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The Beatles: “Love Me Do”. Did Ringo Play on their First Single?

The Beatles first single, "Love Me Do"
The Beatles first single "Love Me Do"
The Beatles “Love Me Do”

5TH OCTOBER 1962: THE BEATLES FIRST SINGLE IISSUED ITHE UK

After the first session with George Martin on 4th September 1962, Martin decided to bring in a session drummer. As a result, Andy White was recruited for the second session a week later.

“RINGO DIDN’T DRUM ON THE FIRST SINGLE”

Paul was convinced that Ringo didn’t play drums on the group’s first Parlophone single, “Love Me Do” – and Ringo agreed. But, history has shown that he was indeed on the UK single release. Considering that Andy White was hired to drum on the recording, there are questions. Was Ringo’s version mistakenly released on the UK single? After all, the White version of “Love Me Do” appeared on The Beatles’ debut studio album Please Please Me, the UK EP release The Beatles’ Hits, and also on their U.S. single release.

“Love Me Do” The Beatles’ first single released on 5th October 1962

WAS IT RELEASED BY MISTAKE? ANY EVIDENCE?

If the Ringo version wasn’t considered good enough after 4th September, why release that first version? Neither George Martin nor Ron Richards were sure if it was selected intentionally or not.

Releases of “Love Me Do” issued after The Beatles’ Hits on 21st September 1963 contained Andy White’s version. Why? The original master recording of Ringo’s version of “Love Me Do” destroyed or recorded over. EMI only had Andy White’s 11th September recording to use. It was the only remaining – and arguably the superior – version. When “Love Me Do” was released in the U.S. in April 1964, it was Andy White’s version that was used.

MCARTNEY NOT MCCARTNEY!

A further mistake was made when 250 promo discs of “Love Me Do” were released, misspelling Paul’s name as McArtney; something he was used to in Mersey Beat. One of these discs was sold in October 2017 for $14,757, the most expensive 7-inch single ever sold.

50TH ANNIVERSARY MISTAKE?

In a twist of fate – or was it an inside joke – when Apple decided to reissue “Love Me Do” on the 50th anniversary, they initially used Andy White’s version. They then had to quickly recall those records, so that Ringo’s version could be issued.

The final piece of evidence is one of omission. With the group’s popularity increasing, why did they not ask Ringo to re-record “Love Me Do” for the album? The conclusion is that Ringo’ version was most likely released by accident. That is not uncommon in the recording industry, even today. Nothing else really makes sense.

Excerpt from Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles

David Bedford

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Ed Sullivan Show: “I Came of Age With The Beatles”

The Beatles on the Ed Sullivan Show
The Beatles on the Ed Sullivan Show
The Beatles on the Ed Sullivan Show

The Ed Sullivan Show changed the lives of millions of Americans. “I’ve been a Beatles fan for 47 years. I was halfway through my first year of college when, on February 9, 1964, about 20 guys crowded around a tiny black and white TV screen in our dorm to watch a popular Sunday evening variety show hosted by a rather odd-looking man with strange diction named Ed Sullivan. But when he pointed to his left and shouted, “The Beatles!” everything, everything changed. A theater full of teenaged girls screamed nonstop while these 4 young guys, barely out of their teens themselves, sang four songs.

After the Assassination

“A lot of parents were horrified, probably flashing back on the terrible influence of Elvis just a few short years before. But the whole nation, in an extended period of mourning after a young, charismatic President had been assassinated not three months earlier, may have experienced its first sense that perhaps things could begin to be OK again.

The Beatles Conquered America

“In the summer of ’64 the Beatles conquered America in earnest, hopscotching coast to coast with a series of concerts that would pale in comparison to the huge, elaborate stadium shows of today. One of the venues was a modest arena within walking distance of the working class section of Cincinnati where I grew up. I got tickets to the concert, and my younger brother and I walked there to become part of an audience of around 15,000 people that sounded and acted exactly like the kids at Ed Sullivan’s show.

Blood-Curdling Scream

“In fact, when the Beatles took the stage, the girl sitting behind me let out a blood-curdling scream directly into my right ear, and the whole 45 minute or so show was filtered through a tinnitus-like haze. But it was……perfect.

“I came of age with the Beatles, accompanied by them through the turbulent Sixties as they creatively grew and evolved in astounding leaps – absorbing, integrating, mirroring, influencing, leading. I loved their music, always have, and loved the last side of their last album the most of all. To this day, despite loving so many of their songs, I still love the Abbey Road medley above all the others.

