This song, although attributed to Lennon/McCartney, is a John Lennon song about his devotion to Yoko Ono. In part, the song is controversial for the distinct simplicity of the lyrics and in part because of its length (around 8 minutes) and, some could argue, its self-indulgent structure.
It was the first song the Beatles worked on when the Abbey Road sessions began in February of 1969, yet one of the last songs that was completed for the album in August of that year when instrumental and synthesized tracks were layered in.
About Yoko
John Lennon’s repetitive, plaintive lyric, “I want you, I want you so bad” is the dominant content of the entire song, along with the colloquial compliment for Yoko, “She’s so heavy.” At the time Abbey Road came out, some critics took issue with the lyrics. In a Rolling Stone interview in 1970, Lennon reflected: A reviewer wrote of “She’s So Heavy”: “He seems to have lost his talent for lyrics, it’s so simple and boring.” “She’s So Heavy” was about Yoko. When it gets down to it, like she said, when you’re drowning you don’t say “I would be incredibly pleased if someone would have the foresight to notice me drowning and come and help me,” you just scream. And in “She’s So Heavy” I just sang “I want you, I want you so bad, she’s so heavy, I want you,” like that.
The Final Three Minutes
The final 3 minutes of the song is an extended guitar/Hammond organ/Moog synthesized white noise cacophony that sounded as if it could have gone on for much longer. All the Beatles, and their friend Billy Preston, were totally committed to this very different-sounding work that closed out the A-side of Abbey Road. And in the final mixing process, Lennon himself ordered the abrupt ending of the riff in the middle of a phrase, as if the needle were being arbitrarily lifted off a record.
Biden and Harris?
The day before I initially wrote and posted this, Joe Biden and Kamala Harris became the President and Vice-President Elect. It was a day when, officially, the votes of around 80 million voters said, “I want you, I want you so bad.” There is much work for them to do, beginning with a concerted assault on the coronavirus pandemic. But may their efforts to defeat the virus, now surging again throughout the nation, be both thoughtful and successful. It will matter not only to the people who voted for them, but also to the people who didn’t.
Tim Hatfield
Get Tim’s book of reflections on the songs of The Beatles
What happened the day after The Beatles’ Ed Sullivan Show debut? All the young lads across America met their buddies at lunch and excitedly talked about learning to play guitar! Where could they learn chords? Where do they find such instruments? Coincidently, their own The Beatles Guitar was already in the works!
The Beatles Guitar
Mastro Industries manufactured five different Beatles guitars/ukuleles – plus variations and display models in the U.S. in the Sixties (the Selcol company produced seven other Beatles guitars in the U.K.) Also manufactured about this time was an unlicensed 5″ model made in Hong Kong
Beatle-ist – 30½”
Yeah Yeah – 22″
Four Pop – 21″
Beatles Jr. – 14¼”
Mini – 5½”
“In March of 1964, Maestro Industries, Inc. introduced the Beatles line at the Toy Show in New York. This line included four-string guitars, six-string guitars, plastic bongo drums, and plastic banjos. In 1965, the available line of plastic instruments included various guitars, ukuleles, wind instruments, and percussion instruments, and productions and introductions of new variations continued for a few years thereafter.” – French American Reeds, Inc. – History (2020).
The Beatle-ist Guitar
Mass-produced by Mastro in 1964, the ‘Beatle-ist’ plastic six-string guitar was pink and burgundy, 30½” long, and covered with the band’s faces, names, and autographs on the front of the body. The front of this version read “The BEATLES – Beatle-ist Guitar,” shrink-wrapped and packaged on a backing card with a pick, instruction booklet, and a strap. The instrument came with three colored nylon and three wound strings, labeled in Mastro’s catalog as “No. 340.” They were packaged six to a shipping box as a 21″ x32″ x12″ unit weighing 18 lbs. Mastro also produced another version in orange and burgundy. There was an advertised promo version “with highlighted faces,” but one hasn’t turned up yet.
