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THE BEATLES TRIP OF A LIFETIME WITH LIVERPOOL PRODUCTIONS!!!

If you want to go on the Beatles trip of a lifetime, then the Liverpool Productions journey held and sponsored by a well-known Beatles fan and fellow Nutmegger (from the state of Connecticut) is the way to go. The organizer of these tours is an author, a former magazine editor, an expert promoter, a Beatles convention organizer, and he is also a DJ. Of course I am referring to Charles Rosenay!!!, whose Beatles tour is the absolute best!

If you do not believe me, check out his itinerary for the upcoming 2026 tour. Use the link provided below to discover what you will be seeing first-hand when you take this wonderful tour. Most of the sites you have read about over the years will become the experiences you will treasure for the balance of your lives. Visit the childhood homes of the Beatles, see the major Beatles sites in London. Go to Mathew Street in Liverpool and see the street where the Beatles played 292 early gigs. Visit the wonderful Beatles Museum on Mathew Street. Attend the special musical events of Beatleweek. See where the McCartney MPL offices are in London, and the former 3 Savile Row site of Apple where the Beatles performed their last public performance on the roof.

There are so many places on these tours that will keep you fascinated and transfixed on what you are viewing. Over the years, I have even spoken to many individuals that have taken the tour in multiple years. That represents an excellent endorsement of what these trips are truly like!

The praise I have for this trip is based on first-hand experience, as I personally made the decision to go on the 1988 tour. One of the highlights of that trip was our tour group was given the golden opportunity to be backing singers on a souvenir record that was made in the famed Studio 2 at Abbey Road. To even be in that room was a distinct honor and privilege. You could literally feel both the magic and the fabled history that was made in that room.

Trips to record in Abbey Road are a rarity due to logistical issues but our tour group was truly blessed for our distinct privilege to have been afforded the honor to record in the studio where all of that Beatles magic was made.

DETAILS OF THE UPCOMING 2026 TOUR

To see what is being offered for 2026 by Liverpool Productions tour to Liverpool, London and Henley on Thames. Click on this link. Charles Rosenay’s contact information is provided at this site in order to pose any questions you may have about this journey. If you decide to go, I wish you well as you will certainly have a magical journey.

Beatles Tour to Liverpool & London 2026

LIVERPOOL & LONDON AUGUST 24 – SEPTEMBER 2, 2026
COME ON THE 43rd ANNIVERSARY (!)
OF THE ORIGINAL BEATLES FAN TOUR!
IT’S THE VACATION OF A LIFETIME!
BRINGING FANS TO ENGLAND SINCE 1983.

MEMORIES CAN BE BEAUTIFUL – A FEW FROM 1988 (LONDON AND LIVERPOOL)

LONDONS ABBEY ROAD STUDIO 2

Following our singing performance on Stand By Me, we posed for a group photo in Studio 2. That is me in the top row with the glasses at the center of the picture. The tour organizer, Charles Rosenay is at the bottom of the picture. Charles knows and is fully aware that I have a few stories from this trip that would make for a very interesting book. It is hard to believe that it has been 37 years since this very exciting and action-packed tour!

I believe it was one of Charles’ colleagues that took this group photo at Abbey Road’s Studio 2

A side view of the group:

A view of the famous staircase leading up to the control room:

A shot of one of the pianos that was in Studio 2:

Another studio view:

The picture sleeve of the duo backed by the tour group singers on the 1988 trip: (photo is courtesy of Bill Last/Liverpool Productions)

The listing of the participants of the backing singers on Stand By Me: ((photo is courtesy of Bill Last/Liverpool Productions))

The A-side:

The B-side:

May Pang at the 1988 Liverpool Beatle convention:

ANOTHER TOUR REPORT FROM 10 YEARS LATER: 1998

“1998 Magical History Tour Report” (From the Liverpool Productions Website provided at the beginning of this post!) This wonderful piece written by Jil helps to give you a true flavor of what this tour is like. This recollection appears on Charles’ Liverpool Productions website: (Jil’s report reprinted courtesy of Good Day Sunshine magazine)
By Jil Michorczyk

