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The Beatles First meeting with Brian Epstein: 3rd December 1961

Brian Epstein
Beatles Manager Brian Epstein
Beatles Manager Brian Epstein

Brian Epstein: After The Cavern

After having seen The Beatles at The Cavern, Brian Epstein had decided to become The Beatles’ manager. However, he had to convince them first. He summoned them to his office at NEMS and he was about to meet the group, but it wouldn’t go smoothly. Tony Broadbent, in an excerpt from his book, The One After 9:09, looks at this historic meeting.

The Beatles were coming to see him. Brian Epstein adjusted his tie for the umpteenth time and tried to stay calm. Over the last four weeks he’d seen ‘the boys’ perform many times at the Cavern. Had made a point of chatting to them on each and every occasion. Today was to be the first sit-down meeting at his office. He tried to work, but found himself fidgeting with excitement. So he went downstairs, into the store, aimlessly straightened a few things, then stood and looked out at a deserted Whitechapel.

There was little foot traffic, but that was quite normal for an overcast Sunday afternoon. He did notice, though, that what passers-by there were stopped to admire the store’s window-display, which was all very gratifying and a small thing, perhaps, but his own. Brian was shopkeeper enough to hope the interest shown would translate into Christmas sales. He consulted his wristwatch, winced, cleared his throat, shot his cuffs, blinked, and adjusted his tie again.

He’d toyed with the idea of wearing an open-necked shirt, silk cravat, and tweed sports-coat. All perfectly acceptable weekend wear. But as this could well be the beginning of a formal relationship with the group, he’d opted for workday business attire. It always paid to make the right impression. He looked at his watch again. They were now very late. He began to colour at the thought they might not come, at all, but as the flat grey December light slowly began to fade and the store darkened around him, he could do nothing but wait—and wait.

“Hey ‘oop? Is anyone in there? Mister Epstein, sir? It’s us.”

The Fab Three?

The banging on the store’s front door awoke him from his reverie and he quickly went to unlock it. There were only three Beatles standing there. He tried not to look too surprised.

“Hello. Thank you for coming. Let’s go up to my office, shall we? I see Paul isn’t with you. He’s not ill or anything, is he?”

“No, he’ll be along in a minute, Mr Epstein, sir,” replied John Lennon. “He probably just forgot to wind his watch.” The other two Beatles nodded in agreement.

Where is Paul?

He nodded, and led the way upstairs, but even after half-an-hour of strained conversation there was still no sign of Paul McCartney. He tried to still his growing frustration and the creeping sense of dread his dream was already stillborn. Almost at his wit’s end, he turned to the Beatle sitting nearest the door. “George, I wonder if you’d give Paul a ring…find out why he’s so late. I’d hate to think it was something serious. You can use the phone in the outer office.” The youngest Beatle raised his eyebrows in mock surprise, nodded, and left the room.

He smiled a thin-lipped smile at John Lennon and Pete Best, then turned and looked out of the window at the darkening Liverpool night. John pulled a face and retreated behind a handy copy of Mersey Beat. Pete did the same. And after more moments of pained silence, broken only by the murmuring from the outer office and the rustle of John’s newspaper, George came back into the room. He gently closed the door behind him, turned, and said, very calmly, “Paul’s just got up from having a nap. And he says he’s now going to have a bath.”

Very, Very Late!

Brian Epstein was incredulous. “But this…this is disgraceful behaviour. It means he’s going to be very, very late arriving.”

George nodded. “He’ll be very clean, though, won’t he?” he said, eyes twinkling, a slow smile twisting into a lopsided toothy grin. John sniggered behind the now shaking pages of Mersey Beat. Pete turned away; bit his lip. Brian Epstein blinked and blinked and blinked and suddenly his irritation completely dissolved and he started to laugh, not realising he’d just taken his first real step into the strange new world of Beatles.

