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9 DECEMBER 1961 THE BEATLES DISASTROUS FIRST EVER “LONDON” GIG IN ALDERSHOT

The Beatles in Aldershot
The Beatles in Aldershot

The Beatles played in Aldershot on 9th December 1961. Tony Broadbent takes a look at the momentous day that would end Sam Leach’s hopes of becoming Beatles manager, and convince John, Paul, George and Pete that Brian Epstein was the right man for the job.

THE PALAIS BALLROOM, ALDERSHOT

SAM LEACH thought quick and hard. When in doubt do something, anything. “I tell you what lads, never say die, we’ll drive round the town, pin up posters on every hoarding or telegraph pole we see. That done, we’ll drop off your instruments and equipment at the Palais Ballroom, then I’ll take everyone for a quick bite to eat at the little cafe opposite. How’s that sound?”

For once, The Beatles were stone cold silent.

After grabbing something to eat, they all split up and scoured the town for prospective punters. Handing out handbills to everyone they met. They visited every pub and coffee bar and dropped word about the fabulous group playing that night, at the Palais. But the good people of Aldershot weren’t interested, even when, in utter desperation, Sam played his final card and told any and every one that’d listen that admission was free.

“Aldershot’s not ready for rock ‘n’ roll or The Beatles,” Sam said, dejectedly, lighting up another cigarette.

“Aldershot’s so crap, they’re not even ready for inside bloody toilets,” snapped John. “But as we’re already bloody here, let’s all just sod off down to Soho, in London, and get ourselves royally pissed.”

“Hey, come on, John,” pleaded Paul. “We’ve got to give it a try, even if we only play for five minutes. Eh, oop, kid, what do you say?”

“No, they can all go and get buggered…the dozy sods.”

Paul McCartney Started to Sing

Paul put his head on one side and started to sing ‘There’s no business like show business’. He smiled inanely and waved his hands in the air as if they were tambourines. “Hey, come on, John.” He kicked a foot out like a Kentucky minstrel and started prancing up the street. “Hey, Johnny, you know the show’s always gotta go on.”

“Ah, sod it,” snapped John. “Where the fook are we going to, fellas?”

“To the top, Johnny,” they all chorused back.

“And which fookin’ top is that, fellas?”

“To the top of the fookin’ poppermost, Johnny,” they all yelled.

“Okay, fellow Beatles, we fookin’ well play. The show goes on.”

Everyone cheered then, even Dave, Sam’s driver.

Sam Opened The Doors and……..

Sam opened the doors of the Palais Ballroom at half-past seven on the dot, as advertised, but the only thing he was met with was a face-full of swirling snowflakes. He closed the door quickly. “God’s holy trousers, whatever did I do in my past life to deserve this?” He shook his head. “No business, like no business? Sod that, let’s have a ball, anyway.” He sauntered into the ballroom. “They’ll all be along in a minute, lads, so why don’t you get started. Just think of it being like your early days in Hamburg. You know, those times you told me about, when it was the sound of your music alone that had to grab the punters by the scruff of the neck and drag ‘em in, off the street. What was it called, now? The Punjabi?”

“No!” The Beatles all shouted back. “The fookin’ Indra.”

“That’s what I meant,” said Sam. “Do some fookin’ Indra. If anything will bring the buggers in, it’ll be a bit of that.”

“Yeah,” sniffed George. “Mach some more bloody schau.”

“Mach schau! Mach schau!” yelled John into the microphone.

Pete, Count us in!

“Okay,” shouted Paul, vamping a run of notes on his bass. “Pete, count us in.” Pete hit his sticks together. Tik-a-Tik-a-Tik-a-Tik-a. Paul hit a single bass note and launched straight into ‘Long Tall Sally’. That done, fully energised by the music, The Beatles shot themselves full of rhythm-and-blues and ripped it up and rocked it up for three finger-blistering, pick-scraping hours. They pounded out the beat as if they were playing ‘the Tower’ in front of four thousand screaming fans, not the eighteen or so people dancing and jiving at the Palais Ballroom. And Sam, Terry, Spike, and the van driver, Dave, could do nothing but lose themselves in the magic of it all. Swinging and swaying, clapping their hands, popping their fingers, and tapping their feet to the relentless rockin’ Mersey beat.

