A rare privately published book. Published in Austria but in English in 1989. Love these specialized collectors books that are so difficult to find. They often can contain treasures not found in other books.
The First is a real exclusive !! Nigel Pearce is with the help of John “Buzz” Bezzini, and David Bedford, is going to release a book on the history of the actual Building No. 3 Savile Row. It is going to be a one-off special pressing release detailing the history of the building from its construction to the present day.
This will include its base for the British Admiralty, events coming from that, being the home of several British notables, and its link to The British Bowler Hat. We also will be printing a full Brochure detailing the building when put up for sale in the early 1900s. This will include complete details of the structure and rooms at the time.
When Number 3 Closed
We will be mentioning the purchase for The Beatles to be the base for Apple Records etc. as well as a little section on the Get Back sessions. We will also re-printthe affidavit submitted to the High Court by Alen Klein, for the famous case of Paul McCartney versus the other three Beatles and Apple Corps.
We will also reprint the full page published detailing the judgement given by QC Mr. Justice Stamp, who was presiding over the proceedings.
This publication again will be issued from documents held in my personal collection, and again many of which have been forgotten, or never seen. Discussions are being held now with publishers, and they are apparently very keen. More will be revealed.
A Rare Apple Record from Nigel’s Collection
There is going to be another “Inside Number Three” Book titled ‘Deeper Inside Number Three‘ where we will take you further inside this colourful and magical world, which still fascinates, and mystifies so many Beatles and Music fans today nearly 60 years after the project started. Apple Records is a music phenomenon and is still an organisation of mystery and intrigue, but more will be revealed, as the famous song said in 1963 “It Won’t Be Long”.
Inside Number Three – The Illustrated History of Apple Records
Inside No3 takes you through that famous door, deep into the minds of all who worked there at Apple Records. This is done also in a very different way. This is not a kiss-and-tell diary, it is through fan adulation and understanding via a personal collection of artifacts and memorabilia that author Nigel Pearce has built up over the last 50 years.
In my book, The Country of Liverpool, I was told about an amazing club that was in Liverpool during the 1980s, which had a link to D-day, 6th June 1944. Mick Kinney, bass player with Phil Brady and the Ranchers, told me about the strangest club ever!
“One of our greatest and strangest experiences was playing on this boat at the docks in Liverpool. It was called the Club Ship Landfall, but we called it the Bad Ship Landfall. It was a large landing craft.
“This guy, Joe McGlory,” recalled Mick, “who owned a number of pubs in Liverpool, came up to us one night when we were playing for him. He says; ‘Hey Phil, you’re not going to believe this, but I’ve bought a boat and turned it into a club! It is down at the dock. I want you to play there, but it’s a late finish, so you can do your early gig and then come down and do the spot there about 12:30-2:30am. We did it for about three years. It was a bizarre place.
“The first time we saw it we went down after a gig and there was this huge boat in the dock with a gang plank that you walked over on. It’s an old army boat, one of those landing craft where the front comes down to unload whatever it was carrying. It had port holes down the side too. It was huge.”
D-Day Landing Craft
The Landfall was the LCT 7074 Landing Craft Tank and was used at D-Day in June 1944 at the Normandy Invasion. It landed tanks and troops on Gold beach on D-Day and continued to carry supplies across the English Channel over the next few months. She arrived in Liverpool in 1945 with a view to her being converted into an emergency repair ship for the Far East, but the Japanese surrender meant it wasn’t needed. It remained in Liverpool and was turned into a club, permanently based in Bramley-Moore Dock.
The LCT 7074 Landing Craft
“It had all been converted inside, so that when you went in around the middle, if you turned left, there was a disco, or to the right it was a club, and neither sound bled into the other club. It had a proper stage in each club and because it had double doors for each club, it was perfect. So it became the place to go for the lads after they’d finished playing. We played the Friday night and Saturday nights, so everyone knew Phil would be on, so they’d come down for a couple of pints. It was a bit rough and you’d get a couple of sconeheads, but it was good. That was around 1980.
The Guy Got Bottled
“There was one nasty incident when a guy got bottled. The other lad smashed a bottle and then cut the guy’s throat, so the blood was spurting out everywhere. He was losing a lot of blood and by the time the ambulance got there he was about to pass out. There was just this pool of blood by his foot where it had run down his body. Unreal. He lived though. We were playing when it happened and it was right in front of us. You had to be careful because there were some strange people who turned up there!
“By the time we finished playing, especially in the summer, the sun was already up and we were going home while the birds were singing, about 5 o’clock in the morning.”
Ford Cortina
“I remember coming out of the club one night with Phil, who had a Mark 3 Ford Cortina, bright yellow, vinyl roof and sports wheels. He said; ‘there’s a guy in my car and he’s trying to rob it’ but he didn’t see us. So I went over and opened the door. He was shocked, so I punched him and dragged him out of the car. Phil came over and started battering him with a mic stand! It was hilarious! The kid jumped up and started running away so Phil threw the mic stand at him and it hit him on the back! So, he fell on the floor and rolled over, before jumping up and saying; ‘I’ll be back with my brothers’ etc. A strange experience!”
The Landing Craft Now
Who knew that the only surviving Landing Craft from D-Day on 6th June 1944 would end up in Liverpool? The craft was taken to Portsmouth and restored to its original state and is on display at the “D-Day Story” museum.
After over three years of research, Terry Crain’s newest book is out in digital form. This book, titled “Copyrighting The Beatles,” chronicles over 900 Beatles and Beatles-related copyrights from 1963 to 1966.
Over 300 Beatles Copyrights?