When Paul finally arrived, more than an hour later, Brian Epstein was already manager enough to realise a change of scenery was called for and he suggested they all decamp to a local milk bar. Once he’d paid for everyone’s coffee and biscuits, there was little time left to beat about the bush. “Look, I don’t really know too much about managing a group, such as yours, but with all the contacts I have with the major record companies, in London, I feel certain I can help you and be of real assistance in your future endeavours. And, if you were prepared to go along with me and give me a chance, I feel sure we can do something really special together.”

London

The four Beatles listened intently to what Brian Epstein had to say. They appreciated his candour regarding his experience or, rather, the lack of it. They were already very wary of people who tooted their own horns too much. What really got to them was the magic word ‘London’. That’s where the real pot of gold was to be found—a recording contract with a major record label. It was, also, the very first time anyone had ever seriously asked about managing them. They’d be the first to admit they needed proper guidance if they were ever to achieve any real success. Still, they didn’t want to be rushed into anything, by anybody, however honest and charming they might seem.

When Brian Epstein had finished, John glanced at Paul, George and Pete, then back at their would-be manager. “Well, that’s all very nice, Mr Epstein, sir. We’ve all enjoyed the coffee and bikkies, and we definitely appreciate your interest in us. But you’ve given us a lot to chew over for one night. Plus, we’ve got to go play the Casbah Club, over in West Derby, before bedtime. So if it’s alright with you, like, we’ll just sleep on it.”

“Of course, of course. I mean, I wasn’t suggesting anything be resolved tonight.” He stood up, his hands open, his heart on his sleeve. “Thank you for hearing me out. And in closing, may I say once again how very special I think you all are, as individuals, and as a group.”

We’ll Think About it

Paul nodded, smiled, and held out his hand. “Thank you, for your interest, Mr Epstein. We’ll definitely think about it.”

He grasped the opportunity. “Then perhaps we could all meet later in the week to discuss any further questions you might have?”

Paul glanced at John, who nodded back.

“Yeah, okay then, Mr Epstein. Later this week, it is.”

“Would Wednesday afternoon be too soon? Only it’s half-day, early closing at the store, and you’re booked to play the Cavern that evening, so you could come over before that, couldn’t you?”

He knew their schedule. That was flattering. It said a lot.

“We could,” George drawled, “once we’ve all taken a bath, like.”

Get Tony’s fascinating book, The One After 9:09 here

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The Beatles Get Back: Do We Owe An Apology?

The Beatles Get Back
The Beatles Rooftop Concert
The Beatles Rooftop Concert

Let It Be?

With all of the publicity surrounding the “new” Beatles Get Back film directed by Peter Jackson, I have had countless conversations about the new film. The anticipation is at almost fever pitch as the trailers we have seen look incredible.

It made me decide to back and watch the original “Let It Be” film that was directed by Michael Lindsay-Hogg. It has been years since I last watched it and through all the discussions over those years, one theme seems to permeate through everything: we were watching The Beatles fall apart. But were we?

Paul and George Argue

The most famous element was always the argument between Paul and George, where George tells Paul that he will play whatever Paul wants him to, or he just wouldn’t play. Fans also refer to Yoko being permanently at John’s side, which she was.

But was it a negative film? Is it too painful to watch?

I have to admit that I thoroughly enjoyed watching it again, and it was filled with lots of fun scenes where you could see all four of them enjoying what they were doing, especially when they break out into funny arrangements, or the silly voices come out, like in “Besame Mucho”. But, it wasn’t the dark, depressing film that I seemed to think it was.

The Beatles Rooftop Concert

Then of course, we end with that incredible rooftop concert. How Lindsay-Hogg and his team were able to capture that is incredible, with the limited technology and space available. Plus, when you see them performing, I think they were recapturing memories of playing to crowds, which they hadn’t done since August 1966. The Beatles were enjoying themselves and it still such an iconic film.

Apology Needed?

We know Peter Jackson’s 6 hour special series is going to be superb, and it will have been worth the wait. However, I believe we also owe an apology and debt of thanks to Michael Lindsay-Hogg who has probably had a lot of negativity surrounding the film he made. He did a great job with what he had to work with.

Let It Be or Get Back?

Yes.

Enjoy the original, but I can’t wait for the new one too.