Money

And then with John’s final scream that all he ever wanted from life was ‘Money’, The Beatles rolled up the night with one last long chiming chord. Everyone clapped and cheered, jumped up and down, and shouted for more. And all four Beatles up on the stage, their hearts thumping in their chests, sweat pouring from them, looked out from under the spell they’d just cast and saw that as tiny as the crowd was, the cry for more was as urgent and as heartfelt as any audience they’d ever played to.

John sighed and nodded at Paul. Paul nodded at George. Paul, his voice hoarse, whispered, “Roll Over Beethoven.” John, George and Pete each nodded back. George picked out the opening notes of the Chuck Berry rocker, each note as sharp and bright as the glass in the mirror ball hanging from the ceiling. The girls spun. The boys jived. And The Beatles rocked it, two by two, for ten glorious minutes and everyone dug to the rhythm-and-blues until ‘Liverpool’s Number One Rock Outfit’ brought their first rocking visit to the south to a close.

Roll over Aldershot and go tell London the news.

Sam stood at the foot of the stage, beaming. “That, fellas, was bloody marvellous. You did yourselves and all of Liverpool proud. So, what say, we celebrate? I’ve asked the local judies if they’d like to stay on for a bit and, believe it or not, they all said yes. I wonder why? So I had our Spike go and get in two crates of Watneys Brown Ale and a box of Smith’s crisps from the pub over the road. So, if you’re up for it, like, I’ll go crank up the record player, put on a swinging platter or two, and we can all have ourselves a proper party.”

John didn’t bother looking at Paul or George. He already had his eye fixed on something blonde standing in the middle of the dance floor. “Oooh, yes, please, Mr Sam, I could do with a bit o’ hanky-panky about now. I need to exercise me evil ways.”

Dancing with The Girls

They all took turns dancing with the girls, everyone doing their version of The Twist. John, impatient for his next turn at dancing waltzed with George, then Paul. Pete sat that one out. They played ‘Bingo’ using beer bottle-tops as counters. Played football with Ping-Pong balls. The rest of the time they just played the fool. John, his back hunched, his face distorted, staggering around the ballroom yelling, “The bells. The bells. It’s the bells.”

Sam handed Spike a camera. “Here, Spike, take some more photographs. I want to remember this. They’re certifiable, the lot of them.”

“Yeah,” said Spike, “certifiably brilliant.”

There was a sudden loud hammering on the front door.

“Come on in, if you’re coming,” shouted Paul.

“Bugger off!” yelled John.

Police!

Terry went to investigate and quickly reappeared, his arms waving from side to side, in a frenzied hand-jive.  He snatched the needle arm from off the turntable, spun round, and mouthed the word, “Police.”

The effect was instantaneous. John began giggling and was soon doubled up with laughter. Paul sniggered. George grinned. Pete bit his lip. Sam, madly signalling for quiet, bounced his hands up and down in front of him as if trying to push the sound to the floor, but it did no good, the giggling and laughter just grew louder, as did the knocking.

Sam sighed, burped, belched; went to deal with ‘the bizzies’.

“What the bloody hell do you think you’re doing?” yelled an authoritative voice. “Do you know what bloody time, it is?”

Sam peered out into the gloom. In the pale yellow light of the street lamps were four police vans, two police motorbikes, a mounted policeman, and a very big, sour-faced police sergeant.

“Er, um, we were just finishing, like, constable.”

“And about bloody time, too. It’s gone bloody midnight. And you lot are creating a very serious disturbance of the peace.”

Sam blinked and blinked and tried desperately to sober up. “Er, we, er, were just going, officer.”

Get Out of Aldershot!

“Now, wouldn’t be soon enough,” barked the police sergeant. “You bloody shower have got fifteen minutes to get out of Aldershot, do you hear me? On yer bikes, the lot of you, and don’t you ever come back.”

“You and Aldershot can fook off, too,” George muttered under his breath. “Never would be far too soon for us ever to come back here.”