In the annuals of the Library of Congress, there are Beatles and Beatles-related copyrights for musical screenplays, lectures, spoken word writings, dolls, Beatles records, newspaper artwork, paintings, drawings, articles, toys, posters, albums, sculptures, jewelry, portraits, magazines, record cases, sheet music, novelty records, television scripts, newspaper cartoons, impromptu skits, books, photographs, documentary scripts, satire animations, cover records in French, Dutch, Spanish, and German, and more! This reference publication details the copyrights in chronological order, making it easy to follow the growth of this wild and wacky genre.
Copyrighting the Beatles
Novelty Records
Over 300 of these copyrights are Beatles novelty records in the genres of American folk, British folk, foxtrot, jive, samba, bluegrass, doo-wop, country, big band, blues, jazz, orchestral, spoken-word, surf, ska, and polka!
Designer, Beatles author, and collector Andrew Croft created the cover graphic, Tom Frangione wrote the Foreword, and Cha Chi Loprete wrote the Introduction.
Crain tells people “I’m unsure if I wrote a book, reference guide, or encyclopedia!”
Get Terry’s Other Great Book on NEMS and Memorabilia
NEMS and the Business of Selling Beatles Merchandise in the U.S. 1964-1966 (2ND EDITION)
The book covers the approximately 150 licensed items that dotted store shelves and helped fuel the band-crazed fan during the time right after the band landed in America and performed on The Ed Sullivan Show. Toys, games, dolls, jewelry, clothing, wigs, and more!
Six times per year I eagerly anticipate the new issue of Beatlefan magazine to appear in my mailbox. Even in the digital age in which we live, with information being conveyed instantly across the internet, it is Beatlefan magazine which I rely on for my major source of Beatles news. It is one of only a few print magazine sources about the Beatles that I own a copy of every issue since issue #1.
Bill King, the editor, and his excellent staff of writers, including Brad Hundt, Al Sussman, Kit O’Toole, and Bruce Spizer, among many others, make it an absolute pleasure when every issue arrives, as new and exciting Beatles-related information is always provided to the viewer. The editorials about new releases are wide-ranging in their perspectives and present new ways to perceive the merits (or lack thereof) of the respective releases!
New Beatles books are reviewed as well as dvd releases and underground recordings as well. Bill King, with his journalistic background, has found the perfect formula to satisfy the insatiable appetite of Beatles fans for new information about their idols. The news section not only reports the news but it often puts the information into the proper cultural context and meaning.
Shown below are a few sample issues of the magazine. Following the sample issues are the hard-to-find hardcover books of early Beatlefan issues published by Pierian Press many years ago. I sincerely hope that publisher and editor Bill King decides to publish the entire run of Beatlefan magazine in the hardcover format one day as they richly deserve to be permanently preserved for their quality and insight concerning the Beatles phenomenon. For informational or subscription inquiries, you can contact Beatlefan atbeatlefanmagazine@gmail.com
Beatlefan with Paul McCartney on the Cover
Beatlefan about John Lennon’s Last Sessions
Plastic Ono Band
The two hardcover editions of Beatlefan magazine’s early issues, published by Pierian Press many years ago.
Is there a more divisive and controversial person in Beatles history than Yoko Ono? Why was she always at John’s side? What did the others think of her? Did Yoko split up The Beatles? The Get Back series proved that she and John were almost inseparable, but many more people were in the studio!
There is always a lot of negative press, but now there is a new book by Madeline Bocaro called In Your Mind – The Infinite Universe of Yoko Ono. For a change, this is an objective look at Yoko and who the REAL Yoko Ono Lennon is, which will surprise you.
In Your Mind – The Infinite Universe of Yoko Ono
Ono’s fascinating life goes way beyond what most people know. We visit Yoko’s inner and outer worlds. You will be touched by her wit and wisdom, her spiritual nature, and her intent.
John and Yoko
Although always associated with John, her life story spans thirty-three years before meeting John Lennon, twelve years with him, and over forty years of creativity since his death. Yoko breaks down the boundaries between art and life. Her enchanting philosophy and uplifting positivity are irresistible. She shows us the truth – with sincerity and humor, enlightening us to our own superpowers.
Ono’s work is unfinished – to be completed in your mind.
Madeline Bocaro
Her art is on the ceiling, on the floor, and in the sky. It is invisible – a wind, a whisper, a scream. It is imagining one thousand suns rising, a billion universes, stealing moonlight on the water… Ono’s music and films are an extension of her art. This book covers every aspect of her life and work.
Will you be bold enough to read this book with an open mind and discover the REAL Yoko?
Get your copy of Madeline’s great book on Yoko Ono.
In Your Mind – The Infinite Universe of Yoko Ono (Signed Hardback)
Now in the Rock & Roll Hall of Fame Library & Archives
Acclaimed by MOJO & Goldmine
Recommended by Olivia Harrison
Spotlighted on The Beatles Channel, Sirius XM Radio
The true story of the woman John Lennon loved. Includes the work and music they made together, the love story of John & Yoko, and her relationship with the Beatles.
Ono’s incredible story goes way beyond what most people know.
There are astounding details about Yoko’s life (thirty-three years before meeting Lennon, twelve years with him, and over forty years of creativity since his death).
The author has followed Ono’s career since the mid-1960s, assembling a vast media archive on the artist. Yoko’s own voice, along with Lennon’s and others (in cited, published interviews) tell her undeniably true and complete story, disproving many myths. Bocaro has spent valuable time with Ono, gaining incredible insight.
Here is the ultimate exploration of Yoko’s childhood, her relationship with Lennon, her art, films, music and activism for peace and women’s rights.