David Bedford

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Remembering George Harrison with The Beatles Era

With The Beatles
With The Beatle
With The Beatles

The Beatles Era

As we come to remember George Harrison 20 years after he died, Peter Eijgenhuijsen looks at the cover to With The Beatles.

A friend of mine, a hard-core Beatles fan, came up with the idea of The Beatles Era when George died in 2001, this month twenty years ago. My friend was on a business trip to the United States, when he saw, in one of the offices he visited, a newspaper clipping on the wall. It showed just a picture of the cover of their second album With the Beatles with the left side made black. Only Paul and Ringo were looking at him, with serious faces, as if they were aware of their inevitable erasure.

It was then, that he realized that we were entering a new phase, that nothing would be the same ever again. It was then that he got the inspiration for his theory that we all live in The Beatles Era. An Era that can be divided in five periods: Before the Beatles, The Beatles Years, The Solo Years, The Reduced Solo Years, the period we currently live in, and the last and fifth period After the Beatles.

Everything Has a Meaning

One day, when I visited him, he showed me the impact of that moment with the album cover of With the Beatles. It was scary. The black and white picture, with from left to right John, George, Paul, and Ringo. When I covered the left side to get the effect of the newspaper picture, I understood that the effect must have been very powerful. “Of course,” my friend said, “we do not know how the period The Reduced Solo Years will end, but the order of the individual Beatles on the album cover does not look insignificant to me.” “Everything on the cover of Beatles albums, has a meaning,” I said. “Intentionally or unintentionally.”

Inspired by this story, I used the theory of The Beatles EraA Quest for the Secret of The Beatles to unravel the secret of the Beatles.

Peter Eijgenhuijsen

Get Peter’s book, The Beatles Era now

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10th November 1961: The Beatles at Operation Big Beat (Part 1)

The Beatles at Operation Big Beat
The Beatles at Operation Big Beat
The Beatles at Operation Big Beat

The Tower Ballroom, New Brighton

The Beatles appeared at Operation Big Beat, the most impressive line up of Merseybeat bands ever! Tony Broadbent adds the drama to this incredible event.

The dense blanket of fog had come up river late that afternoon. No one had expected it. Not even the weatherman on the telly the night before. First report of it was on the midday shipping forecast on the radio. And by mid-afternoon tongues of fog had already moved across Liverpool Bay and were licking hungrily at Wallasey, Bootle, and Crosby. By teatime, both banks of the river and ‘the Tower’, at New Brighton, were shrouded in a grey-green fog the colour of the Mersey.

All of Liverpool was completely fogbound.

“What the bloody hell did I do in my past life to deserve this?”

“Don’t know, Sam, but it must’ve been something pretty bad.”

“Bloody hell, Terry, will you look at that bloody fog.”

“Well, I would, like, if I could see anything.”

“Alright, smart arse, back inside the Grapes. This calls for some serious drinking. I’m ruined I am, bloody ruined. What time is it?”

The Beatles will Get Through

Sam Leach (right) with Paul McCartney and Pete Best
Sam Leach (right) with Paul McCartney and Pete Best

Spike glanced at his watch. “Five past, Sam. But no need to worry, I’m sure The Beatles will get through.”

“I don’t doubt it, Spike, especially with that mad sod, Nelly, driving. No, it’s the fans I’m worrying about. What with all the ferries being stopped and most of the busses not running, how in hell they’re going to get themselves there, I don’t know. You couldn’t find the bloody Tower in this fog, even if it fell on top of you. We’ll be bloody lucky if we can find it ourselves. The real sod of it is, though, ticket sales have been much less than I’d hoped. You’d think the kids had given up on rock ‘n’ roll.”

“Maybe for one night, Sam. But not in our lifetimes, they won’t.”

“Thank you, Sigmund Freud. What time is it?”

“Quarter past. What time did Neil say he’d have them here?”

“Half-past. But in this pea-souper, who the heck knows?”

Terry McCann arrived with a tray of drinks. “Look on the bright side, Sam. Just imagine The Beatles and Gerry and Rory all playing their hearts out at ‘the Tower’ just for us. Cheers.”