Get Tony’s great book, The One After 9:09 now

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The Beatles meet with Brian Epstein: Part 2

Brian Epstein in NEMS
Brian Epstein in NEMS
Brian Epstein in NEMS

6 DECEMBER 1961: THE BEATLES MEET WITH BRIAN EPSTEIN AT NEMS

Part 1 The Beatles First Meeting with Brian Epstein

After their first meeting with Brian Epstein, John Lennon, Paul McCartney, George Harrison and Pete Best had a follow up meeting at Brian’s NEMS office in Whitechapel, Liverpool. Tony Broadbent takes up the story from his book, The One After 9:09:

“I tell you, the door’s bloody well locked.”

“That’s because it’s half-day closing, dafty.”

“Well knock on it, then.”

“You knock, you’re nearest.”

“Pete, you do it.”

“Me hands are full.”

“Well, use yer head, then.”

“We could always use Bob as a battering ram, if we had to.”

“We already are,” growled John Lennon.

This Is Me Dad

He opened the door and smiled a greeting as all four Beatles tried to push through as one. “This is me Dad,” John said, pointing over his shoulder to the small dapper figure of Bob Wooler. The absurdity of it perplexed him for a moment. He’d fully expected the Beatles to come by themselves, his simple hope they’d all arrive together and on time. Now here they were with a stranger of sorts in tow and everyone smelling very strongly of beer. It was all suddenly so very awkward. The Cavern’s disc jockey smiled at him, apologetically.

He knew very well who Bob Wooler was. And in many ways had every reason to be grateful to the man, as the DJ had been largely responsible for creating local demand for The Beatles’ recording of ‘My Bonnie’. So once he’d managed to get everybody sat down in his office, upstairs, he took Bob Wooler as his cue.

Bob Wooler

“Thanks to Mr Wooler’s constant featuring of ‘My Bonnie’ in clubs and dancehalls around Liverpool, NEMS has sold over a hundred copies of your Polydor recording in the last week and a half, alone. Further, to which, I’ve already met with the London representatives of Deutsche Grammophon, the owners of the Polydor label, to ask them to release your record in the United Kingdom.”

It was a good opening verse, but The Beatles were impatient to get to the chorus. That’s why they’d brought Bob Wooler along. They liked and respected the DJ, because they knew he liked them and championed their music. He was also an adult, like Brian Epstein, and they wanted his opinion, because as eager as they were for business guidance, they were still very cagey about it all. When they’d all met up in the Grapes, prior to their appointment at NEMS, John Lennon had been his usual blunt self.

All Mouth and No Trousers?

“This Epstein fella has no experience with rock ‘n’ roll other than selling pop records from his shops. From the look of him, he’s probably more into Mantovani and his bloody Orchestra or, worse, bloody opera. So, the question is, Bob, as much as we need help, like, is this Epstein ever going to amount to anything? Or do you reckon he’s all mouth and no trousers?”

As ever, Bob Wooler played it cautious and said he’d best hold his counsel until later. It was always the wiser course to rehearse your ad-libs before you ever gave voice to them, off the cuff, so to speak.

BRIAN EPSTEIN looked at each Beatle, in turn. “You don’t currently have a manager, do you?” They slowly shook their heads. “So, I take it then,” he added, cautiously, “that there’s no one that negotiates your fees or that deals with your engagements on a regular basis?”

We Don’t Have A Proper Manager

They shook their heads. After a lengthy silence, Bob Wooler made as if to speak, but it was Paul McCartney that spoke up. “As I said, last time, Brian, Pete sorts out our diary of engagements, usually. Helped of course by his mum, Mona. She owns the Casbah Club, like. But other than that, no, we don’t have a proper manager. So we generally take whatever we can get.”

“Yes, I see,” said Brian Epstein.

“We take anything and everything we can get our bloody hands on, okay?” snapped John. “But we get lots of bloody work and we don’t have to go bloody begging for it, either, if that’s what you think.”

“No, no, John, I’m not inferring anything. It’s only that whatever you’re getting from people, I think you’re worth much, much more. And I think that all the promoters around Liverpool know that. That’s why you’re always in work, but really going nowhere at all.”

