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The Beatles Debut at The Cavern Club: 9th February 1961

The Beatles at the Cavern in 1961
The Beatles at the Cavern in 1961

Debbie Greenberg, our resident Cavern Club expert, looks back at the very first time The Beatles appeared at the legendary Cavern Club. In an excerpt from her book, Cavern Club: The Inside Story, Debbie discusses The Beatles debut.

“The Cavern’s identity started to change at the start of the decade. Rock ‘n’ roll replaced jazz and the Cavern became the heart that gave Mersey its beat.

Debbie with Paul McCartney
Debbie with Paul McCartney at The Cavern

“We watched The Beatles debut at The Cavern lunchtime session on 9th February 1961. We were blown away. The Beatles were different, their music was incredible, their appearance raunchy, their energy infectious. They just oozed excitement.

“Six weeks later on the 23rd March, after a lunchtime session at the Cavern, they jumped on a train at Liverpool’s Lime Street Station on their way to Hamburg for a second time having previously played there in 1960.

We Missed Them

“This time they sped out of our lives for four months. We missed them, but still went down to the Cavern to watch the other groups, like Gerry and the Pacemakers, The Singing Blue Genes, The Remo Four, Kingsize Taylor and the Dominoes and many more.

“They were all fabulous groups but they weren’t The Beatles.

The Beatles on the Ed Sullivan Show
The Beatles on the Ed Sullivan Show

Exactly three years to the day from their debut at The Cavern Club in front of a couple of hundred fans, they appeared in front of 73 million Americans on the Ed Sullivan Show.

What a journey they had made in just three years.

Find out more about the story of The Cavern Club in Debbie’s book, Cavern Club: The Inside Story.

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“Girl”, by The Beatles

Girl by The Beatles
Girl by The Beatles
“Girl” by The Beatles

“Girl” by The Beatles from Rubber Soul

Two full years before Sergeant Pepper, with Rubber Soul the Beatles were beginning to write much more complex songs than the pop songs for which they first had become popular, and because of which Sergeant Pepper was so iconic. “Girl” was one of those songs. Many were focused on women, many on love in general, but they were a universe apart from the early songs. The narratives, the instrumentation, the lyrics, the interest in experimenting with different types of music all went to a new level. 

“Girl” was one of the watershed songs from Rubber Soul, the last song recorded for the album.  The subject matter, again, was about an idealized girl, “the kind of girl you want so much it makes you sorry,” who makes your very intake of breath accentuated. But the harmonies were impeccable as always, the staccato background vocals in the bridge were a naughty schoolboy joke that were sneaked in past the producer George Martin, the guitar solo at the end could have been for a Greek folk song, and the lyrics were…poetry:

Was she told when she was young


That pain would lead to pleasure?…


That a man must break his back


To earn his day of leisure?


“Love love me do, You know I love you” this was not.

The Beatles grew, and continued to grow.  We can, too, including during challenging times. And in troubled times for an entire society, it is imperative that we grow beyond where we have been.  If only the growth of our civic and humane sensibilities could be anywhere as rapid as the growth of the Beatles’ creative powers.

But. We. Cannot. Let. This. Pivotal. Moment. Go. By.

Tim Hatfield

Get a copy of Tim’s inspirational book on Beatles lyrics

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Exclusive Photos of John and Yoko – Some Never Seen Before

John and Yoko
John and Yoko at the Top of the Pops Studio

John and Yoko at the BBC

Bill Zygmant took some of the most iconic photographs of the 1960s, with many of The Beatles. He took the very first photos of John and Yoko and, when told that John would be on the BBC show “Top of The Pops”, he gained exclusive access to the rehearsals.

“I took the last photos of John and Yoko together before they left for America in 1971. The photos of the two of them cuddling were really natural, and after a few pictures, Lennon signalled to me that that was enough, so I stopped.

Were They In Love?

“If anyone asks me if they were in love, then I say yes. You could tell when they were together, especially away from the camera. I was the only photographer allowed in the studio for the rehearsals, but not for the “live” show, because the BBC had their own photographers present, so I wasn’t allowed to be there then. John was singing “Instant Karma”, while Yoko sat there with what many thought was a napkin, but was actually a sanitary towel.

“I did lots of Top Of The Pops pictures over the years, through knowing the agents. I was well known at the BBC as I was there so often. A lady who worked there said that “you have first choice of anyone at the BBC”.”

Get Bill’s incredible book of photographs and stories now PLUS a FREE SIGNED PHOTOGRAPH of John and Yoko

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I’m Going on the Magical Mystery Tour! Go on Shirl!

Magical Mystery Tour Photo
Can you spot The Beatles?
Can you spot The Beatles?

