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Apple Records – Lost Records and Demos

Inside Number Three
Inside Number Three

Apple Records

As with all record companies, demos and lost recordings always feature, and it was the same with Apple Records too. However, those demos and lost recordings always resonate more with fans and some of these will feature in the next book, Deeper Inside No 3. Lost recordings and records always have a mystique, and these most certainly do. The photographs are as follows:

No. 1. Hey Jude / Revolution

Hey Jude / Revolution

This is a test pressing of that recording before the Parlophone Catalogue Number was applied R 5722. Shown here is the B side, which contains the handwriting for Promo Identification.

No. 2. Apple 8 King of Fuh – Brute Force.

Apple 8 King of Fuh - Brute Force
Apple 8 King of Fuh – Brute Force

So much again has been said about this issue, but a quick re-brief follows. Recorded and Written by Steve Friedland and first rejected by Capitol in the USA, John Lennon and George Harrison liked the content humour and agreed to release the song. Large numbers were pressed and issued to Media people, and when the song was finally listened to, it was agreed that it simply could not go out, so was recalled and dropped. Copies are changing hands at over 3,000 pounds.

No. 3. Que Sera Sera Apple 16 – Mary Hopkin.

Kay Sera Sera Apple 16 - Mary Hopkin
Que Sera Sera Apple 16 – Mary Hopkin

This single flopped when issued failing to chart anywhere in the world. Mary never liked the song and was against its release, so really her heart was not in it. Unsurprisingly it flopped and despite a re-release on Apple 27 it failed again, and both copies were quickly withdrawn.

No. 4. Happiness is a Warm Gun in Your Hand – The Beatles Demo Pressing.

Happiness is a Warm Gun in Your Hand - The Beatles Demo Pressing
Happiness is a Warm Gun in Your Hand – The Beatles Demo Pressing

This was a first-finished pressing for demo and listening only. Ostensibly a John Lennon song, as with the contract situation, the demo pressing was labelled as an EMI Recording, not Apple. This is one of the very few one-sided records in existence. Having been given this copy, in 1968, it has remained in my collection since then stored away from sunlight. This was to be the title until changed to the one we know today. The song was also reworked, mainly with the Tuba and brass moved backwards into the final mix.

No.5. Badfinger Apple 35 – Suitcase / The Name of the Game

No.5. Badfinger Apple 35 - Suitcase / The Name of the Game
No.5. Badfinger Apple 35 – Suitcase / The Name of the Game

Recorded by the band and planned as a single release during 1971/72. The songs were duly finished and were selected as the single APPLE 35. The finished recordings were listened to again, and George Harrison, who largely took Badfinger under his wing was rather scornful of the songs, saying that they were not strong enough. Maybe he was right at the time, but it’s worth remembering that when various compilations of Badfinger were assembled, both tracks were often included in the presentations.

This is just a sample of some of the lost and missed recordings. More will be found Deeper Inside No 3. Can you wait for it?

Nigel Pearce

In the meantime, get Nigel’s great book, Inside Number Three

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Apple – Inside Number Three Book – Roadshow Presentation

The anticipated follow-up to the successful book Inside Number Three has now fully materialised as a fully-fledged and produced Presentation Event.

The unique book written and assembled by Nigel Pearce, Inside Number Three has now become a living presentation experience and has already made a brilliant start in bringing that world live to an audience. It takes you back to a different long-forgotten world. which only makes one wish you could stay there and live it all again.

Using his beautifully displayed collection of Apple memorabilia,(or this part of it!) as a colourful base, Nigel has expanded the publication into a living retrospective, of the revolutionary world hidden behind that famous white door at No 3 Savile Row, London W.1

Accompanying this excellent presentation are some of his precious artefacts, including records, posters, memos, and video collages showing artists and other advertisements of that time between 1968 -1976.