Picture yourself on a lawn in the sunshine, between tall shady trees under blue sunny skies. But this is no ordinary picnic and you have to pinch yourself to realize exactly where you are. You have just walked through the ornate strawberry-colored gates and you’re actually inside the hallowed grounds of Strawberry Field, where a summer fete is in full swing. What is even more amazing to be here is that in many Beatle guidebooks under the picture of the old red gates it states, “Under no circumstances should you enter these grounds of this Children’s Home.” And so it was on this Magical History Tour to London and Liverpool in the summer of 1998 that we experienced the sights and sounds of the Beatles’ England.

  Our story begins on Sunday, Aug. 23rd at JFK Airport in NYC, with many of us having driven or flown into New York from other eastern cities and Canada. Others from the West departed from Texas and arrived at London's Gatwick Airport. Those of us at JFK were met by Charles F. Rosenay!!!, our illustrious tour originator and guide. We anxiously boarded the British Airways plane bound for London's Heathrow Airport, which promptly left U.S. soil by 7:00 p.m. Many of the group were seated together in the same section, so the seven hour flight gave us an opportunity to jump right into a Beatles frame of mind with our fellow day trippers. Several people managed to slip in a few hours of sleep on the flight that night, while others were happy just to talk, laugh and sing as they made their way across the universe.

  Early Monday morning we were met by the ever-smiling Richard Porter of The London Beatles Fan Club. He informed us of our first surprise, that someone special would be accompanying us on our journey that morning. Many of us were zombies from lack of sleep, so we quietly stood grouped together waiting in the terminal. Suddenly one person noticed that morning's bold headlines splashed across the British tabloid, The Sun: "I'm Lennon's Lost Sister." Immediately, copies of The Sun were scarfed up by several members of our group, of course feeling quite superior to any poor souls an ocean away in America to whom current Beatle news would be later in arriving.

  Soon the surprise guest of the day arrived, Alf Bicknell, the Beatles' charmingly unassuming chauffeur during their touring years. Many of us had met him at previous conventions and enjoyed his candid and humorous stories about his early days with the Beatles. We all boarded our first coach for a ride to Henley-on-Thames, where George has lived since 1970. Beautiful countryside, green pastures, and herds of sheep dotted the hillside along the way, and soon we arrived at the famous Friar Park. Quickly we all filed off the bus to have a closer look at the quaint gate house with its ornamented carvings and turreted roof. We took our pictures in a kind of hushed awe, when suddenly the heavy iron gates started to open on their own! The crowd let out a collective shriek and we all did what people do when they're not sure what comes next---we laughed! Yet no one attempted to move inside the gates. In the next instant a young male gardener came into view with a lawn mower, the gates closed shut, and there we stood. Why, oh why didn't I take off running straight to the main house? Tea... biscuits... George on the lawn with guitar in hand...(Fantasy #1).

  We strolled the sidewalks of the town, browsing in the art galleries and antique shops, and meeting the group for lunch at the Row Barge, George's favorite pub where he has been known to down a few pints and throw a few darts.

  We departed picturesque Henley and set off for our home in London, the luxury Forum Hotel. Barely able to stay awake yet too excited to sleep, we could only imagine how fab the next eight days a week would be. To sleep or not to sleep was the dilemma, and with a spare couple of hours that afternoon, that's what some of us did, while others jumped right into the London sightseeing mode. Riding the tube and seeing the hustle of Leicester Square, I could feel the excitement in the air.

  Back at our hotel we met and talked with another person from the Beatles' past, the impeccably besuited show business tailor Gordon Millings, who together with his father Dougie Millings, was recommended to Brian Epstein in 1963. He produced five hundred variations of suits for the Beatles, including the famous collarless jackets, applauded by Brian for being simple yet unique. After talking with Gordon awhile, we then had the evening free. Some people in our group had their first taste of London at the Hard Rock Café, while others opted for Rolling Stone Bill Wyman's restaurant, Sticky Fingers. Still another group dined at The Fashion Café where they were treated to a great meal, excellent service, and even a surprise fashion show complete with music and the new fall fashions.

