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The Beatles: In My Life

The Beatles In My Life
The Beatles In My Life
The Beatles “In My Life”

“In My Life” from Rubber Soul

“In My Life” is one of the most critically acclaimed Beatles songs, and one that John Lennon himself, so exacting and self-critical, called “my first real major piece of work.” The song was written in 1965, in part spurred by a conversation he had with a British journalist named Kenneth Allsop. Commenting in the David Sheff biography All We Are Saying, Lennon talked about the song:

I think “In My Life” was the first song that I wrote that was really, consciously about my life, and it was sparked by a remark a journalist and writer in England [Allsop] made after ‘[Lennon’s book] In His Own Write came out…. But he said to me, “Why don’t you put some of the way you write in the book, as it were, in the songs? Or why don’t you put something about your childhood into the songs?” Which came out later as “Penny Lane” from Paul – although it was actually me who lived in Penny Lane – and “Strawberry Fields.”

John Lennon on “In My Life”

Lennon first started writing lyrics as if he were on a bus from home, mentioning all the things he saw. He quickly saw that this was not working. From the same interview for All We Are Saying:

                And it was ridiculous…. [I]t was the most boring sort of “What I Did on My Holidays Bus Trip” song and it wasn’t working at all. I cannot do this! I cannot do this!

But then I laid back and these lyrics started coming to me about the places I remember. Now Paul helped write the middle-eight melody. The whole lyrics were already written before Paul had even heard it…. [His contribution melodically was the harmony and the middle eight itself].

Recording “In My Life”

When it came time to record the finished song in the studio, Lennon asked producer George Martin if he could write a Baroque-influenced piano solo for the song. Martin did this with beautiful Bach-sounding section that he could not play well at the tempo of “In My Life.” So, as an experiment, the solo was recorded at half speed, then played back at full speed and higher in pitch. It sounded not like a piano, but a harpsichord, and it worked memorably.

The song’s origin has often sparked speculation, parlor game style, about who Lennon was writing about. He never spoke of this, but years later Yoko Ono said that John wrote it for Paul. And over the years, it has been covered by innumerable artists, including Bette Midler. She didn’t sing “In My Life” then, but it would have fit.

What Can We Learn?

In challenging times our task is somehow to continue to do what we can, day by day, to be whole. Perhaps this can be nurtured by some reflection on “the people and things” that have mattered to us, that can help sustain us when it can feel like we are in basic survival mode. 

Tim Hatfield

Discover the meaning behind Beatles songs and how we can apply these lessons in our own lives in Tim’s great book.

httpss://www.youtube.com/watch?v=mBqqeqcJM_0
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The Beatles Merchandise: the Beatles Banjo?

The Beatles banjo
The Beatles banjo
The Beatles banjo

Beatles Merchandise – Part 2

Beatles merchandise was the subject of so much interest and fascination in the 1960s.

Beatles-themed musical instruments became hot ticket items to manufacture in the mid-1960s. One piece that went into production was the banjo. It seemed to be a stretch in keeping with the theme since the band did not feature that musical instrument. However, it did have a legendary connection to John Lennon, as his mother, Julia, taught him to play Buddy Holly’s classic, That’ll Be The Day, on her banjo. This appreciation of a stringed instrument carried his fascination over to the next instrument…the guitar.

The Beatles Banjo with its packaging
The Beatles Banjo with its packaging

The Beatles Banjo

Mastro Musical Instruments in New York manufactured the 22″ long (56cm) piece. The instrument had four strings, accompanied by an instruction booklet (labeled as a “self-teaching method”). The creation was gold and cream with four headpins and a bridge. Along with facsimile signatures, the banjo’s white head exhibited headshots of each member of the group in either red or blue ink. The description on the skin read “The Beatles Banjo” with “Mastro Industries…The Beatles…Made in the U.S.A. under license.” The gold headstock displayed the words “Mastro Banjo” in red and blue ink.

Advert for The Beatles Banjo
Advert for The Beatles Banjo

Licensed by NEMS

The plastic banjo arrived either in a cardboard box or attached to a colorful sealed card. The creamy cardboard Mastro Banjo box measured 23½” x9½” x3¾” (59.5cm x 24cm x 9.5cm) and displayed a red and black print. Licensed by NEMS, the banjo initially sold for around $12. Additionally, Mastro included an official leaflet from Mastro, and it advertised various instrumental Beatles items for sale, including the Banjo, Bongos, and a Drum.

