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The Beatles Revell Models | Beatles Memorabilia

Make A Beatle
Make A Beatle

The Beatles Revell Models

Companies designed most Beatles memorabilia and merchandise for young female fans. Revell model kits bucked that trend. The company already produced models of planes, ships, and other male-orientated products, so why not the Fab Four? In 1964, the Beatles’ “Authentic Kits” models joined the market.

Revell manufactured Beatle kits, one of each band member. They were “precision molded plastic – easy to assemble.” Identification on the packages stated, “©1964 by Revell Industries, 4220 Glencoe Avenue, Venice, California, U.S.A., manufactured in U.S.A., Litho in U.S.A.” and included another disclaimer “Licensed by NEMS Enterprises, London.”

Beatles Model Kits
Beatles Model Kits

Paul and Ringo First

Like other band items, Revell was cautious about investing their inventory into producing all four Beatles as models. So, after researching that Paul and Ringo were the two most popular Beatles in the U.S. at that time, they designed them first by early August 1964.

Tony Bulone and Magda Kopec did Paul’s original Revell model sculptures for molding, then Kopec did the other three Beatles. Bulone’s daughter, Jill Houghton, added, “Elvis sat for [her dad] once, about the time Elvis was going in the military.” After demand for the models stayed strong, Revell produced all four Beatles by the end of 1964.

All the Fab Four in 1964

“In 1964, hot on the heels of Revell’s popular Rat Fink line came the company’s issue of the four members of The Beatles. They apparently beat rival Aurora to the punch in obtaining the license to the group’s likenesses – Revell was known much more for their kits of automobiles, planes, and battleships than characters; that’s where Aurora excelled.

“All four likenesses were accurately sculpted, complete with accurate depictions of their instruments (Ringo only had a snare drum, rather than a full drum set), and all were posed in the standard stances that their fans could even recognize in silhouette. John Lennon is unusually pictured playing his acoustic with electronic pickups, rather than the more famous Rickenbacker of his early days. Today the Paul and Ringo figures are the most commonly found of the set of four, with George being much more difficult and John being the toughest of them all.” – The Michigan Toy Soldier Company Blog.

UK Version in 1965

Revell made the models, designed to be painted, from white plastic. The U.K. version came out in the spring of 1965 when their U.K. branch picked up the license – had more vivid colors on the boxes and used the British spelling on the package for “moulded.” When the models were first issued, only the John and George kits were released in the

Make Yourself A Beatle
Make Yourself A Beatle

The UK

U.K. market, with Paul and Ringo only available in the U.S. The U.K. versions were marked “Revell (G.B.) Ltd.” and were missing the U.S. price code marker next to the model number. Other than the information on the box, the actual U.S. and U.K. models were identical.

Each box measured 9″x6″x2″ and featured vivid color graphics drawn by artist Donald “Putt” Putman. Once completed, the model measured officially at 2½”x6″x9½”. The description listed that each figure stood 9″ tall – except Ringo, whose model stood 7″ when completed. Inside the model, boxes were individual plastic bags with instructions/assembly directions.

Printed on the box exterior was a description written for each Beatle. For example, John’s story read, “Features…This beautifully detailed reproduction of John Lennon with guitar stands a full 9” high. Each feature is so life-like that it is a “must” for every teenage room. A few simple pieces…a few dabs of paint…and John will be your very own.” There was a slight variation in the name and instrument on the other individual boxes.

John – Kookiest Of Them All

The box for the model of John was labeled “Kookiest Of Them All” (H-1352:150). Paul as “The Great McCartney” (H-1350:150). George as “Lead Guitar – Loud and Strong” (H-1353:150). Ringo’s label read, “Wildest Skins In Town” (H-1351:150) model.

They also printed a short biography on the side of the box:

“John…the most “way-out,” he writes many of the Beatles’ songs with Paul McCartney. It was John’s inspiration that started the group and today he is considered to be the leader of the Beatles.”

Paul – the Zaniest Beatle

“Paul…an irrepressible, good-humored member of the McCartney clan, he is loved by thousands as the zaniest Beatle. His black hair and his hazel eyes have won as many hearts as his left-handed stroking of the bass guitar. Not only does he possess a clever tongue and wild imagination, he is also regarded as the best-looking Beatle.”

George – Freedom of Expression

“George…the youngest of the Beatles plays lead guitar for the group. He has always defended “freedom of expression” and at one time considered being an artist. Offstage he is quiet and sensitive…but on stage, he comes on loud and strong.”