Apple Artifacts
Apple Artifacts
Number 3 Savile Row
Number 3 Savile Row
Apple Singles
Apple Singles
Apple Studios
Apple studios
Badfinger
Badfinger
Badfinger - Finest Moments
Badfinger – Finest Moments
Mary Hopkin - Que Sera Sera
Mary Hopkin – Que Sera Sera
Mortimer
Mortimer
Mary Hopkin - Temma Harbour
Mary Hopkin – Temma Harbour
Trash
Trash
George Harrison on Zapple
George Harrison on Zapple

By using these items as an educational and illustrative synopsis, one is given a rare insight into those long-lost colourful days and times long passed. It reinvigorates those memories from grainy flashbacks into vivid colour, and brings them once again to life. It also educates those fans who were not there and illustrates how revolutionary those at Apple were.

By careful use of marrying the book, with on-screen photographs and artefacts, coupled with his own knowledge and delivery, you have an event that you will never forget, which includes time for questions and further discussion.

For a current review please visit norfuknews.com to find out more, and Nigel has already opened for Steve Hackett for one of his famous acoustic weekends.  This presentation makes for a perfect Beatle-orientated event, so for further details please contact us here at The Beatles Bookstore, or via www.insideandoutsideno3.com where your enquiry will be dealt with.  

More news to come!

Nigel Pearce

Get Nigel’s Book Here

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Number Three Savile Row – Exclusive News!

Number Three Savile Row - Apple HQ
Number 3 Savile Row – Apple HQ

The First is a real exclusive !! Nigel Pearce is with the help of John “Buzz” Bezzini, and David Bedford, is going to release a book on the history of the actual Building No. 3 Savile Row. It is going to be a one-off special pressing release detailing the history of the building from its construction to the present day. 

This will include its base for the British Admiralty, events coming from that, being the home of several British notables, and its link to The British Bowler Hat. We also will be printing a full Brochure detailing the building when put up for sale in the early 1900s. This will include complete details of the structure and rooms at the time.

When Number 3 Closed
When Number 3 Closed

We will be mentioning the purchase for The Beatles to be the base for Apple Records etc. as well as a little section on the Get Back sessions. We will also re-print the affidavit submitted to the High Court by Alen Klein, for the famous case of Paul McCartney versus the other three Beatles and Apple Corps.

We will also reprint the full page published detailing the judgement given by QC Mr. Justice Stamp, who was presiding over the proceedings.

This publication again will be issued from documents held in my personal collection, and again many of which have been forgotten, or never seen. Discussions are being held now with publishers, and they are apparently very keen. More will be revealed.

A Rare Apple Record from Nigel's Collection
A Rare Apple Record from Nigel’s Collection

There is going to be another “Inside Number Three” Book titled ‘Deeper Inside Number Three‘ where we will take you further inside this colourful and magical world, which still fascinates, and mystifies so many Beatles and Music fans today nearly 60 years after the project started. Apple Records is a music phenomenon and is still an organisation of mystery and intrigue, but more will be revealed, as the famous song said in 1963 “It Won’t Be Long”.

There will be more to come!!

Nigel Pearce

Author Inside No 3

Get Your Copy of Inside Number Three Now

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D-Day Liverpool and Country Music!

The Country of Liverpool

In my book, The Country of Liverpool, I was told about an amazing club that was in Liverpool during the 1980s, which had a link to D-day, 6th June 1944. Mick Kinney, bass player with Phil Brady and the Ranchers, told me about the strangest club ever!

“One of our greatest and strangest experiences was playing on this boat at the docks in Liverpool. It was called the Club Ship Landfall, but we called it the Bad Ship Landfall. It was a large landing craft.

“This guy, Joe McGlory,” recalled Mick, “who owned a number of pubs in Liverpool, came up to us one night when we were playing for him. He says; ‘Hey Phil, you’re not going to believe this, but I’ve bought a boat and turned it into a club! It is down at the dock. I want you to play there, but it’s a late finish, so you can do your early gig and then come down and do the spot there about 12:30-2:30am. We did it for about three years. It was a bizarre place.

“The first time we saw it we went down after a gig and there was this huge boat in the dock with a gang plank that you walked over on. It’s an old army boat, one of those landing craft where the front comes down to unload whatever it was carrying. It had port holes down the side too. It was huge.”