A Dead End?

The silence this time was like a blanket of fog. The truth of Brian Epstein’s words hit hard, even though The Beatles had talked of little else for weeks. They were working harder and harder and becoming more and more popular every time they played, but were really just going round and round the same old circles. John, Paul, and George all shared a growing dread that, as big as The Beatles were around Merseyside, there was a very real danger that a proper recording contract, let alone greater fame and fortune, might elude them forever. Liverpool had very quickly and surprisingly turned into a dead end. And for once, drained of all their colourful banter, The Beatles stared back at the man who’d suddenly shone a bright light onto their deepest and darkest fear.

Brian Epstein smiled, almost bashfully. “As I told you, last Sunday, I don’t have much experience in these sort of things, but I’d very much like to look after your affairs.” He swallowed. “To put it simply, you do need a manager. The question is would you like me to do it?”

The Beatles Sat Still

The Beatles sat as still as statues and just stared at him. He resisted the temptation to shoot his cuffs and instead re-read the points he’d written down on his notepad. He looked up. “If you did want me to manage you, I’d require fifteen per cent of your gross fees, on a weekly basis. In return, I would assume responsibility for arranging all of your bookings, which, let me stress, would be much better organised, far more prestigious, and would take you much further afield than all the venues you play here in Liverpool.

I would also make it a point that you would never again play a date for less than £15, except for your Cavern lunchtime sessions, where I will renegotiate your current fee of £5, so that it’s doubled to £10. With the number of people you attract to the club regularly, Ray McFall can more than afford it. Further, I will do my best to extricate you from the recording contract you signed with Mr Bert Kaempfert, in Hamburg. After which, I’ll use my influence as one of the largest record retailers in the north-west to get you a proper recording contract with a major British recording company.”

Would You Like Me To Manage You?

He looked down, aligned his notepad with the edge of the leather-bound blotting pad and carefully and deliberately placed his hands flat on the desk. Summoning up all his theatrical training, he composed his face into one of quiet confidence. “So, would you like me to manage you?” He looked at each Beatle, in turn, again, purposefully ignoring the ripples and currents in the silence.

John’s eyes slid sideways and he wrinkled his nose. Paul and George both coughed so as to conceal the slight nod of their heads. Only Pete Best held Brian Epstein’s gaze without regard to how his band-mates felt. This would dramatically change his role in the group and he wondered what his mother would think about it. After all, as she’d so often told him, it was really his group, wasn’t it? Pete Best and The Beatles. He was the one the girls always screamed and shouted for. Everyone said so.

Bob Wooler did his best to fade further into the background. After all, he’d often been one of those greedy Liverpool promoters Brian Epstein had just spoken about. It was time to keep a very still tongue.

You Manage Us!

John’s voice suddenly boomed out like a foghorn. “Right, then, Brian, you manage us. Where’s the contract? On yer desk, is it? Give it us, here, then, and I’ll sign it now.”

“I don’t have a contract for you to sign, John, because I didn’t want you to think I was being presumptuous. However, I promise, I’ll have one drawn up by the next time we meet.”

“Will it make a difference to what we play, Brian?” Paul asked.

“No, Paul, not at all. I just want to help present you in the very best light possible, ensure you’re always paid what you’re worth, and given the proper respect that is your due.”

This was the sort of stuff they wanted to hear. The Beatles nodded. At least three of them did. And so did Bob Wooler.

Bob Wooler was deep in thought. Even he’d underestimated the manager of NEMS. Brian Epstein’s timing had been impeccable. If he’d had the courage or the vision or the money, he might’ve had a go at managing The Beatles himself. As it was, he had enough on his plate tending to his turntable, his ever-expanding record collection, and arranging for groups to play at the Cavern and elsewhere. One thing he knew for sure, though, this latest development would put a good few Liverpool noses out of joint.

George Harrison scratched his nose, absentmindedly. “I think I better go now, go relax in a bubble bath. I need to ponder what the word ‘presumptuous’ means when it’s at home.”