“I tell you, I’m ruined I am, totally bloody ruined. Cheers. Talking of which, what time is it?”

“Nigh on half past, Sam. Stop yer worrying.”

“That’s all very well for you to say, sunshine, but…”

Neil Aspinall’s Battered Bedford Van

A car-horn beeped a tattoo outside in the street and eyebrows shot up in question and hope. Spike was already at the pub door. “It’s them. All aboard the New Brighton ferry!” They downed their drinks in a rush, piled out of the Grapes, and into the back of Neil Aspinall’s battered Bedford van.

“ ‘Lo Sam. ‘Lo fellas,” chorused Neil and The Beatles.

“Get yer arses in quick or we’ll all catch our deaths,” shouted John Lennon.

“All arses aboard and accounted for, sir,” yelled Sam. “Hey, thanks for turning up, lads. At least tonight won’t be a complete bloody loss.”

“Well, wherever it is we’re going,” groaned Neil, “I’ll see if I can get us there by the middle of next week. Everyone hold on tight.”

“Next stop, the Mersey Tunnel,” shouted George.

We’ll Play For Nothing

After a few minutes of hurtling through the streets of Liverpool at five miles per hour, Paul McCartney turned to Sam and said, quietly, “Look, Sam, we were talking, like, on the way to pick you up. If this bad weather hits you hard tonight, we’ll play for nothing, okay?” Sam turned to John and George who both nodded their agreement. Pete, sitting up front, holding his snare drum on his lap, gave a thumbs-up. Sam coughed and nodded his thanks, his eyes a little glassy. Terry and Spike huddled by the back doors kept their thoughts to themselves.

When the old Bedford van at last entered the approach to the Mersey Tunnel, George yelled out again. “There it is, fellas. You can just make out the Hessy’s sign on the side of the building.”

“Oooh, Hessy’s,” yodelled John and Paul in Goon-like voices.

“Ready?” shouted John, “Hessy’s Musical Instruments and¼?”

“Ra-di-o!” The Beatles all yelled as Neil tapped out the beat on the car-horn. Then they all clapped and cheered.

“We do that every time we pass that sign,” explained Paul.

“It’s our way of wishing for the day we hear one of our own songs actually played on the radio,” added George.

Where Are We Going Fellas?

“Where we going to, fellas?” John shouted.

“To the top Johnny,” the other three Beatles chorused.

“And which top, is that, fellas?”

“To the topper-most of the popper-most,” they yelled in unison as the van rattled on through the Mersey Tunnel.

“We best start by topping the bill at ‘the Tower’, then,” John shouted back. “How much bloody higher can you get than that?”

“You guys could make it all the way to the moon, if you wanted to,” Sam said, the lump still in his throat. “Thanks, lads. I won’t forget this. Not ever.”

“Hey, shurrup will you, Sam. And start soddin’ praying, instead. We’ve got to get to the bloody place in one piece, yet.”

“Righto,” yelled Sam. “Our Lennon, who art in heaven…”

PART 2 HERE

Find out more in Tony Broadbent’s great book:

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9th November 1961 (Part 2): Brian Epstein sees The Beatles at The Cavern

Brian Epstein at The Cavern
Brian Epstein at The Cavern
Brian Epstein at The Cavern

Watching The Beatles Perform “My Bonnie”

Debbie Greenberg never missed a Beatles gig at The Cavern and she has some amazing memories. One of the most important Cavern appearances was when Brian Epstein came to see The Beatles for the first time.

“The Beatles had played a few numbers with Tony Sheridan in Hamburg, including “Ain’t She Sweet”, but the one that sticks in my memory is “My Bonnie”. When The Beatles played these songs at the Cavern they were absolutely brilliant. I think Tony had a big influence on how The Beatles dressed and moved. John Lennon copied Tony’s posture, holding his guitar high up on his chest.

“Tony was very talented but by all accounts a force to be reckoned with. His mood could change in an instant. It must have been difficult to work with somebody so unpredictable. They had first met when both were playing for a season at the Top Ten Club in Hamburg. German band leader Bert Kaempfert had spotted them and arranged for them to cut a disc of “My Bonnie” together, which was released in Germany.

