Giant 11″x14″ Paint By Number Portrait

–Genuine Pre-Mixed Oil Colors

–Two Genuine Bristle Paint Brushes

–Supply Of Special Brush Cleaner Liquid

–Print Of Finished Paint-By-Number Portrait

–Complete Easy To Follow Instructions

Congratulations

Printed detailed instructions inside the box said, “Congratulations! You have just purchased a genuine Artistic Creations Numbers Oil Painting Set…Before You Start Your Painting Read These Simple Instructions.” It then went on to list nine instruction items to follow to paint your picture correctly. The kit series listed for these were “Beatles 102-5.” Individual kit numbers were Ringo – #102, George – #103, Paul –  #104, John –  #105.

Columbia Record Club published a flyer for this item. The cover displayed a 6″x8″ painting of Ringo and said, “A first for club members – Paint Your Own Beatle or other famous personality…”

Create an Exciting Oil Portrait of The Beatles
Create an Exciting Oil Portrait of The Beatles

A print graced the lid “window” of a paint by number kit. It showed what the completed painting would look like if you followed the directions. The print measured 11″x14″ and had a biography of the Beatle on the back.

The Painted Beatles
The Painted Beatles

“The full set comes with a guide print with a bio on the back, printed on thin paper. The actual painting is on very hard cardboard.” – Ricky Glover.

Find out more about Beatles memorabilia in Terry’s great book:

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The Road to Nashville – from Liverpool

The Road to Nashville
The Road to Nashville

THE ROAD TO NASHVILLE STARTS NOW FOR THE LIVERPOOL INTERNATIONAL SONG CONTEST 2022.

TWO MUSIC CITY POWERHOUSES, LIVERPOOL AND NASHVILLE, ARE COMING TOGETHER TO RAISE AWARENESS FOR MENTAL HEALTH.

The launch of the Liverpool International song Contest 2022 is Monday, May 9th, starting with a live stream launch between Liverpool, hosted at the British Music Experience, and Nashville, anchored at the Musicians Hall of Fame & Museum. and you can tune in live on TUFFM.com

Nashville and Liverpool

This is a global, historic project, bringing Nashville & Liverpool together to support musicians & songwriters battling the stigma of mental health while promoting diversity and understanding. The mayors from both of these iconic music cities will come together to combat mental health while also championing the search for the best songwriters from around the globe.

The Road to Nashville – Liverpool International Song Contest 2022 is a seven-month project which highlights original material of global songwriters & musicians with a unique infrastructure to support them with mental health services while submitting their songs throughout the process of the song contest.

Mental Health Awareness

With May marking Mental Health Awareness Month, the timing was perfect for igniting this initiative. As a display of the unity between the cities, the Mayor of Liverpool, Joanne Anderson and Cavern director Jon Keats, will be passing to Nashville Mayor John Cooper a priceless artefact from the British Invasion era of music history to truly reveal how the cities will “Come Together.”

Last year, the project took place in The Cavern Club, acquiring over 20,000 submissions from 28 countries. The top prize for the inaugural contest went to James Holt for his song “Make My Day.” You can relive the performance here.

WHAT IS LIVERPOOL INTERNATIONAL SONG CONTEST?

Last year, Liverpool City Council played a role in supporting the International Song for Kindness created by the charity TUFF (The Unity of Faiths Foundation) to support the goals of empowering young people and promoting acceptance, equality and respect for other cultures.

The Liverpool International Song Contest is a vehicle used to tackle discrimination and mental health stigma, providing support for those most in need and developing a bespoke mental health service infrastructure specifically tailored toward those in the creative sector.

Participants in the 2020/21 Liverpool International Song Contest were invited to attend one of 23 workshops across the Liverpool City region, delivered by TUFFs Music division and led by TUFFs co-founders Anna Prior & Dr Shamender Talwar FRSA (renowned social psychologist) and Liverpool based producer Daniel Xander BSc MA (TUFFs Head of Music).

Education in Music

These engaging workshops provided education in music, production and human values. While also providing education on mental health and counselling with mental health practitioners. As well as the thousands who attended the in-person workshops, TUFF also offered an online version of the syllabus for those unable to participate. This online digital format provided people with the same opportunities and one to one counselling, delivered in a way that best suited their needs.

The connection with Liverpool came about because TUFF developed the global #KIND20 campaign as a way to demonstrate and promote social integration, which reached a staggering 6.5 million people worldwide. After conversations with The Cavern Club and other organisations in Liverpool, they came up with the idea of an International Song Contest to celebrate what would have been John Lennon’s 80th birthday.

Kevin McManus, Head of UNESCO City of Music, was involved on behalf of the city and attended the final event at The Cavern in October 2021.

FOR THE FULL STORY OF COUNTRY MUSIC IN LIVERPOOL AND THE COUNTRY ROOTS OF THE BEATLES IN DAVID BEDFORD’S BOOK: THE COUNTRY OF LIVERPOOL.

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Debbie at the Fest for Beatles Fans

Debbie with her Schedule
Debbie with Manhattan
Debbie with Manhattan in the Background

Fest for Beatles Fans, New Jersey

My first Beatles Fest in Jersey City was memorable for all the right reasons. On arrival at our hotel, we were greeted by a magical view of the night skyline of Manhattan from across the Hudson River.

The Music

It was so good to finally meet all my fellow authors in person and to experience the exciting atmosphere of the Beatles Fest for the first time.  There was so much happening every day.  Author’s panels, celebrity talks and presentations and of course the one ingredient that brought us all together in the first place, the music. 