Mastro Industries Incorporated was located at 3040 Webster Avenue, New York 67, New York 10467. Their telephone number in the Sixties was 212-KI-7-5600.

Terry Crain

Read PART! here

Discover this and many more stories in Terry Crain‘s excellent book on Beatles Merchandise

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The Beatles: “Love Me Do”. Did Ringo Play on their First Single?

The Beatles first single, "Love Me Do"
The Beatles first single "Love Me Do"
The Beatles “Love Me Do”

5TH OCTOBER 1962: THE BEATLES FIRST SINGLE IISSUED ITHE UK

After the first session with George Martin on 4th September 1962, Martin decided to bring in a session drummer. As a result, Andy White was recruited for the second session a week later.

“RINGO DIDN’T DRUM ON THE FIRST SINGLE”

Paul was convinced that Ringo didn’t play drums on the group’s first Parlophone single, “Love Me Do” – and Ringo agreed. But, history has shown that he was indeed on the UK single release. Considering that Andy White was hired to drum on the recording, there are questions. Was Ringo’s version mistakenly released on the UK single? After all, the White version of “Love Me Do” appeared on The Beatles’ debut studio album Please Please Me, the UK EP release The Beatles’ Hits, and also on their U.S. single release.

“Love Me Do” The Beatles’ first single released on 5th October 1962

WAS IT RELEASED BY MISTAKE? ANY EVIDENCE?

If the Ringo version wasn’t considered good enough after 4th September, why release that first version? Neither George Martin nor Ron Richards were sure if it was selected intentionally or not.

Releases of “Love Me Do” issued after The Beatles’ Hits on 21st September 1963 contained Andy White’s version. Why? The original master recording of Ringo’s version of “Love Me Do” destroyed or recorded over. EMI only had Andy White’s 11th September recording to use. It was the only remaining – and arguably the superior – version. When “Love Me Do” was released in the U.S. in April 1964, it was Andy White’s version that was used.

MCARTNEY NOT MCCARTNEY!

A further mistake was made when 250 promo discs of “Love Me Do” were released, misspelling Paul’s name as McArtney; something he was used to in Mersey Beat. One of these discs was sold in October 2017 for $14,757, the most expensive 7-inch single ever sold.

50TH ANNIVERSARY MISTAKE?

In a twist of fate – or was it an inside joke – when Apple decided to reissue “Love Me Do” on the 50th anniversary, they initially used Andy White’s version. They then had to quickly recall those records, so that Ringo’s version could be issued.

The final piece of evidence is one of omission. With the group’s popularity increasing, why did they not ask Ringo to re-record “Love Me Do” for the album? The conclusion is that Ringo’ version was most likely released by accident. That is not uncommon in the recording industry, even today. Nothing else really makes sense.

Excerpt from Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles

David Bedford

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The Beatles “Nowhere Man” on Rubber Soul

Nowhere Man by The Beatles
"Nowhere Man" by The Beatles on Rubber Soul
“Nowhere Man” by The Beatles on Rubber Soul

“Nowhere Man”

What was the story behind “Nowhere Man” by The Beatles?

John Lennon wrote “Nowhere Man” when he was struggling, as was Paul McCartney, to write new material for the album that eventually became Rubber Soul.

Lennon was working at home in Weybridge, feeling isolated and unproductive. In his biography All We are Saying, David Sheff quoted Lennon’s recollection of that time:

I’d spent five hours that morning trying to write a song that was meaningful and good and I finally gave up and lay down. Then “Nowhere Man” came, words and music, the whole damn thing, as I lay down.

So, at least at that moment, it was Lennon himself who was going nowhere, doing nothing. But something beautiful came of it, indeed. In the studio in October 1965, John, Paul, and George began with the harmonious a cappella introduction, John double-tracked his lead vocal, and the group pestered the recording engineers to make the guitar sound as trebly as they could. Add to that George and John’s tandem guitar solo, followed by the one perfect little note that sounded like a bell, and you have the makings of a beautiful song. It remained in the Beatles’ on-stage repertoire, too, all the way to their last concert performance in San Francisco’s Candlestick Park in late August of 1966.

There must be moments while enduring the uncertainties of the hard times in our lives that we all feel like we, too, have been stopped in our tracks. It’s up to us to persevere, though, until we ourselves or someone else lends us a hand.