Raymond Jones

“News of this record filtered back to Liverpool and one fateful day, Saturday 28th October 1961, a Liverpool teenager called Raymond Jones went into NEMS record store to ask about the disc. Situated on Whitechapel, NEMS was just a stone’s throw from Mathew Street and the Cavern. The young store manager was Brian Epstein, who prided himself on being able to source any record that had been officially released. After hearing the track with its throbbing beat he was intrigued.

Brian asked his assistant, Alistair Taylor, to arrange a visit to the nearby Cavern to see The Beatles at one of the lunchtime sessions. He got there on 9th November 1961 with Alistair and saw The Beatles play for the first time.

Epstein was entranced by their performance – and by the Cavern, the place he later called a “cellar full of noise.”

A Handshake

However, Brian Epstein was not the first candidate for the position of Beatles manager. A Liverpool-based promoter called Sam Leach, who regularly organised dances and live shows in local venues, frequently hired the Beatles. As he was giving them regular work and they were all very good friends, he suggested he should become their manager.

The group agreed and on the strength of a handshake with John Lennon, the group’s leader, he thought he’d secured the position as their first manager.”

As we know, after seeing The Beatles, it was Brian Epstein who would become the group’s manager and take them to the toppermost of the poppermost.

Get Debbie’s book on the story of the Cavern Club.

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9th November 1961: Brian Epstein Goes to The Cavern to watch The Beatles

The Beatles at the Cavern
The Beatles at the Cavern

Excerpt from The One After 9:09

Tony Broadbent looks at that day when Brian Epstein first walked into The Cavern to see The Beatles at a lunchtime gig.

BILL HARRY had been as good as his word. Even the weather had played its part. Early November was usually cold, wet and windy. And here he was, without an overcoat. Even so, he walked briskly down Mathew Street. Not to appear overly eager, but promptness was ever a virtue. He noticed his personal assistant, Alistair Taylor, had to make an effort to keep up with him.

“Bit of a surprise, Brian. Not your usual lunchtime custom.”

Mathew Street

He narrowed his eyes. Mathew Street didn’t improve with daylight. It was still a dark, grubby little street, utterly devoid of character. He turned and smiled, encouragingly. “It’s only so we can get some more information on this Polydor record they’ve released, Alistair. We needn’t stay long.”

He tried not to look too disquieted as he picked his way between the goods-lorries. Or, indeed, disgusted, as he did his best to avoid stepping on the squashed fruit and vegetables that littered the cobblestones. That would give entirely the wrong impression. Yet, even he saw that, dressed as they both were, in their business suits, they looked more and more out of place with every step they took. He did his best to ignore the inquisitive, almost insolent, gazes of the shop girls, office girls, delivery-boys, and apprentices. All of them stood in a line that stretched down one entire side of the street. Yet, much to his surprise, he found the chatter and swell of voices only added to his own growing sense of excitement.

The Cavern Club

“This is silly, Brian. Look at the steam billowing out of that hole in the wall. There must be a fire down there or something.”

He smiled enigmatically. “We’re here. And exactly on time.”

Thin wisps of steam surrounded the entrance to the Cavern like a cheap theatrical effect. But the impression it made on him was much more dramatic. It was as the very air itself was suffused with the pounding beat of drums and electric bass. Out of the blue a large man, wearing a dinner jacket and red cummerbund under an open overcoat, stepped forward sweeping out an arm towards them, like a door opening. “You must be Mr Epstein. Please go straight down, sir. We’ve been expecting you.” Paddy Delaney, the club’s doorman and chief bouncer, threw a slow salute and smiled. He nodded and said, “Thank you,” and tried hard not to salute back.