  Tuesday morning came early for those meeting in the lobby to take the four hour panoramic tour of traditional London sights. According to the famous novelist John Lennon, these include "Buckinghell Parcel, the Horses of Parliamint, the Chasing of the Guards, and one place of particularge interest is the Statue of Eric in Picanniny Surplass." Sights surely not to be missed if you've never been before! Instead of the London tour, two of us spotted Alf Bicknell seated in the lobby waiting to do an interview for Brazilian TV, so we sat with him for almost an hour while he told us stories of his life. He was so warm and amicable and totally non-pretentious, exactly as presented in his delightful 1996 video, "Alf Bicknell's Personal Beatles Tales."

  We then took advantage of our one-day tube pass and set out to find Jane Asher's Tea Room in Chelsea, stopping once on the way to visit a favorite London venue, The Sock Shop (those leopard tights are smashing!). Finally after walking quite a while, we spotted the two big blue awnings with Jane's famous signature in bold letters. Inside the small store are two separate rooms, one a bakery with cakes displayed, along with various baking items and her own cookbooks. The other side is a tiny café holding a few tables where patrons can order and eat a variety of homemade sandwiches and sundries, or enjoy a cup of tea. Theatrical posters adorn the walls, evidence of Jane's first love, acting. In fact, Jane had been starring for the last several months in the successful comedy, "The Things We Do For Love," at the Duchess Theatre in Covent Gardens. Unfortunately her critically acclaimed role had just ended two days before our arrival in London.

  With Jane's cheese and cucumber sandwiches in hand, we tore off to Sloane Square, stopping once at Hatchard's Books in Piccadilly to complete our 'Jane mission' by buying a copy of her mystery-romance novel, "The Longing." (Girls, this suspenseful story is a must-read.) Soon the stately Royal Court Hotel loomed large in our vision, so we snapped pictures of the Beatles' first London lodging in early 1963. We slipped into the lobby and relived that Sunday evening of February 10th when the Lads were photographed in the lobby and lounge, and then outside around the Square, all just a few hours before the group's marathon recording session at EMI for their debut album "Please Please Me."

  Running everywhere at such a speed, we made it back to the Forum just in time to savor our sandwiches in our room with a view of London from the twentieth floor. Looking dreamily out the window, Fantasy #2 takes shape: Oh, to be able to live here long enough to see all 400-plus Beatle sites in Mark Lewisohn"s "The Beatles London." Snapping out of my daydream, I found myself with the group on a double-decker bus for our four-hour Beatles tour with Richard Porter and Alf Bicknell. One of the highlights was a stop at Marylebone Station, the setting for several scenes in the film "A Hard Day's Night." It was down the pavement of Boston Place, the street to the right of the station, that three of the guys in our group ran, (one brave purist even tripping like George), mimicking the opening scene in the movie where John, George & Ringo tear down the same street, being chased by hundreds of screaming fans. All the action led naturally to inside the station where many of us discovered Solero 'ice lollies', hereby crowned as 'The Best Popsicles on Earth.' (You know that what you eat you are...)

  On to another really fab sight, Chiswick House and Gardens. It was here to these gardens, constructed in 1729 and modeled after an Italian landscape, that the Beatles came on Friday, May 20, 1966, to shoot the color promotional films for "Paperback Writer" and "Rain" (can anyone really tell that they were miming the words?). One couple in our group, the unforgettable John Lennon look-alike and his fun-loving long-haired wife playfully posed for our cameras in the statue garden, as did Alf, ever the good sport. Gradually we all strolled lazily across the grounds on that balmy afternoon towards the gigantic picturesque cedar tree, where one by one we took turns sitting on the low, heavy branch of the tree seen in the Beatles video. Suddenly the real John appears and his voice ruffles through the air, "When the sun shines we slip into the shade..." (Definitely Fantasy #3; it's just a state of mind.)