Discover more about this important time in Beatles history in Tony’s great book, The One After 9:09

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Remembering George Harrison with The Beatles Era

With The Beatles
With The Beatle
With The Beatles

The Beatles Era

As we come to remember George Harrison 20 years after he died, Peter Eijgenhuijsen looks at the cover to With The Beatles.

A friend of mine, a hard-core Beatles fan, came up with the idea of The Beatles Era when George died in 2001, this month twenty years ago. My friend was on a business trip to the United States, when he saw, in one of the offices he visited, a newspaper clipping on the wall. It showed just a picture of the cover of their second album With the Beatles with the left side made black. Only Paul and Ringo were looking at him, with serious faces, as if they were aware of their inevitable erasure.

It was then, that he realized that we were entering a new phase, that nothing would be the same ever again. It was then that he got the inspiration for his theory that we all live in The Beatles Era. An Era that can be divided in five periods: Before the Beatles, The Beatles Years, The Solo Years, The Reduced Solo Years, the period we currently live in, and the last and fifth period After the Beatles.

Everything Has a Meaning

One day, when I visited him, he showed me the impact of that moment with the album cover of With the Beatles. It was scary. The black and white picture, with from left to right John, George, Paul, and Ringo. When I covered the left side to get the effect of the newspaper picture, I understood that the effect must have been very powerful. “Of course,” my friend said, “we do not know how the period The Reduced Solo Years will end, but the order of the individual Beatles on the album cover does not look insignificant to me.” “Everything on the cover of Beatles albums, has a meaning,” I said. “Intentionally or unintentionally.”

Inspired by this story, I used the theory of The Beatles Era – A Quest for the Secret of The Beatles to unravel the secret of the Beatles.

Peter Eijgenhuijsen

Get Peter’s book, The Beatles Era now

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10th November 1961: The Beatles at Operation Big Beat (Part 1)

The Beatles at Operation Big Beat
The Beatles at Operation Big Beat
The Beatles at Operation Big Beat

The Tower Ballroom, New Brighton

The Beatles appeared at Operation Big Beat, the most impressive line up of Merseybeat bands ever! Tony Broadbent adds the drama to this incredible event.

The dense blanket of fog had come up river late that afternoon. No one had expected it. Not even the weatherman on the telly the night before. First report of it was on the midday shipping forecast on the radio. And by mid-afternoon tongues of fog had already moved across Liverpool Bay and were licking hungrily at Wallasey, Bootle, and Crosby. By teatime, both banks of the river and ‘the Tower’, at New Brighton, were shrouded in a grey-green fog the colour of the Mersey.

All of Liverpool was completely fogbound.

“What the bloody hell did I do in my past life to deserve this?”

“Don’t know, Sam, but it must’ve been something pretty bad.”

“Bloody hell, Terry, will you look at that bloody fog.”

“Well, I would, like, if I could see anything.”

“Alright, smart arse, back inside the Grapes. This calls for some serious drinking. I’m ruined I am, bloody ruined. What time is it?”

The Beatles will Get Through

Sam Leach (right) with Paul McCartney and Pete Best
Sam Leach (right) with Paul McCartney and Pete Best

Spike glanced at his watch. “Five past, Sam. But no need to worry, I’m sure The Beatles will get through.”

“I don’t doubt it, Spike, especially with that mad sod, Nelly, driving. No, it’s the fans I’m worrying about. What with all the ferries being stopped and most of the busses not running, how in hell they’re going to get themselves there, I don’t know. You couldn’t find the bloody Tower in this fog, even if it fell on top of you. We’ll be bloody lucky if we can find it ourselves. The real sod of it is, though, ticket sales have been much less than I’d hoped. You’d think the kids had given up on rock ‘n’ roll.”

“Maybe for one night, Sam. But not in our lifetimes, they won’t.”

“Thank you, Sigmund Freud. What time is it?”

“Quarter past. What time did Neil say he’d have them here?”

“Half-past. But in this pea-souper, who the heck knows?”

Terry McCann arrived with a tray of drinks. “Look on the bright side, Sam. Just imagine The Beatles and Gerry and Rory all playing their hearts out at ‘the Tower’ just for us. Cheers.”

