It is a day that has gone down in Beatles history and surrounded by myths, conspiracy theories and misdirection.
What really happened to Pete Best on that day? Was he fired?
The full story is in Finding the Fourth Beatle, but in the following YouTube video, David Bedford explains what really happened. Discover whether Pete Best was fired by Brian Epstein or not.
“If I Fell” from A Hard Day’s Night by Tim Hatfield
John Lennon said that this was his first attempt to write a “ballad proper,” and was a precursor of “In My Life” (#40), perhaps the most popular ballad he ever wrote. Paul McCartney pointed out in Barry Miles’ Many Years from Now that although people generally thought of John as:
an acerbic wit and aggressive and abrasive, but he did have a very warm side to him…that he didn’t like to show too much in case he got rejected.
Dripping in Chords
The song was, as Paul described it, “dripping in chords,” and featured very tight two-part harmony by John and Paul, Everly Brothers-like, following an acoustic solo introduction by John. John sang the low harmony, and when recording in the studio in 1964 the pair used a single microphone for the vocals.
If I Fell Over?
On the Beatles 1964 tour it was the only ballad on the playlist, which often was a big problem because John and Paul could not hear themselves over the screaming girls in the audience. Although I’ve not seen them, there apparently are some bootleg videos of them trying to stifle laughs while singing the song, which they jokingly called “If I Fell Over.” In the film A Hard Day’s Night, the song was featured in a scene in which the band was getting ready for a concert, just one example of their playful side – John sang the sweet introduction to Ringo while he was setting up his kit.
During Hard Times
During hard times of any kind, I hope you can experience some moments of playfulness, despite whatever ongoing legitimate concerns beset you. Stay strong, all.
This was the very first colour photo published of John Lennon, Paul McCartney and George Harrison, taken in those early days, but when was it taken?
When working on my book, “The Fab One Hundred and four: The Evolution of The Beatles” way back in 2011, there was no date to be found. Memories were hazy and all we knew was that it was taken at Paul McCartney’s cousin Ian Harris’ wedding reception, most probably during 1958.
John, Paul, George and Denis
I managed to track down the guy on the right of the photo having a drink, Denis Littler, who was one of Ian Harris’s best friends, remembered the day, jamming with John, Paul and George, but not the date of the wedding.
Find out how I dated the photo in this video:
Get your copy of my book below too:
The Fab One Hundred and Four: The Evolution of The Beatles
The Fab one hundred and Four: The Evolution of The Beatles tells how the four Quarrymen became the Fab Four of John, Paul, George and Ringo.
£49.00Original price was: £49.00.£20.00Current price is: £20.00.
Join David Bedford, one if the authors of The Beatles Fab Four Cities book, as he uses his book to take a walking tour of the famous Beatles locations.
This was the last song recorded for the Revolver album, a John Lennon song with some help from George, and harked back to a strange incident in a rented home in Los Angeles while the Beatles were doing several concerts on the West coast.
LSD and The Byrds
Roger McGuinn and David Crosby of the Byrds were among a bunch of people in the home that day for an LSD party with the Beatles (all except Paul, who abstained). At one point, George Harrison said he was afraid he was dying, and actor Peter Fonda, also present and tripping, did what he could to reassure George that he would be OK. But he also went on at some length about how he had almost died when he was a young boy, and then said, “I know what it’s like to be dead.”
When I Was A Boy
John Lennon heard him and went ballistic; he didn’t want anyone to be talking to his friend about being dead, let alone some guy in sunglasses who he didn’t know. But Fonda’s one-liner proved to be very generative – it stuck with Lennon, who changed “he” to “she” and softened his rage so that early iterations of the lyrics also were more even, more accessible. By the time that George stopped by John’s house one day the next year, John had fragments of more than one song he was working with, including one about childhood innocence (“When I was a boy everything was right”) that George helped him combine into what would that be the final version of “She Said She Said.”
McCartney Opted Out
It may be no coincidence that, as at the party in California, McCartney opted out of this song as well, one of the only Beatles tracks on which he does not appear at all. The song is officially attributed to Lennon/McCartney, but it would have been more accurate to describe it as a Lennon/Harrison piece. McCartney recalled in Many Years from Now,
I think we’d had a barney [a noisy quarrel]…and they [John, George, and Ringo] said, “Well, we’ll do it.” I think George played bass.
George Played Bass
And they did. John sang lead, played rhythm guitar, and added a track on a Hammond organ; George did the harmonies, played a raspy, sitar-like lead guitar, and played the bass guitar track; and Ringo’s drumming was described by Rolling Stone as “spirited.”
No LSD
It would not be much of a stretch, I think, to say that we have been living in a surreal time in 2020 and 2021. No LSD is necessary for us. And we – the collective WE – need to persevere and do something about our major national challenges before (how many more?) people know, quite literally, what it’s like to be dead.
Leslie Cavendish, hairdresser to the Beatles, recalls one of his favourite Paul McCartney stories.
My Grandmother who lived with us said to me when I got home in her thick eastern European accent that “a Paul McCartney” phoned for you. Really? What did you say to him?
“We had a nice little chat and told him that I would pass on the message.”
She wasn’t quite sure who he was so I said to her that he was a member of The Beatles, and she replied, “Oh, when you speak to him tell him he needs a haircut.”
Grandma, you do know that I cut his hair?
Really!
Discover more great stories in Leslie’s fascinating book:
The Cutting Edge (Paperback)
The Beatles’ hair changed the world. As their increasingly wild, untamed manes grew, to the horror of parents everywhere, they set off a cultural revolution as the most tangible symbol of the Sixties’ psychedelic dream of peace, love and playful rebellion. In the midst of this epochal change was Leslie Cavendish, hairdresser to the Beatles and some of the greatest stars of the music and entertainment industry.