Another guitar produced by Mastro was the ‘Yeah Yeah’ six-string guitar. It was red and burgundy, 22″ long, and came with the Beatles’ title, faces, and autographs on the body (their faces on the crown.) Earlier promotional versions had the faces printed “highlighted” on a white background. Initially sold shrink-wrapped to a sealed backing card with a pick and instruction booklet, the original retail price doubled that of the “Four Pop” ukulele. The instrument came with six nylon-colored strings and was labeled in Mastro’s catalog as “No. 330.” They were packaged twelve to a shipping box as a 17″ x16″ x24″ unit weighing 14 lbs.
Mastro Beatles Guitar
The Beatles Guitar/ Ukulele
Another design by Mastro was the ‘Four Pop’ four-string plastic guitar/ukulele. It was 21″ long with a red and pink body, three colored nylon strings, and one wound string. This version also came in orange and red. It had the band’s faces on the front and guitar head and autographs on the body, and it came shrink-wrapped on a backing board with a red toy pick, an instruction/songbook, and a strap with “Made in the U.S.A. Under License” printed in black. Some designs included “Four Pop” or “FOUR POP” written on the body. A scarce promo version of the ‘Four Pop’ guitar exists. It had a red body and a burgundy neck with Beatles images on the headstock. This design was sold in shops for a short period before they switched to the more familiar red body and pink neck style. The “Four Pop” was labeled in Mastro’s catalog as “No. 320″ and packaged twelve to a shipping box as a 16″ x16″ x23” unit weighing 14 lbs.
“We made so many ukuleles and the Ringo bongo drum. The ukulele had pictures of the Beatles’ four heads on the top. That period was something else. We sold so many instruments.” – Maria Maccaferri (The Ukulele Occasional)
The Junior Four-String
The ‘Junior’ four-string (3 colored nylon and one wound string) plastic guitar/ukulele was 14¼” in length. It came in three color combinations. One version was pink and burgundy, with another being orange and red (with a small and large graphic of Beatles pictured on the body and crown/head with a 9¾” scale). A third version was a red and maroon promotional display version.
The item had “Jr. Guitar” printed on the front, was packaged on a colorful sealed backing card/board, and included a pick and an instruction booklet/songbook with “Made in U.S.A. Under License” printed in black. There were two variations: the headshots were small, and the other headshots were more significant. The “Junior” was labeled in Mastro’s catalog as “No. 300″ and packaged twenty-four to a shipping box as a 16″ x11″ x16” unit weighing 26 lbs.
“Because of the plastic used [they had] developed a kind of partnership with Dow Chemicals in order to find the best “resonating” polystyrene. The best one they called “Styron.” All the ukes were made in Styron.” – Antoine Carolus (UkeHeidi)
Mastro Advert
Mastro also made “Pin-Up” guitar brooches. Each of these measured 5½” in length. These little plastic pink guitars (with two rubber bands as ‘strings’) were produced with a small hook in the back (lapel clip) for fans to wear as pins. Mastro made two slightly different versions, one with a blue silkscreen-type print and one with dark pink. They had Beatle faces and first-name autographs on the front. The display card for the pins measured 10”x10” and held 12 guitars. It also had a Beatle image on it. There were also some shipping boxes that you could transform/fold into a countertop display.
The NEMS Agreement
The NEMS agreement was with Selcol Products Limited, 114-116, Charing Cross Road, London, W. C. 2. The date of the agreement for the manufacturing license was December 16, 1963, for the ‘different types of guitars.’ Selcol then sub-licensed the guitars to Mastro in the U.S. for manufacturing. Selcol, in the U.K., was an associate company of The Selmer Company, which made plastic toys and garden furniture. In 1968, Selcol Plastics closed.
Find out more about this guitar and Beatles memorabilia in Terry’s excellent book:
NEMS and the Business of Selling Beatles Merchandise in the U.S. 1964-1966 (2ND EDITION)
The book covers the approximately 150 licensed items that dotted store shelves and helped fuel the band-crazed fan during the time right after the band landed in America and performed on The Ed Sullivan Show. Toys, games, dolls, jewelry, clothing, wigs, and more!
Ringo had made his debut with The Beatles at Hulme Hall, Port Sunlight, on 18th August 1962. However, if the reception wasn’t great at Hulme Hall, he was in for a rude awakening four days later at the Cavern Club. Debbie Greenberg remembers it well.
“Overnight, the Beatles had a following of devoted fans and I was one of them,” recalled Debbie. “The amazing thing about the Cavern was that the Beatles and all the groups were so accessible. We were literally inches away as they played.