Terry Crain with Debbie and Nigel
Beatles Bookstore Authors Terry Crain with Debbie and husband Nigel
Author Bruce Spizer with Debbie
Author Bruce Spizer with Debbie

10 Years at the Cavern

I had been invited to give a presentation relating to my ten years at the Cavern; five years as a member and five years as an owner. The audience were thrilled to learn that I had attended all 292 of The Beatles appearances at the Cavern, so much so that they rose as one and gave me a standing ovation which was very gratifying. 

Debbie with her Schedule
Debbie with her Schedule

It was great to catch up with Mark Lewisohn again, who has been a good friend of ours for almost forty years.

Mark Lewisohn with Debbie and Nigel
Mark Lewisohn with Debbie and Nigel

Liverpool

There were so many fantastic bands appearing that we were spoilt for choice.  The spectacular sound of the band LIVERPOOL, and the band that came the closest to transporting me back to hearing The Beatles in the Cavern in the early sixties was The Black Ties.  Their sound was raw and loud, and I felt as if I had jumped aboard a time machine and had been dropped back in the Cavern listening to The Beatles when they started to play , “I Saw Her Standing There”.

Cavern Club: The Inside Story

I did well with sales of my book, CAVERN CLUB THE INSIDE STORY and received very positive feedback.

Nigel and I met such lovely like-minded people, experts, authors, and customers.   Everybody was happy and the feeling was infectious throughout the venue, there was music everywhere.

Tom Frangione and Mark Lapidos
Tom Frangione and Mark Lapidos

I am already looking forward to my next Beatles Fest in Jersey City next year.

Thanks

Huge thanks go to Mark Lapidos, Susan Ratisher Ryan and all the teams of technicians and musicians  and everyone that made the weekend so memorable.

Susan Ryan with Debbie
Susan Ryan with Debbie
Debbie with Bob Abdou
Debbie with Bob Abdou
Debbie and Nigel with Janice Mitchell
Debbie and Nigel with Janice Mitchell
Debbie with Pat Mancuso
Debbie with Pat Mancuso
Kati, Andy Leigh, Me ,Nigel Greenberg, Simon Weitzman and Nancy Cohen
Kati, Andy Leigh, Me ,Nigel Greenberg, Simon Weitzman and Nancy Cohen
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Come Together by The Beatles (from Abbey Road)

Come Together by The Beatles
Something/ Come Together by The Beatles
Something/ Come Together by The Beatles

“Come Together” by The Beatles from Abbey Road [In Tim Hatfield’s When We Find Ourselves in Times of Trouble: The Beatles]

Timothy Leary

Some of you may have been wondering when this, a consensus Beatles Top 10 song, would turn up here.  In 1969 Timothy Leary – he of “tune in, turn on, drop out” LSD fame – had decided to run for Governor of California against Ronald Reagan.  After Leary and his wife attended John and Yoko’s June 1969 “Bed-in” for peace in Montreal, he asked John if he would write him a campaign song to go along with the campaign theme, Come Together.  

Swampy Bass and Drums

After Lennon sent Leary a spare demo tape of some ideas, Leary’s campaign ended and Lennon then began working on what was to become the Beatles version, a funky, bluesy, rhythm-driven song that McCartney suggested be done slower, with “a swampy, bass-and-drums vibe,” than Lennon’s original idea.  It worked, and especially for Lennon, for whom it was one of his favorite Beatles songs.  

Elvis Parody

The lyrics were replete with a brief Elvis parody, in-jokes, puns, and what Lennon described as “gobbledygook” that he made up on the spot in the studio. I would have loved to be a fly on the wall during these sessions, because it seems like Lennon was demonstrably having fun, and it rubbed off on the other three guys.  “Got to be a joker, He just do what he please……He got feet down below his knee, He holds you in his arms, yeah, you can feel his disease…!”  Really?!  He even began the song explicitly with a line lifted from the 1956 Chuck Berry song “You Can’t Catch Me”: “Here come old flat-top.” 

Chuck Berry

Of course, Berry’s publisher sued him for infringement, but Lennon and the guy settled out of court on the condition that Lennon would record more songs owned by the publisher (he included a couple Chuck Berry songs on his Rock ‘n’ Roll album in the early 70’s and a Lee Dorsey song “Ya Ya” on his Walls and Bridges.) 

Abbey Road

Producer George Martin had agreed to work with the group on Abbey Road only on the condition that they would be collaborative, as opposed to the messy, fraught sessions that eventually became the Let It Be album a year later.  All four Beatles bought in, and Martin was especially pleased with the contributions that each member made for this song.  Collectively, the contributions of the four “became much, much better than the individual components,” said Martin.  It was a momentous collaboration in late July of 1969.  

As I said above, the four Beatles certainly seemed to be having fun making this song.  And sandwiched into the song there were a couple of lines that Beatles scholars could arguably say were a preview of what was to come for the group shortly thereafter and, tragically, for John Lennon a decade later: “One thing I can tell you is You got to be free,” and the repeated “Shoot me” throughout the song.

And “Come Together” was the very last song of their career that all four Beatles participated in recording together.

It’s not much of a stretch, is it, to consider the possibilities during a time of trouble if it were possible for everyone to come together? 

Find more lessons to learn from Tim Hatfield’s great book, “When We Find Ourselves in Times of Trouble: The Beatles