Roll Up for the Magical Mystery Tour

Shirley was my client for many years at Vidal Sassoon and she often used to say to me that she accompanied Cliff Richard, Liberace and Engelbert Humperdinck on their shows.

When I was listing to The Beatles rehearse at Trident Studios, John Lennon happened to say if anyone knew an accordionist. I said to him that I have a client who plays accordion professionally.

John asked if I could you tell her to ring Derek Taylor and he would put her in touch with him.

When she came in a few weeks later I asked her what she has been doing. She said a few TV shows etc, then asked what I have been doing?

Go With The Beatles on a Coach!

Ringo on the set of Magical Mystery Tour
Ringo on the set of Magical Mystery Tour

I said if you could keep it quiet and don’t tell anyone I have been invited to go with the Beatles on a coach and they are making a film called the Magical Mystery Tour.

She looked at me and said that if I could also not tell anyone  she had also been invited by John Lennon to go on the coach.

Shirley’s Wild Accordion

And that is why we had “Shirley’s Wild Accordion.”

You can read may more stories about my time as the Beatles hairdresser in my book THE CUTTING EDGE which can be purchased

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“No Lonnie Donegan, No Beatles”

Lonnie Donegan
King of Skiffle, Lonnie Donegan
King of Skiffle, Lonnie Donegan

Lonnie Donegan – Inspired The Beatles

When George Harrison declared that “No Lonnie Donegan, No Beatles”, he was joined by virtually every ’60s musician in that sentiment. What he created was a revolution in the music scene, inspiring young people to pick up guitars and start groups.

Born April 29th, 1931 in Glasgow as Anthony James Donegan, the name Lonnie came when a compere announced Lonnie Johnson, an American blues singer, as Tony Johnson and then went on to announce Tony Donegan as Lonnie Donegan and the new name stuck.

London

It was when the family moved to the East End of London in 1933 that things changed for young Donegan. Lonnie’s father was a classical violin player in the Scottish National Orchestra and encouraged his son to play. Lonnie learnt the guitar by the age of nine, but it was 1942 before he bought his first instrument.

Country Roots of Lonnie Donegan

Donegan’s first taste for Country music came when listening to music by Frank Crumit and Josh White. Among those first songs were “Frankie And Johnny” and “The House Of The Rising Sun.” One day while riding on a train, jazz musician Chris Barber approached him to join his band as a banjo player and that was his first break.

In 1949, Lonnie was conscripted for his National Service and was posted to Vienna, Austria, where he mixed with the American troops and listened to AFN radio (Armed Forces Network), further deepening his love of Country music. Hank Williams was touring the US bases at this time and this inspired him too. It would be those country roots that formed the heart of the skiffle craze.

In 1952 he formed his own band, the Tony Donegan Jazz Band, which brought about the name-changing tour with Lonnie Johnson.

Skiffle

He rejoined Chris Barber who had amalgamated with Ken Colyer for a supergroup and then Lonnie started to fill the intervals as a trio, playing Country/ skiffle, as it became known, he had Chris Barber on upright bass and Beryl Brydon on washboard percussion. Entertaining the punters brought about an opportunity that not even Donegan would have dreamed of.

Rock Island Line

Being a few songs short on an album, Donegan suggested recording a couple of their skiffle songs, like “Rock Island Line”, and released as singles. The sales of these rocketed, appealing to a teenage audience who made Lonnie a star. On both sides of the Atlantic, “Rock Island Line” sold by the thousands and made him a household name, though he didn’t make a penny from the sales: he purely got a musician fee for the session.

He then went to America and had great success touring with many artists, including Chuck Berry. A new genre of music was born teaming Country with jazz and blues.

The Country Roots of The Beatles

Donegan’s “Rock Island Line” inspired John Lennon and his friends to start a skiffle group, The Quarrymen picked up their instruments along with thousands of others in the UK. Those country roots of Donegan and skiffle defined the early Quarrymen sound and, as demonstrated in my book “The Country of Liverpool“, those country roots came through in their recording career too.

David Bedford

Find out more in “The Country of Liverpool: Nashville of the North”.

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When Did George Harrison Join The Quarrymen?

George Harrison joins The Quarrymen
When Did George Harrison Join The Quarrymen?

When Did George Harrison Join The Quarrymen?

There have been different dates given for when George Harrison joined The Quarrymen, varying initially from February 1958 to March 1958.

However, when working on his 2nd book, “The Fab One Hundred an Four: The Evolution of The Beatles“, David Bedford realised that those 2 dates couldn’t be right.

Find out when it was in this YouTube video – and don’t forget to subscribe too!

httpss://www.youtube.com/watch?v=oHUkSnxdCSU

Get your copy of David’s book now for only £20.