Ringo – Craggy Features

“Ringo…is the pulsing, throbbing creator of the Beatle rhythm. Best known for craggy features and jeweled fingers, his beat has brought ecstasy to worshippers all over the world. The pounding crescendo of these drums has made “Ringo” a name to remember…everywhere.”

Beatles Model Kits
Beatles Model Kits

On the side of the boxes for the “Paul” and “Ringo” models, Revell incorrectly labeled the face of George as “John” and John as “George.” The phrasing was “Get Them ALL…For Your Very Own” along with “©NEMS Enterprises Ltd. London, England.”

Incorrect Labels

The company produced promotional posters advertising the Beatles Model Kits. These posters featured printed drawings of Paul and Ringo on each end and stated, ‘Build the Beatles Revell Authentic Kits $1.50 each. Printed in the U.S.A.’ They measured 25½” x11″ (65cm x 28cm).

“Around 1965, my father had a friend who worked for Revell. One day, the friend told him, “Hey, you got a son, right? Well, I have a garage full of Revell models. Bring him by. He can help himself to as many as he wants.” My dad didn’t believe in ever turning down anything that was free, so I soon found myself in his friend’s garage staring at crates of new, unopened Revell models…from 20 to 50 (I’m guessing) of everything the company had put out in the preceding decade. “Help yourself,” the friend said. “Take as many as you want. I’m going to throw them out one of these days. I need the space for my new band saw.” – Mark Evanier “The Beatles Model Kits” (via News From Me Blog)

Shop display flyers/brochures featured the Paul and Ringo model. They measured 8½” x11″ and were two-sided, with Paul on one side and Ringo. John and George were not pictured but described as “available at a later date.” It proudly boasted that “35,000,000 fans say this kit can’t miss!”.

“I started at Revell (at the) end of 1968. When I had my very first day at the company (Revell), I made a ‘company trip’ with my new boss. When we visited the shipping department, I saw a single small model kit on an empty shelf. This model kit was Paul McCartney. I asked him if I could buy it. It was OK, and I did; it was my very first purchase at Revell. After this first model kit, I became interested in this theme and wanted to know how Revell came to this strange product. At that time, there was a second European Revell-sister, Revell (G.B.) Ltd. in Potters Bar. Our English friends were (a long time before Revell Germany) in the position to create their own products, especially for the U.K. market. Such a project was ‘The Beatles.’

Our English friends took care of the license, which was given by NEMS Enterprises London/England in 1964. The production run was done at Revell in Venice/Calif., the main company of Revell. All four figures were in the international catalogue from 1965 until 1966 only. After that, I suppose the licensor changed, and the license fee became too expensive.

There was never a special leaflet with the pictures of the kits. Also, those kits were never the big seller in Germany. At that time, The Beatles were of less interest. For example, ‘Ringo’ never was sold on the German market, only the other three.

During my job at Revell, I became Head of Product Development at the beginning of the Seventies. Many, many times, I tried to re-introduce the Fab Four because we still owned the molds. But no matter who was the licensor, I never got the permission for a reissue. There were a couple of owners of the rights on The Beatles (Apple, Michael Jackson, Sony, etc.), but all couldn’t give me the OK. The reason was Yoko Ono; she didn’t allow any replica of her husband, John. A few years ago, we were asked by a new licensor to make model kits of The Beatles, but only from the Yellow Submarine comic, but at those figures, nobody was interested.

(About the sculptures which became the molds) The original but necessary bigger scale sculptures had been done in England. The sculptures were shipped to Revell Inc., Venice, U.S.A. And as I know, all the molds from them were made in Canada close to the U.S. border. Today one mold is stored in the U.S.A. and one at Revell in Germany. One mold includes two figures.” – Ulli Taubert (Revell employee, 1968-2017)

There were reproductions of these models made from “heavier” resin by a company out of Hong Kong. Many had extra thin plastic hanging from the pieces.

The Revell Molds

The Instructions
The Instructions

Revell reports that the original molds for the models (each included two figures) still exist. Stored in Buende, Germany, the molds are in excellent condition, even with their age. The company reports that there are no plans to reissue the original model kits right now. Revell researches the possibilities of bringing them back from time to time, but they are not allowed to run the molds because the iconic “Beatles” and “Fab Four” names have copyright protection.

Apple Corps

Revell Industries had its merchandising license included in contracts supplied to Apple Corps Limited on August 8, 1968, by the firm Wright, Webb & Company. The company was named in a NEMS Enterprises, Ltd vs. Seltaeb, Incorporated lawsuit filed in the Appellate Division of the Supreme Court of the State of New York, First Judicial Department, dated: New York, New York, July 6, 1965. On April 19, 1965, they received a letter (reported by L.C. Schlesinger, an employee of the company) about an “amended complaint” pertaining to the lawsuit.