  From Chiswick it was off to many other fascinating Beatle sites such as Montagu Square, Apple Shop, and EMI House. But the undisputed toppermost of the poppermost Beatle site in all of London has to be (everybody in unison) ABBEY ROAD!! No words can describe that evening inside Studio Two when we solidified our recording careers by singing the chorus of "Hey Jude!" First we began the evening risking life and limb by dodging traffic zooming across the famous zebra crossing in the street outside, a necessary activity for any respectable Beatles fan. There was even a BBC news reporter and cameraman on the scene. Then the next thrill was actually getting to step inside the front door of the lobby, something normally reserved only for those with legitimate business inside; but hey, we had a recording contract to fulfill here! We were then ushered into the famous Studio Two where the Beatles taped all but a handful of their 200-plus recordings between 1962 and 1970. I mean, this was history here folks! Confined to the studio for nearly three hours, we took turns sitting at the original piano used by the Beatles, and a few talented people in our group even played and sang some Beatle songs while others joined in. We also took pictures standing at the various microphones and instruments, and also took a group picture. While sitting at Ringo's drum set, suddenly the reporter's microphone was held up to my lips waiting for me to utter some words of wisdom on how it felt to be inside Abbey Road at that moment. I think I muttered something about the Beatles' music affecting our lives so profoundly and here is where it all happened. Pretty deep, I know.

  Then the magic really began when we took our seats facing the lead singer, the rhythm guitarist/vocalist for the fabulous Sergeant Pepper Band from Brazil, Aggeu Marques. Standing there facing us with headphones on, he sang "Hey Jude" with all the depths of emotion of Paul McCartney singing to a packed house. Then came the chorus and we all joined in singing our hearts out, swaying to the music in a heavenly trance; talk about a spiritual experience! And we completed the entire song not just once, but a second time when we were clapping through the entire song, and yet a third time when we all stood up to sing, as instructed by the recording engineers at the top of the stairs outside the control booth behind us. Once we had finished our hard day's work, we ascended the stairs to the small control room with the picture window that overlooks the studio. I could have sat all night in George Harrison's swivel chair, but all too soon we were ushered back to the main lobby where most of us bought souvenirs to remind us of our session at Abbey Road Studios, as if we will ever forget. "I'd like to say thanks on behalf of the group and ourselves, and I hope we pass the audition!"

  We ended the evening back at the Forum Hotel with many of us gathering in the miniature Boardroom to once again listen to Alf regale us with his tales from the Beatle years. Beep beep mm, beep beep yeah!

  Up early the next morning, some of us saw the BBC TV show with the Beatles segment from the day before at Abbey Road. It was so great to be in London to experience firsthand the excitement that people still feel for the Beatles. After breakfast we boarded a coach that dropped us off in the West End where half of us started our walking tour with the ever-knowledgeable Richard Porter, and the other half went the opposite way with the wry-humored Dave Jones of Cavern City Tours (who emphatically doesn't like Americans!) We stopped at many well-known sites such as Trident Studios, MPL, the Apple building, Indica Gallery, the Miranda Club (formerly Bag O' Nails), and the newly opened Beatles Shop upon which we converged to buy our first Beatle souvenirs of the trip.

  With the afternoon free, two of us found ourselves walking west along Piccadilly Road when we accidentally stumbled upon St. James Church, recessed from the street behind a courtyard filled with a bustling crafts market. After shopping, we relaxed with a marvelous inexpensive hot vegetarian lunch in the charming Wren Café which is attached to the church.

  Next we headed back down Piccadilly to the London Pavilion, a major West End cinema from 1934 to 1978. With the world premiere of every Beatle movie taking place here, just imagine the Beatles attending and bringing chaos to the surrounding area. We went to the upper floors of the theatre to see Madame Tussaud's Rock Circus, open since 1989, where we were entertained by the 'Cavern Beatles' and the 'Sgt. Pepper Beatles,' as well as dozens of other rock legends in wax.