“I tell you, I’m ruined I am, totally bloody ruined. Cheers. Talking of which, what time is it?”

“Nigh on half past, Sam. Stop yer worrying.”

“That’s all very well for you to say, sunshine, but…”

Neil Aspinall’s Battered Bedford Van

A car-horn beeped a tattoo outside in the street and eyebrows shot up in question and hope. Spike was already at the pub door. “It’s them. All aboard the New Brighton ferry!” They downed their drinks in a rush, piled out of the Grapes, and into the back of Neil Aspinall’s battered Bedford van.

“ ‘Lo Sam. ‘Lo fellas,” chorused Neil and The Beatles.

“Get yer arses in quick or we’ll all catch our deaths,” shouted John Lennon.

“All arses aboard and accounted for, sir,” yelled Sam. “Hey, thanks for turning up, lads. At least tonight won’t be a complete bloody loss.”

“Well, wherever it is we’re going,” groaned Neil, “I’ll see if I can get us there by the middle of next week. Everyone hold on tight.”

“Next stop, the Mersey Tunnel,” shouted George.

We’ll Play For Nothing

After a few minutes of hurtling through the streets of Liverpool at five miles per hour, Paul McCartney turned to Sam and said, quietly, “Look, Sam, we were talking, like, on the way to pick you up. If this bad weather hits you hard tonight, we’ll play for nothing, okay?” Sam turned to John and George who both nodded their agreement. Pete, sitting up front, holding his snare drum on his lap, gave a thumbs-up. Sam coughed and nodded his thanks, his eyes a little glassy. Terry and Spike huddled by the back doors kept their thoughts to themselves.

When the old Bedford van at last entered the approach to the Mersey Tunnel, George yelled out again. “There it is, fellas. You can just make out the Hessy’s sign on the side of the building.”

“Oooh, Hessy’s,” yodelled John and Paul in Goon-like voices.

“Ready?” shouted John, “Hessy’s Musical Instruments and¼?”

“Ra-di-o!” The Beatles all yelled as Neil tapped out the beat on the car-horn. Then they all clapped and cheered.

“We do that every time we pass that sign,” explained Paul.

“It’s our way of wishing for the day we hear one of our own songs actually played on the radio,” added George.

Where Are We Going Fellas?

“Where we going to, fellas?” John shouted.

“To the top Johnny,” the other three Beatles chorused.

“And which top, is that, fellas?”

“To the topper-most of the popper-most,” they yelled in unison as the van rattled on through the Mersey Tunnel.

“We best start by topping the bill at ‘the Tower’, then,” John shouted back. “How much bloody higher can you get than that?”

“You guys could make it all the way to the moon, if you wanted to,” Sam said, the lump still in his throat. “Thanks, lads. I won’t forget this. Not ever.”

“Hey, shurrup will you, Sam. And start soddin’ praying, instead. We’ve got to get to the bloody place in one piece, yet.”

“Righto,” yelled Sam. “Our Lennon, who art in heaven…”

PART 2 HERE

Find out more in Tony Broadbent’s great book:

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9th November 1961 (Part 2): Brian Epstein sees The Beatles at The Cavern

Brian Epstein at The Cavern
Brian Epstein at The Cavern
Brian Epstein at The Cavern

Watching The Beatles Perform “My Bonnie”

Debbie Greenberg never missed a Beatles gig at The Cavern and she has some amazing memories. One of the most important Cavern appearances was when Brian Epstein came to see The Beatles for the first time.

“The Beatles had played a few numbers with Tony Sheridan in Hamburg, including “Ain’t She Sweet”, but the one that sticks in my memory is “My Bonnie”. When The Beatles played these songs at the Cavern they were absolutely brilliant. I think Tony had a big influence on how The Beatles dressed and moved. John Lennon copied Tony’s posture, holding his guitar high up on his chest.

“Tony was very talented but by all accounts a force to be reckoned with. His mood could change in an instant. It must have been difficult to work with somebody so unpredictable. They had first met when both were playing for a season at the Top Ten Club in Hamburg. German band leader Bert Kaempfert had spotted them and arranged for them to cut a disc of “My Bonnie” together, which was released in Germany.