“Pete Forever, Ringo Never”
“The girls went crazy when Pete Best was sacked and replaced by Ringo. Pete was sultry, fiercely good-looking and oozed sex appeal. They would heckle the Beatles when they were on stage, shouting; “Pete forever, Ringo never.” We were all outraged and couldn’t understand why Ringo was the new drummer. The sound didn’t seem any different to us.
Rumours about Pete’s dismissal circulated around Liverpool. Some said he was too good-looking and Paul was jealous because he was getting the most attention from the girls. Others said Brian Epstein had decided his drumming wasn’t good enough. I don’t suppose any of us will ever get to the bottom of it; even Pete Best didn’t know why he was dropped.
“Hi there, all you cave-dwellers”
“The Beatles inspired many groups to embrace rock ‘n’ roll – and they all wanted to play the Cavern. The resident DJ, Bob Wooler, would always introduce the show with, “Hi there, all you cave-dwellers. We’ve got the Hi-FI high and the lights down low.” At the end of the night he always played “I’ll Be There” by Bobby Darin and we all knew it was time to leave. It was never the signal to get romantic as it was in other clubs. It was just time to go and catch the bus home.”
GET YOUR COPY OF DEBBIE’S GREAT BOOK ABOUT THE CAVERN
Cavern Club – The Inside Story
This first-hand account of Debbie’s teen years frequenting and eventually helping to run the original Cavern Club is the authentic inside story of the Beatles launch pad, full of triumphs and failures – and surprise celebrity encounters.
£17.25Original price was: £17.25.£13.50Current price is: £13.50.
It is a day that has gone down in Beatles history and surrounded by myths, conspiracy theories and misdirection.
What really happened to Pete Best on that day? Was he fired?
The full story is in Finding the Fourth Beatle, but in the following YouTube video, David Bedford explains what really happened. Discover whether Pete Best was fired by Brian Epstein or not.
“If I Fell” from A Hard Day’s Night by Tim Hatfield
John Lennon said that this was his first attempt to write a “ballad proper,” and was a precursor of “In My Life” (#40), perhaps the most popular ballad he ever wrote. Paul McCartney pointed out in Barry Miles’ Many Years from Now that although people generally thought of John as:
an acerbic wit and aggressive and abrasive, but he did have a very warm side to him…that he didn’t like to show too much in case he got rejected.
Dripping in Chords
The song was, as Paul described it, “dripping in chords,” and featured very tight two-part harmony by John and Paul, Everly Brothers-like, following an acoustic solo introduction by John. John sang the low harmony, and when recording in the studio in 1964 the pair used a single microphone for the vocals.
If I Fell Over?
On the Beatles 1964 tour it was the only ballad on the playlist, which often was a big problem because John and Paul could not hear themselves over the screaming girls in the audience. Although I’ve not seen them, there apparently are some bootleg videos of them trying to stifle laughs while singing the song, which they jokingly called “If I Fell Over.” In the film A Hard Day’s Night, the song was featured in a scene in which the band was getting ready for a concert, just one example of their playful side – John sang the sweet introduction to Ringo while he was setting up his kit.
During Hard Times
During hard times of any kind, I hope you can experience some moments of playfulness, despite whatever ongoing legitimate concerns beset you. Stay strong, all.
This was the very first colour photo published of John Lennon, Paul McCartney and George Harrison, taken in those early days, but when was it taken?
When working on my book, “The Fab One Hundred and four: The Evolution of The Beatles” way back in 2011, there was no date to be found. Memories were hazy and all we knew was that it was taken at Paul McCartney’s cousin Ian Harris’ wedding reception, most probably during 1958.
John, Paul, George and Denis
I managed to track down the guy on the right of the photo having a drink, Denis Littler, who was one of Ian Harris’s best friends, remembered the day, jamming with John, Paul and George, but not the date of the wedding.
Find out how I dated the photo in this video:
Get your copy of my book below too:
The Fab One Hundred and Four: The Evolution of The Beatles
The Fab one hundred and Four: The Evolution of The Beatles tells how the four Quarrymen became the Fab Four of John, Paul, George and Ringo.
£49.00Original price was: £49.00.£20.00Current price is: £20.00.