In addition, Revell (through their attorneys Gladstone & Lowell, Esqs.) requested that they be “held harmless in this matter.”

One of Revell’s attorneys, Stanley H. Lowell (of the law firm Gladstone & Lowell), reported receiving an “amended complaint” letter about the lawsuit. He told Selteab that “…royalty payments due Seltaeb Incorporated would not be released until Seltaeb Incorporated entered into an indemnity agreement with Revell.”

#NEMSmemorabilia #faBgear @NEMSmemorabilia #BeatlesMemorabilia

Terry Crain

Find our more in Terry’s fantastic book:

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Bruce Spizer’s Beatles Books – Part 2

Bruce's Books
Bruce’s Books

Another format to some of Bruce’s album series is this boxed set of 4 of his titles packaged and available together (above)

Bruce’s Books – The Beatles’ Records

This is Part 2 presenting some of the works of noted Beatles author, Bruce Spizer!

This is Bruce’s website provided for your perusal:

The Beatles on Capitol

A fascinating 2 book series chronicling the Beatles history and association with the record label and company that saw their explosion in the world’s largest record market of the time-the US! Without question, a must-have for your book collections!

The Beatles On Capitol Records Part 1
The Beatles On Capitol Records Part 1
The Beatles On Capitol Records Part 2
The Beatles On Capitol Records Part 2

The Beatles Are Coming!

An excellent book detailing the evolution and the development of the Beatles invasion and the details preceding the revolution:

The Beatles Are Coming
The Beatles Are Coming

The Beatles On Apple Records

I love the Apple Records story and learning what the Beatles’ goals for the company were. However, the quote about the “best-laid plans of mice and men” surely applied to this story. A fabulous 2 volumes documenting the Apple label story!

The Beatles on Apple Records - Part 1
The Beatles on Apple Records – Part 1
The Beatles on Apple Records - Part 2
The Beatles on Apple Records – Part 2

The Beatles on Parlophone

A detailed history of UK record releases by the Beatles on Parlophone!

The Beatles on Parlophone
The Beatles on Parlophone

The Beatles on Vee-Jay

A fantastic book dealing with one of the record labels the Beatles were on in America before they were signed to Capitol. Once again a fascinating story as to the details of what happened. You do not want to miss the details…

The Beatles on Vee-Jay Records
The Beatles on Vee-Jay Records

The Beatles on Swan Records

The first Beatles record that I ever bought was “She Loves You” on the Swan record label. This was another record label that the Beatles appeared on before they were locked in with the US label, Capitol. Once again another fascinating story presented by Bruce Spizer. Bruce is without peer as an investigator and this tale will amaze you!

The Beatles On Swan
The Beatles On Swan

The Beatles Hard Day’s Night and More

The Beatles Hard Day's Night & More
The Beatles Hard Day’s Night & More

Beatles For Sale To Help!

Bruce’s new title able to be pre-ordered on April 4, 2025 and to be published in August of 2025. No doubt that it will be another wonderful and informative title in the Bruce Spizer catalog:

The Beatles For Sale To Help!

A fantastic series of books on The Beatles’ records. Check out Bruce’s website for more information.

Home – beatle.net

What did you learn about the Beatles that you did not know before as a result of reading these fantastic books?

Buzz

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Best Beatles Discography in the World but Very Rare!!!

The Beatles Covered
The Beatles Covered

Beatles Covered – Reference Book

Beatles reference books have a difficult legacy to live up to. The reason for this observation is as soon as a discography is published, it can become outdated instantly as new releases come out. Unless book addendums or revised editions are issued, the older book is always missing significant detail as time progresses.

One thing that can be said conclusively, though, is that this book can clearly be claimed as the best Beatles discography in the world. The title was written in the English language by German author, Joachim Noske, and published in 2009, by Ajono Books.

Only 500 copies of this massive book were issued with over 14,000 scans of LP’s singles, Ep’s. 78’s picture disks, flexi-disks, and more, featuring discographies from more than 60 countries. Upon release the 500 copies were quickly snapped up by collectors and it is out of print. Copies of the book when they come up for auction command significant high prices!  The author has claimed that he does not envision he will ever reprint the book despite the ever increasing demand of collectors.

The book is over 800 pages long and features full color/colour throughout. It must have been very expensive to produce this book.