  On our way back to the hotel we dashed into Tower Records to buy Julian Lennon's new CD, "Photograph Smile," not released in the U.S. until October. We figured it might come in handy when we would be seeing none other than the Famous Son himself that same evening. Yes, another unbelievable surprise event was that our group would get in to see the taping of the Jack Docherty Show, a popular BBC talk show filmed at the Whitehall Theatre near Charing Cross. Julian was to be the third guest on the show that night, after a local DJ with dry British humor, and an older British actor resembling Thurston Howell III. It turned out that the host Jack Docherty was on 'holiday' so the guest host was Blonde Bombshell Belinda in a low-cut high-slit gown whose every cheeky comment contained some seemingly hilarious sexual innuendo, much to the delight of the mostly British audience. Admittedly, the warm-up comedian of the evening kept us laughing with his game with the audience, "Who would you least like to wake up next to?" And once again our own Lennon look-alike was in the spotlight when the cameras turned to him during the opening credits as he mouthed the words, "hi Julian."

  And what a welcome the crowd gave to Julian, so gorgeous, smiling, laid-back, funny... need I go on? First he sat and talked with Belinda, and she asked him how he felt about Yoko recently auctioning off many of John's things without asking him first if he wanted them. To this Julian replied, "I'm very upset with her, to put it politely." Then he said he thought he might have kids someday and would like to have his dad's things to be able to pass on the heritage. With that said, he and his excellent band sang one song from his new CD, "I Don't Want To Know." Wow, what a song; what a night! (Fantasy #4 involves backstage passes to meet Julian, and you can imagine the rest.)

  But fantasies don't always come true, so instead we danced the night away at The Rock Garden nightclub at Covent Gardens, where bands from Mexico, Brazil, Argentina and Japan performed different eras of Beatles music. Several people from our group quickly secured places on the floor in front, and I'm sure I heard them screaming "John!" when The Beats were on. ( Poor mute 'Paul' though!)

  How we were ever expected to sleep that night after the final night in London bash I'll never know, but many of us did manage to squeeze in about four hours of golden slumbers before boarding our coach to Liverpool early the next morning. Along the way we played the ABC Beatle song game, and we stopped once for a 'Welcome Break' as they say on England's expressways. At last in Liverpool, our informative driver Mark surprised us with a quick preview of Menlove Avenue, and then magically "there beneath the blue suburban skies" we found ourselves in the real live Penny Lane! Then it was on to Speke Hall to drop off eight chosen people lucky enough to be the first in the group to see Forthlin Road, Paul's boyhood home.

  Lastly, the rest of us passengers arrived at our final destination and Liverpool's most famous hotel, the Britannia Adelphi Hotel, our home for the next glorious six days. The official Beatle Week had begun the day before, so many of us bought programs and T-shirts on sale in the lobby while waiting to check in. We were then free to explore nearby Mathew Street and catch our first glimpse of the famous Cavern Club where it all began, or go across the street to the Cavern Pub for an afternoon concert by the local band No Reply. It was also a good time to visit Walker Art Gallery where we were lucky enough to catch the month-long tribute to Linda McCartney, a showing of 14 silk-screened prints of her photography. It was quite a moving tribute to a woman we are so sad to have lost. Also out of the vault specially for Beatle Week and equally as stirring was Stuart Sutcliffe's massive original oil painting owned by the gallery, "Hamburg No. 2," created in 1961 when he was still in the band.

  From there we relaxed on the steps of the City Centre Shops and savored some authentic mouth-watering fish 'n chips, all the while taking in the sights and sounds of a bustling Merseyside workday on a late summer afternoon. Then the evening found our group at LIPA (The Liverpool Institute for Performing Arts), formerly the Liverpool Institute where Paul and George attended grammar school. Just going inside the building was a thrill, and then we took our seats in the magnificent 500-seat Paul McCartney Auditorium, restored to its former Victorian glory, for the MMT's first ever concert there. We rocked the night away first with the Flying Postman, a LIPA student band who wowed us with their Kinks set. Then The Beats from Argentina rocked on with early Beatles songs, never revealing how little English they actually spoke. And last came the highlight of the evening, Sgt. Pepper, with their searing long version of "While My Guitar Gently Weeps." This band is one of the best, and a big glass of Wah-Wah goes to Marcos Gauguin for his Lead Guitarist of the Week award.