He glanced over his shoulder to see if Alistair Taylor was actually following him. Then he stepped through the brick-arched doorway and descended into the depths of The Cavern. It felt like he was entering a train tunnel and a blast of hot, fetid air hit him before he had a chance to catch his breath. The place was dark and dank and stank of disinfectant and cheap tobacco and sweat and body odour and urine. He almost gagged, but continued on down the narrow slippery stone stairs to the warehouse cellar. He put out a hand to steady himself and immediately withdrew it when he felt the walls running with condensation. For one panicky moment he regretted being there and was about to turn and push his way back up to the street, when the beat of the music caught and grabbed him¾transfixed him.

Boom. Boom. Boom. Boom. 

He swallowed—lost for words as much as for air. It was different from anything he’d ever experienced. It wasn’t at all like the charity show at the Albany Cinema. It was raw, urgent, almost primal, and it hit him in the chest. Pounded at his head.  

Boom. Boom. Boom. Boom¼Boom. Boom. Boom. Boom

What On Earth is This Place?

“Good God, Brian. What on earth is this place?” Alistair Taylor shouted. But he pretended not to hear and just continued his descent into the depths of The Cavern.

At the bottom of the steps, a man sat at a battered folding canteen table. On top of it were two bowls of loose change. One for silver, the other for pennies. The man looked up and waved him past the line of teenagers waiting to pay their admission money. He pressed on, the crush of tightly packed bodies parting in front of him, as if it too had been ordained.

The Beatles

He was in a low cavernous space made of three, long interlocking brick arches. It resembled nothing so much as a dungeon in a second-rate horror movie. Undeterred, he moved closer to the source of the sound and light until he found himself at the back of the long central aisle. There was a small stage at the far end with rows and rows of swaying teenagers seated in front of it. He looked around. Both outer aisles were one writhing mass of dancing, jiving, jumping bodies. Then suddenly The Beatles were there in front of him.

Boom. Ba-Boom. Boom. Ba-Boom. 

He couldn’t speak. He could hardly breathe. He didn’t even turn round when he felt Alistair Taylor come to stand by his side. He was already bound in chains, chains of love, and he didn’t want to break away from them. Not now. Not ever.

Boom. Ba-Boom. Boom. Ba-Boom¼

The sound of The Beatles hammered at him. It was beyond loud; it was physical. The beat thudded against his chest. Went deeper and deeper and became one with the beating chambers of his heart. Became the very lifeblood rushing and pounding in his ears.

Boom. Ba-Boom. Ba-Boom. Ba-Boom.

And suddenly he was through the sound barrier and on into the realm beyond. He became one with the mass of dancing, joyous, revelling bodies and he knew with all his heart the boys on stage were playing, singing, drumming, moving, only for him.

Boom. Ba-Boom. Boom. Ba-Boom

He felt free. “Oh, my God,” he all but cried to himself. “This is what it must feel like to feel really and truly free.” There was no prickling, no blushing, no dark sweats. Only a joy that coursed through him and buoyed him, and held him tethered, transfixed and deliciously captive. He realised he was grinning like a demented young schoolboy. And as he tried to still the urge to shout his feelings out loud, he felt tears of sheer joy pricking at the corners of his eyes.

Mr Brian Epstein of NEMS

The music stopped. The effect so wrenching, he had to shake off a rising feeling of panic he might never hear it again. But as the wave of clapping and cheering slowly subsided, and his heart stopped racing, he found he could breathe once more. He blinked, blinked. Slowly became aware of a smooth, velvety voice. “I have some special news for all you Cavern dwellers.” He tried to focus, to listen. It was probably some announcement to do with The Beatles. “We have someone rather famous in the audience today. A Mr Brian Epstein of NEMS Music Stores.”

“Oh, damn and blast,” he said to himself. That was the very last thing he’d wanted to happen.  He felt his skin start to prickle from his neck to his cheeks—the precursor to a shaming, full, red-faced blush. He felt nauseous. Tried to swallow. Did his best to smile. Maintain his dignity. Almost at the point of choking, he nodded, waved a hand for the music to continue. Mercifully, the group’s drummer immediately counted out the time on his drumsticks. The pounding beat began again. The sound engulfed him. And in an instant he was transported from the depths of misery to almost dizzying heights of joy.