Get Tim’s Book

Discover more insights into the Beatles songs from Tim Hatfield in his excellent book:

Listen Now to “Nowhere Man” by The Beatles

httpss://www.youtube.com/watch?v=8scSwaKbE64
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Ed Sullivan Show: “I Came of Age With The Beatles”

The Beatles on the Ed Sullivan Show
The Beatles on the Ed Sullivan Show
The Beatles on the Ed Sullivan Show

The Ed Sullivan Show changed the lives of millions of Americans. “I’ve been a Beatles fan for 47 years. I was halfway through my first year of college when, on February 9, 1964, about 20 guys crowded around a tiny black and white TV screen in our dorm to watch a popular Sunday evening variety show hosted by a rather odd-looking man with strange diction named Ed Sullivan. But when he pointed to his left and shouted, “The Beatles!” everything, everything changed. A theater full of teenaged girls screamed nonstop while these 4 young guys, barely out of their teens themselves, sang four songs.

After the Assassination

“A lot of parents were horrified, probably flashing back on the terrible influence of Elvis just a few short years before. But the whole nation, in an extended period of mourning after a young, charismatic President had been assassinated not three months earlier, may have experienced its first sense that perhaps things could begin to be OK again.

The Beatles Conquered America

“In the summer of ’64 the Beatles conquered America in earnest, hopscotching coast to coast with a series of concerts that would pale in comparison to the huge, elaborate stadium shows of today. One of the venues was a modest arena within walking distance of the working class section of Cincinnati where I grew up. I got tickets to the concert, and my younger brother and I walked there to become part of an audience of around 15,000 people that sounded and acted exactly like the kids at Ed Sullivan’s show.

Blood-Curdling Scream

“In fact, when the Beatles took the stage, the girl sitting behind me let out a blood-curdling scream directly into my right ear, and the whole 45 minute or so show was filtered through a tinnitus-like haze. But it was……perfect.

“I came of age with the Beatles, accompanied by them through the turbulent Sixties as they creatively grew and evolved in astounding leaps – absorbing, integrating, mirroring, influencing, leading. I loved their music, always have, and loved the last side of their last album the most of all. To this day, despite loving so many of their songs, I still love the Abbey Road medley above all the others.

The Beatles as Musicians

“Flash forward 41 years. After a career as a high school counselor, followed by a 30-year career as a professor of counselor education, I sat in on the first-ever offering of my colleague Paul Vance’s course “The Beatles as Musicians.” The Beatles always had been a big presence in my life, but this class was like receiving a high-potency transfusion. All the memories, all the joy that the Beatles had brought to my life, came rushing back; and in my retirement a burst of increased curiosity and creativity took me over.

Major Research

“All four of our kids were launched, and I committed to a major research project on the Abbey Road medley. It finally was published in February 2020 on the Beatlefan Magazine website**…..just as it was beginning to dawn on the United States and the entire world that there may be a serious global pandemic to contend with.

“And exactly one month later, after agonizing about whether there was anything I could do to be of help to people so stressed and worried about the relentless coronavirus pandemic, I decided to send out a Beatles song as a little uplifting gift to a small group of family and friends. I’ll include it below. But I’ll close by summarizing that the list of recipients grew bit by bit until over 220 people were hearing from me every day with a different Beatles song – every day until early in December of 2020, when I had randomly sent every Beatles song I could find, early and late, mainstream and obscure, hits and demos. It was a labor of love. It helped me to survive the pandemic. And I heard throughout those months that it helped others survive it as well by providing little upbeat vacations from the anxious times.

This Should Be A Book!

Many recipients kept saying, “This should be a book!” And except for of making the focus the more generic “any challenging time” instead of “the Covid pandemic,” that is the book that grew out of my lifelong love of the Beatles. It was published as an ebook on Amazon in June of 2021: When We Find Ourselves in Times of Trouble: The Beatles (All Their Songs with Encouraging Words for Challenging Times. I hope you enjoy it.

Tim Hatfield

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A Spaniard in The Works – Rescheduled

John Lennon's A Spaniard in the Works
John Lennon's A Spaniard in The Works
John Lennon’s A Spaniard in The Works

A Spaniard in The Works

“We must not forget the general Webinar Direction!”

(A Spaniard in the Works fans…the direction is clear:

We Have Rescheduled!!

Join us on Tuesday night,

19 October!!

Join Jude Southerland Kessler on  

TUESDAY NIGHT, 19 October

at 7:30 p.m. Central

for a FREE Focal Points Webinar 

on

John Lennon’s A Spaniard in the Works

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