  After such a great concert we also needed to quench our thirst, so many of us met in the school's Cantina for drinks and socializing with band members. Then the evening ended in front of the Institute with a look at the new 45,000 pound (as in currency) cement sculpture honoring the Beatles and other music legends, entitled "A Case History In Concrete." The pieces of luggage and instrument cases donated by the musicians were used as molds for the sculpture created by Canadian-born artist John King, and consists of two large stacks of luggage with several smaller pieces scattered about.

  The next day early on a chilly Liverpool morning, everyone I see is half asleep...good morning! And so our all-day Beatle tour began, with half of the group boarding the MMT bus (the same one used in the "Free As A Bird" video) with Beatle guide extraordinare, Eddie "The Walrus" Porter. But there outside the Adelphi the rest of us stood, in full view of our friends aboard Eddie's bus. Then there was much mock crying and sobbing as their bus pulled away,we stood waiting to roll up for our own mystery tour. It couldn't get much worse when we heard the news today oh boy, about our bus with a broken fan belt. So our cheerful guide Hilary decided to start the tour by walking us to many of the important Beatles landmarks. By mid-morning we stopped inside the beautiful Anglican Cathedral where Paul auditioned (and failed) for a place in the choir in 1953, and where his "Liverpool Oratorio" premiered on June 28, 1991. Also Imagine the capacity crowd for John Lennon's memorial service here in March, 1981.

  It's getting better all the time, as a regular city tour bus eventually came for us outside the cathedral. Our congenial bus driver Gary swiftly drove us to Speke Hall where we divided into smaller groups to see 20 Forthlin Road, Paul's family home from 1955 to 1964. Now owned by the National Trust and restored to its original 1950's style, this home just opened in July to the public for tours three days a week. Walking up the sidewalk past the neatly trimmed lawn and hedges, I imagined a young Paul bounding out the front door on his way to Woolton where John lived. Once inside the house, we were greeted by the caretaker who lives there full-time and a Beatle fan himself, John Halliday. We each found headphones and a tape player for our narrated tour, and for 30 minutes we were free to roam about, gazing at the haunting photographs on teeing apples grow on a tree before, just citrus (being he walls taken by Mike McCartney of his family and of the Beatles before they were famous. Barely able to tear myself away from the piano in the front parlor where Paul and John wrote many of their old songs, I made my way through the house as if in a dream. I couldn't believe I was standing on the original floor runner going from the front door to the kitchen. Then alone in Paul's bedroom upstairs, I couldn't help lying down on his bed for a minute (Fantasy #5 is unprintable!). Soon downstairs again, I enjoyed talking to Mr. Halliday who was obviously thrilled to be living there. But it was outside in the back garden while sitting in the low canvas chair as Jim McCartney often did with his pipe and newspaper, that I most felt the heart of the McCartney family.

  Our time inside Paul's house over all too soon, we were ushered out and back onto the bus for the second half of our Magical Mystery Tour, most memorably stopping at 251 Menlove Ave. Standing on the sidewalk outside Mendips, I could just imagine John practicing his guitar in the tiny glass porch above the front door where his bedroom was. Around the corner was John's neighborhood church, St. Peter's, where we were led quietly through the graveyard to Eleanor Rigby's grave. Walking behind the church across the grass I could almost hear the sounds of skiffle wafting through the trees as they did on that historic day in July, 1957. We made one last stop at Penny Lane where we saw the barber shop, the bank, the fire station and the round-a-bout, all frozen in time by the classic song.

  Dinner time came and many of us met at different restaurants to relax before the evening concert. Several of us ate at Wetherspoons, a very sociable restaurant/pub which is a far cry from its former Blacklers department store where George briefly worked in 1959. During dinner we had a wonderful visit with our good friend from Liverpool, Marie Crawford, whom we had met two years ago here when she took two of us on a Beatles walking tour. Years ago Marie lived across the street from Ringo at his 10 Admiral Grove address, and because Ringo was frequently ill and in the hospital, Marie taught him to read and write at home.