The Beatles as Musicians

“Flash forward 41 years. After a career as a high school counselor, followed by a 30-year career as a professor of counselor education, I sat in on the first-ever offering of my colleague Paul Vance’s course “The Beatles as Musicians.” The Beatles always had been a big presence in my life, but this class was like receiving a high-potency transfusion. All the memories, all the joy that the Beatles had brought to my life, came rushing back; and in my retirement a burst of increased curiosity and creativity took me over.

Major Research

“All four of our kids were launched, and I committed to a major research project on the Abbey Road medley. It finally was published in February 2020 on the Beatlefan Magazine website**…..just as it was beginning to dawn on the United States and the entire world that there may be a serious global pandemic to contend with.

“And exactly one month later, after agonizing about whether there was anything I could do to be of help to people so stressed and worried about the relentless coronavirus pandemic, I decided to send out a Beatles song as a little uplifting gift to a small group of family and friends. I’ll include it below. But I’ll close by summarizing that the list of recipients grew bit by bit until over 220 people were hearing from me every day with a different Beatles song – every day until early in December of 2020, when I had randomly sent every Beatles song I could find, early and late, mainstream and obscure, hits and demos. It was a labor of love. It helped me to survive the pandemic. And I heard throughout those months that it helped others survive it as well by providing little upbeat vacations from the anxious times.

This Should Be A Book!

Many recipients kept saying, “This should be a book!” And except for of making the focus the more generic “any challenging time” instead of “the Covid pandemic,” that is the book that grew out of my lifelong love of the Beatles. It was published as an ebook on Amazon in June of 2021: When We Find Ourselves in Times of Trouble: The Beatles (All Their Songs with Encouraging Words for Challenging Times. I hope you enjoy it.

Tim Hatfield

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“This is a Wonderful Book”

The Beatles Era
The Beatles Era
The Beatles Era

A Review from The British Beatles Fan Club

This enjoyable book is not long, just 104 pages, but I found it an interesting read. Really, it is a collection of five essays about the Beatles broken down by five eras defined by the author.

Before The Beatles

The first, “Before the Beatles”, explores the forces that came together to create the magic that produced The Beatles and their success. Some of this has been written about before, but I found Peter’s take on it a bit broader than usual incorporating facts about the vinyl record production process, for example, and its impact on their rise to fame.

The Beatles Years

The second section, “The Beatles Years”, focuses on more subtle impact The Beatles had on the world. As the author states, in the first paragraph, there are many other books that will tell you the facts and timelines about The Beatles from their time in Germany to their breakup. In this section he explores impacts of their fame on other artists, album cover imagery, religion and more.

The Solo Years

The next two sections cover the solo careers of the Beatles broken into “The Solo Years” and “The Reduced Solo Years.” In these chapters the author attempts to determine if The Beatles maintained the same level of creativity as solo artists or was the magic of the foursome more than the sum of the parts. It also touches on the fact that despite the fact that they broke up years ago, the have somehow become bigger rather than fade away.

After The Beatles

The final section is titled “After the Beatles”, and interestingly states that the “after” has not yet begun. Interest in The Beatles is still huge and with Paul and Ringo still producing great music 5o years later, they are still huge. He wonders will the after period happen gradually as the remaining two Beatles age or will it begin suddenly where there are no more Beatles left to make new music?

Great Questions for Debate

I’ve deliberately not given away too much since the book is not long. This is a wonderful book to sit down with on a rainy day that will get you asking yourself questions. It would be a great book for a book club discussion as it poses great questions for debate, rather than just detailing timelines and documenting facts that we’ve all read before.

Michele Copp

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Love Me Do: Beatles Drummer Disaster with George Martin

Ringo, George, John and Paul at Abbey Road

4th September 1962: Love Me Do – The Beatles at EMI Studios

September 4th marks the 59th anniversary of Ringo Starr’s first recording session with the Beatles. Having endured one disastrous ‘test’ session on June 6th (with Pete Best behind the drum kit), the Beatles, with new drummer Ringo Starr, made an attempt at recording a potential first 45rpm single with Parlophone. 

The session was once again a disaster for the Beatles’ drummer. Perhaps overly nervous, and keen to impress after Pete Best’s rejection by George Martin and his assistant Ron Richards, during the rehearsal of Please Please Me, Ringo had a rush of blood to the head.

“I was playing the bass drum and the hi-hat, and I had a tambourine in one hand and a maraca in the other, and I was hitting the cymbals as well …… trying to play all the instruments at once”.

Recording!

Ringo was susceptible to a deadly trap a studio ‘ virgin’ could fall into, namely the dreaded ‘red light syndrome’. The new recruit appears calm and collected, until suddenly the studio red light flashes on, and a voice from the control room booms – ‘RECORDING!’. All of a sudden, bowels churn, you break into a cold sweat, your mouth is dry and miraculously, your sticks turn to rubber. After all, this could be your one big chance and now you are about to ruin it for everyone. You just freeze. Once again, at the crucial moment, the Beatles’ drummer had come unstuck, and his card was marked.