Buzz

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Derek Taylor – Genesis of an Idea

It Was Twenty Years Ago Today
It Was Twenty Years Ago Today

George Harrison – I Me Mine

The king of producing limited edition Beatles-related books is undoubtedly, Genesis Publications Ltd, based in the UK. Since the late Brian Roylance made the arrangements to publish George Harrison’s signed “I Me Mine” volume back in the early to mid 1970’s, the publishers have continued to publish books of intense interest to Beatles fans. At last count, more than 30 Beatles-related Genesis books have been issued.

Beautifully produced and bound in Italy, the mostly leather-bound volumes are superb in the way they are crafted, and the materials used to present them. Many Beatles fans however are skeptical and cynical about the higher prices the limited-edition books command as for many the cost is prohibitive.

The Cover from It Was Twenty Years Ago Today
The Cover from It Was Twenty Years Ago Today

Derek Taylor

Many collectors of Genesis titles may wonder what the rarest Beatles-related title is that they produced. Many people are not aware that the hardest to acquire Genesis Beatles-related title is actually a reprint of what was an already released book by the late Derek Taylor, the Beatles former publicist. His book, “It was Twenty Years Ago Today” was issued as a signed 100 copy issue by Genesis.

The Page Signed by Derek Taylor
The Page Signed by Derek Taylor

The publishers honored my request to allow me to purchase the last numbered copy, number 100, for my personal collection. Many people have asked me why the fascination with the last numbered copy of a limited-edition book. Here is the logic behind the reasoning. Obtaining the first numbered copy is virtually impossible to do as a result of the high demand for that numbered copy of the book. Having what turns out to be the last copy, holds an equally important fascination to me as no more limited-edition copies will ever appear or be made. That is the psychology behind requesting the last numbered copy. That coupled with the excellent writing ability of Mr. Taylor, makes this a book to be treasured.

Derek’s book, marking the 20th anniversary of the release of Sgt. Pepper and Derek’s recollections of the essence of the counterculture of the ’60s make this a wonderful book to have!

Alternative Covers

Alternative Cover #1
Alternative Cover #2
Alternative Cover #2

Buzz

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With A Little Help! From Our Friends

Eleanor Bron
Eleanor Bron
Eleanor Bron

Three books from a few of the character actors in the Beatles movie, “Help!”

Leo McKern, Eleanor Bron, and Victor Spinetti

Leo McKern Just Resting
Leo McKern – Just Resting

Leo played the character Clang/Klang in the movie and Eleanor portrayed the role of Ahme.

Victor Spinetti
Victor Spinetti

Victor had the role of the conniving Foot

Victor’s Book

Leo McKern’s book was published by Methuen in 1983, Bron’s book was published by Jonathan Cape in 1985. Spinetti’s book was published in 2006 by Pavilion Books.

Buzz

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Beatles Graffiti

Graffiti Beatles
Beatles Graffiti
Beatles Graffiti

Beatles Graffiti

It is amazing the variety of Beatles-related book titles that have appeared over the years. This one holds a special place in my heart for several reasons. 

A while back I came across an Online Kickstarter campaign designed to help finance the sale and distribution of what I saw as a very special Beatles-related book. A gentleman named Jonathan Armstrong was assisting a lady named Jo Holden to publish a book of Beatles graffiti that appeared on the famous Abbey Road wall outside the EMI studios. Jo’s husband, photographer Martin Holden had spent 12 years photographing the various postings of Beatles grafitti on the wall because he was fascinated with the worldwide impact of the group and how fans still maintained their intense interest in them

To quote Marton Holden’s friend, Jonathan Armstrong:

“In October of 2018, Martin was diagnosed with Stage 4 brain cancer. Despite this prognosis, he continued to visit the studios and remained determined to keep the project going. He lost his battle in August 2019, and now Martin’s widow Jo is committed to finishing his work, both as a tribute to him and as closure to the long personal journey they took together.”

Sketch on Abbey Road Wall

As a special feature for the people that contributed to the Kickstarter campaign to finance the book, an artist would draw a little sketch like the walrus shown below and a message written by the pledge donor would accompany the sketch on the Abbey Road wall. The artist would photograph it before it was washed away the following month. My contribution to that book is presented in the middle panel of the picture below the book cover. The artist that did the walrus drawing for my post and I believe the person that took the photograph is named Robert Rubbish. People that purchased this book were also contributing to brain tumor research.

Buzz's Walrus
Buzz’s Walrus

I believe there is a website where interested parties can still find and purchase this book if they are interested! I was so happy to have been able to acquire a copy of this wonderful title which encapsulates the continuing importance of the band to our culture.

Buzz