The Boys Had An Extraordinary Presence

He stared at the boys on the bandstand. The lead singer was singing, imploringly, of wanting money. But money was the very last thing on his mind, it was The Beatles, themselves, that utterly consumed him and his hungry eyes missed nothing. The boys were all dressed in leather jackets and jeans as in the photographs. Their hair still unfashionably long, three of them with it brushed down over the foreheads. In between songs, they smoked, ate sandwiches, and drank Coca-Cola straight from the bottle. At times, they even turned their backs on their audience and talked and joked amongst themselves.

They ad-libbed sarcastic replies to requests and shouts from the audience. Yet they were always surprisingly funny and engaging. Once or twice, without any sort of apology, they even stopped singing halfway through a song, seemingly dissatisfied or bored with their performance. Much to his surprise, he found them no less charming for their outrageous antics. A feeling, he noticed, fully shared by the rest of the audience. The boys had an extraordinary presence. More importantly, they exuded that unmistakable charisma that spelled star quality. The very thing he now realised he’d unknowingly been searching for all the days of his life.

I Must Go and Talk To Them

At the interval, he turned, almost breathless, to his still utterly bewildered assistant. “Come on, Alistair. I must go and talk to them. I must.” Holding an arm out in front of him, as if to ward off any killjoys, he jostled his way through the crowd to the cramped band-room at the side of the stage. He approached a Beatle lighting a cigarette.  “Hello,” he said, “I’m Brian Epstein. And this is my personal assistant, Alistair Taylor.”

“That must be very nice for you,” said George Harrison, grinning. “What brings Mr Epstein and his personable assistant here, then?”

My Bonnie

“Your, er…it’s about your record, ‘My Bonnie’. People keep coming into the store and asking for it. They say you play it, here, at the Cavern.”

“Well, I don’t play it meself, like,” said George, dryly, “but he does. That little short fella hunched over his turntable desperately trying not to listen to what we’re saying. Here, Bob, meet Mr Brian Epstein of…”

“NEMS. Yes. Thank you, Mr Harrison.” Bob Wooler checked the status of the disc he was playing, squeezed out from his little cubbyhole, and proffered his hand. “The Beatles’ record of ‘My Bonnie’? Yes. I’m the one you have to blame for that. People are always pestering me about how they can get hold of a copy.”

He shook Bob Wooler’s hand. “Yes, well, I’ve been on to Polydor Records in…in London and they’ve never heard of it.”

The Beat Brothers

“Yeah, well that’s because they know us as ‘The Beat Brothers’.” It was Paul McCartney. “Hello, I’m Paul. Only, George, here, just said you’re Brian Epstein, of NEMS. We’ve bought thousands of records from your shop. Well, hundreds, maybe. But, er, our record will be listed as ‘Tony Sheridan and The Beat Brothers’. We were just the backing group, like. Although we do have a contract with Polydor to do more.”

He smiled, a winning smile. “Er, Paul MacArthy?”

“No, that’s McCartney. You must’ve been reading your Mersey Beat. I’ll duff Bill Harry next time I see him. He’s always misspelling me name.”

He nodded. “Tony Sheridan?¼and…‘The Beat Brothers’? Yes?” He half-turned. “Alistair, make a note of that, please?”

George stuck his head over Paul’s shoulder, grinned. “Would the rather famous Mr Epstein like to hear the record played live? Because if he did, like, I’m sure we could ask the not so famous Mr Wooler, here, to oblige. Couldn’t we, Bob?”

He smiled, enthusiastically, nodded again. “Yes. Thank you. That would be delightful. That is, of course, if Mr Wooler wouldn’t mind?”

“It’s all work and no play for those of us that toil in obscurity in the vineyards of pop,” muttered Bob Wooler, as he squeezed himself back into his tiny cubicle. But once The Coasters had finished their ‘Searchin’, his dulcet velvety voice purred: “Now dig this, all you Cavern dwellers, it’s time you made this disc, one of NEMS’ best ever, best sellers.”

Then he played ‘My Bonnie’ at maximum volume.

Tony Broadbent

Get your copy of Tony’s book now