Raymond Jones

“News of this record filtered back to Liverpool and one fateful day, Saturday 28th October 1961, a Liverpool teenager called Raymond Jones went into NEMS record store to ask about the disc. Situated on Whitechapel, NEMS was just a stone’s throw from Mathew Street and the Cavern. The young store manager was Brian Epstein, who prided himself on being able to source any record that had been officially released. After hearing the track with its throbbing beat he was intrigued.

Brian asked his assistant, Alistair Taylor, to arrange a visit to the nearby Cavern to see The Beatles at one of the lunchtime sessions. He got there on 9th November 1961 with Alistair and saw The Beatles play for the first time.

Epstein was entranced by their performance – and by the Cavern, the place he later called a “cellar full of noise.”

A Handshake

However, Brian Epstein was not the first candidate for the position of Beatles manager. A Liverpool-based promoter called Sam Leach, who regularly organised dances and live shows in local venues, frequently hired the Beatles. As he was giving them regular work and they were all very good friends, he suggested he should become their manager.

The group agreed and on the strength of a handshake with John Lennon, the group’s leader, he thought he’d secured the position as their first manager.”

As we know, after seeing The Beatles, it was Brian Epstein who would become the group’s manager and take them to the toppermost of the poppermost.

Get Debbie’s book on the story of the Cavern Club.

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The Beatles on Skateboards!

John Lennon on a skateboard
John Lennon on a skateboard
John Lennon on a skateboard

The Beatles Skateboard

The Beatles Skateboard
The Beatles Skateboard

In the latest in his series on Beatles merchandise, Terry Crain takes a look at the Beatles Skateboard.

Whoa, dude! If you needed to catch some rays and hang ten with the lads, a Beatle skateboard was your item of choice. Surf Skater Company, Incorporated., 39th and Killam Avenue, in Norfolk, Virginia, manufactured a skateboard – the employees probably tested the boards in the street while on break!

Isaac Glazer founded the Surf Skater Company. Glazer was a member of the Army’s first Special Service Forces and a decorated World War II veteran, participating in the D-Day invasion. He became a Doctor of Optometry and later, founder and president of Surf Skater. Glazer died in 2007.

Dezo Hoffman Beatles Photo

The skateboard, available in three sizes and various colors, was basically a wooden board with metal wheels. The large, bold type, “The Beatles Skateboard,” was featured on the board next to the Dezo Hoffman group photo. The skateboard container had a graphic drawing of the group with embellished colorful stripes. Collector Dennis Dailey whimsically noted, “It actually looks like they spent more time and energy into designing the box than the skateboard.”

Playthings Magazine

Article Promoting The Beatles Skateboard
Article Promoting The Beatles Skateboard

A press release was published in Playthings magazine, December 1964 issue, on page 73, stated:

“Beatles Skate Board in 3 Models Now Available from Norfolk Firm

Available for immediate delivery are three models of The Beatles Skateboard, a new addition to the line of Surf Skater Company, Inc., 39th and Killam Avenue, Norfolk, Va. The Beatles have given the company the exclusive rights for the manufacture of the items. Model #210-B measures 18½” by 5¾by ¾”, #2100 B is 27″ by 6½” by 1-1/16″, and #2200-B has dimensions of 32″ by 6½” by 1-1/16″. Made of quality wood and painted in attractive colors, each features a steel wheel assembly attached with rust-preventive cadmium-plated nuts and bolts. Rubber-cushioned for faster steering and greater turning action, this assembly consists of a rigid flat steel plate attached to Union Hardware wheels with bright dust covers. Decorating the board are its name and a picture of the Beatles, which can be easily peeled off and kept as a souvenir. The skateboards are packaged in two-color cartons.”

Seltaeb

Surf Skater Co. Inc. was named in a NEMS Enterprises, Ltd vs. Seltaeb, Incorporated lawsuit filed in the Appellate Division of the Supreme Court of the State of New York, First Judicial Department, dated: New York, New York, July 6, 1965.

Get your copy of Terry’s excellent book on The Beatles Merchandise