D-Day Landing Craft

The Landfall was the LCT 7074 Landing Craft Tank and was used at D-Day in June 1944 at the Normandy Invasion. It landed tanks and troops on Gold beach on D-Day and continued to carry supplies across the English Channel over the next few months. She arrived in Liverpool in 1945 with a view to her being converted into an emergency repair ship for the Far East, but the Japanese surrender meant it wasn’t needed. It remained in Liverpool and was turned into a club, permanently based in Bramley-Moore Dock. 

The LCT 7074 Landing Craft
The LCT 7074 Landing Craft

“It had all been converted inside, so that when you went in around the middle, if you turned left, there was a disco, or to the right it was a club, and neither sound bled into the other club. It had a proper stage in each club and because it had double doors for each club, it was perfect. So it became the place to go for the lads after they’d finished playing. We played the Friday night and Saturday nights, so everyone knew Phil would be on, so they’d come down for a couple of pints. It was a bit rough and you’d get a couple of sconeheads, but it was good. That was around 1980.

The Guy Got Bottled

“There was one nasty incident when a guy got bottled. The other lad smashed a bottle and then cut the guy’s throat, so the blood was spurting out everywhere. He was losing a lot of blood and by the time the ambulance got there he was about to pass out. There was just this pool of blood by his foot where it had run down his body. Unreal. He lived though. We were playing when it happened and it was right in front of us. You had to be careful because there were some strange people who turned up there!

“By the time we finished playing, especially in the summer, the sun was already up and we were going home while the birds were singing, about 5 o’clock in the morning.”

Ford Cortina

“I remember coming out of the club one night with Phil, who had a Mark 3 Ford Cortina, bright yellow, vinyl roof and sports wheels. He said; ‘there’s a guy in my car and he’s trying to rob it’ but he didn’t see us. So I went over and opened the door. He was shocked, so I punched him and dragged him out of the car. Phil came over and started battering him with a mic stand! It was hilarious! The kid jumped up and started running away so Phil threw the mic stand at him and it hit him on the back!  So, he fell on the floor and rolled over, before jumping up and saying; ‘I’ll be back with my brothers’ etc. A strange experience!”

The Landing Craft Now

Who knew that the only surviving Landing Craft from D-Day on 6th June 1944 would end up in Liverpool? The craft was taken to Portsmouth and restored to its original state and is on display at the “D-Day Story” museum.

The LCT 7074 at Portsmouth
The LCT 7074 at Portsmouth

Get your copy of The Country of Liverpool: Nashville of The North now.

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Copyrighting The Beatles – NEW BOOK!

Copyrighting The Beatles

After over three years of research, Terry Crain’s newest book is out in digital form. This book, titled “Copyrighting The Beatles,” chronicles over 900 Beatles and Beatles-related copyrights from 1963 to 1966.

Over 300 Beatles Copyrights?

In the annuals of the Library of Congress, there are Beatles and Beatles-related copyrights for musical screenplays, lectures, spoken word writings, dolls, Beatles records, newspaper artwork, paintings, drawings, articles, toys, posters, albums, sculptures, jewelry, portraits, magazines, record cases, sheet music, novelty records, television scripts, newspaper cartoons, impromptu skits, books, photographs, documentary scripts, satire animations, cover records in French, Dutch, Spanish, and German, and more! This reference publication details the copyrights in chronological order, making it easy to follow the growth of this wild and wacky genre.

Copyrighting The Beatles
Copyrighting the Beatles

Novelty Records

Over 300 of these copyrights are Beatles novelty records in the genres of American folk, British folk, foxtrot, jive, samba, bluegrass, doo-wop, country, big band, blues, jazz, orchestral, spoken-word, surf, ska, and polka!

Designer, Beatles author, and collector Andrew Croft created the cover graphic, Tom Frangione wrote the Foreword, and Cha Chi Loprete wrote the Introduction.

Crain tells people “I’m unsure if I wrote a book, reference guide, or encyclopedia!”

The digital book can be ordered at the faBgear company at:

https://tinyurl.com/3pehjebw

Terry

Get Terry’s Other Great Book on NEMS and Memorabilia