“How Do You Do It?”

The Beatles soldiered on, and begrudgingly recorded Mitch Murray’s How Do You Do It, turning in a workmanlike yet professional performance. Love Me Do however, took 15 takes to record, requiring a lot of editing to create the final, coherent version. As a result, the session over-ran. A further session was scheduled exactly a week later. 

“Love Me Do” with Andy White

Love Me Do was now being recorded for the third time – such a luxury could not be tolerated, especially as this session was to last no longer than one and three-quarter hours, half the time usually allowed. The song had to be recorded professionally and swiftly. This time, Martin was taking no chances – he had booked session drummer Andy White to take Ringo’s place. White was one of the country’s top drummers, and was well aware of the demands and constraints of the recording studio environment.

A session musician would have to be able to perform perfectly and precisely with discipline, control and without error. Ringo however, was a different animal, the studio being alien to him. With a session man behind the kit, Richards knew he could rely on White to lay down the drum track with minimum fuss, and maximum results. And so it proved, White earning his £5.15s session fee with consummate ease.

Ringo on Tambourine

This remake of Love Me Do was completed with Ringo playing alongside White on tambourine, this being the easiest way to distinguish which version has Andy White on drums. It certainly has a punchier feel to it than Ringo’s version, due to the fact the rest of the band were more familiar with the song and had probably rehearsed it in preparation for their third attempt at recording it. There is a more confident, professional presentation, due mainly to the added luxury of a tambourine. 

“Love Me Do” master destroyed

Oddly, Ringo’s September 4th recording of Love Me Do was released as the Beatles’ first single, the Andy White version being included on the Please Please Me LP, and becoming the official version for all future releases – the master tape of Ringo’s version was either destroyed, or more likely recorded over. Future releases of the Ringo version (from a 1982 anniversary release onwards) were taken from a pristine copy of an original single.

Read more about the stories behind the beat of Love Me Do, Please Please Me, and all of the Beatles’ releases in Ringo Starr And The Beatles Beat, available in the Beatles Book Store.

Alex Cain

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The secret of ringo starr’s contribution to the beatles

Ringo Starr
Ringo Starr
Ringo Starr

Ringo Starr – the Ordinary One

To unravel the secret of the Beatles, it is helpful to visualize the four Beatles as the four corners of an album cover. The top left corner was John, the rebel. The top right corner Paul, the musical talent. The lower left corner George, the spiritual one, and the lower right corner Ringo, the ordinary one. The resulting mix was balanced and offered something for everyone.

There is this anecdote where John asks Ringo to drum the same as on a record he heard and Ringo says, “But John, these are two guys.” After which John answers, “Don’t let that bother you.”

The Boy Next Door

Ringo, the ordinary one, unintentionally, made sure that the Beatles did not become unattainable, especially at the peak of their popularity. He was and remained the normal one, the boy next door. We can still relate to these extraordinary people, especially John and Paul, through Ringo, who just seemed to be a nice chap.

We awe him very much. Congratulations Ringo!

Peter Eijgenhuijsen

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Happy Birthday Ringo Starr – and Jim McCartney

Ringo Starr of The Beatles
Ringo Starr

As we continue our celebration of Ringo Starr’s birthday, Angie McCartney gives her tribute to Ringo, and her late husband, and Paul’s father, Jim McCartney, who share the same birthday.

Angie McCartney Visiting Ringo

“Shortly after we were married, we took a trip to London to visit Paul. He drove us around each of The Beatles’ houses. When we visited Ringo and Maureen, our first impression was of little Zak, playing up in his tree house.  We had a nice afternoon tea, and then Ritchie asked Uncle Jim (as he called him) if we would like a tour of the house, which we of course were delighted to do.

New Fangled Machines

“As a side note, I had been bugging Jim for a dishwasher, as we had so many visitors to Rembrandt in those days. Mike would frequently bring a gang home late at night after a Scaffold gig or some other gathering, and I would come downstairs to a sea of dishes in the morning. Jim wasn’t in favour of these “new fangled machines” as he called them. So before we set off, I mentioned this to Ritchie. When we got to their marvellous kitchen, he made a point of showing Jim their dishwasher, showing him how it all worked etc.

Angie McCartney
Angie McCartney

So later, on our way back to town in Paul’s car, Jim turned to me and said “OK, you win. You can order one from Brown’s of Chester when we get home.” I finally got a shiny new dishwasher. My pride and joy. My new toy.

Until Jim had seen Maureen’s machine, he had the impression that the dishes went round and around, a bit like a clothes washer.

Cheers.

Angie McCartney