  Hardly able to tear ourselves away from stories of Ringo, we all left the restaurant and walked to the Royal Court Theatre. There we were entertained by Instant Karma (The Show Lennon Never Gave), the great Hare Georgeson (a real treat for George fans), and Banned on the Run (rock on, Ram Army!). This was a great venue for dancing on the main level, as well as in the forgotten area at the back wall of the balcony ("Junior's Farm" will never sound the same again!). After the concert was over, some of us continued partying to more live music at the Adelphi Nightclub, while others took a walk down Mathew street for a look at the latest Liverpudlian teenage fashions (short and tight!).

  Saturday morning was the long-awaited Beatles Auction at the Masque Theatre. A few people from our group won bids for lots of priceless Beatles treasures, the coolest being John's 'doodling dagger' (an Oriental style dagger in a matching metal sheath that John kept at his home in Kenwood). Two of us spent a leisurely mid-morning brunch at the charming coffee shop in 'Dickie Lewis' store overlooking the shuffle of weekend shoppers. From there we walked over to The Beatles Shop where we discovered that one can never have too many Beatle badges (buttons to us Yanks). Then it was over to Ann Summers, the 'naughty knicker shop' (formerly NEMS) where we tried to find the false ceiling that was supposedly hiding Brian Epstein's original display of '60's album covers. Good thing we didn't bring a ladder, because we were told that the ceiling was torn down sometime earlier in the '90's during the remodeling from Rumbelows appliance store.

  Next it was over to the Lomax 2 for an afternoon concert by Fool on the Hill, followed by a fantastic Beatle Years show by the Overtures. They featured classic hits by all the great '60's bands, and had three video screens taking us through the amazing journey of that turbulent decade. After the show some of us took a walk to the docks for some fresh air and sunshine before meeting a few others from the group at the Jacaranda for a late afternoon party with Alistair Taylor. The party was hosted by Jean Catharell of the Liverpool Beatlescene, the international Beatles fan club based in Liverpool. We gathered for a couple of hours down in the basement of the club where John, Paul, George and Stu used to hang out. Back in the late fifties Allan Williams used to pay the Beatles a few pounds to paint murals on the walls (still there) and to play as the amateurish Johnny and the Moondogs. I could have stayed all night in this place so significant to the Beatles' history.

  We had another evening concert at the famed Royal Court, beginning with Chattanooga, and then Lenny Pane gave us a phenomenal show with their Past Masters Concert. It was great to hear the hidden gems of the Beatles' repertoire that we all love but seldom get to hear live. Shortly thereafter the night fell on me, but I'm sure some of us could still be seen at the Adelphi Nightclub in the wee hours.

  Sunday morning dawned early as we anticipated our garden fete at Strawberry Fields. Since St. Peter's Church in Woolton is directly down the road from there, my roommate and I decided to go to church first. We just felt compelled once again to visit that place where John met Paul on July 6, 1957. Before the service while we sat outside on a quiet bench listening to the bells chime, several churchgoers approached us to talk about the nice sunny weather, where we were from, and how we liked it there, all in a typically friendly Liverpool fashion. Once inside the church we gazed upon the lovely stained glass windows and ornately pillared alter. It was quite a stretch though to imagine John as a choirboy and member of the youth club there. After the service the 'Beatle representative' in the congregation, Diane Gabriel, graciously spent a long time with us inside the church telling us about last year's "Woolton Fete 1997" when St. Peter's Church celebrated the 40th anniversary of the day John Lennon met Paul McCartney. The Woolton Fete was recreated and the original Quarry Men reformed to play, and a plaque was unveiled on the front of the church hall across the street to commemorate the meeting of John and Paul. At last as we turned to leave the church, what stayed in my memory most was the kindness of the people and their eagerness to make us feel welcome.

  Next, let me take you down, 'cos I'm going to Strawberry Fields. Nothing is real; everything is real. Everybody had a good time; everybody saw the sunshine; everybody let their hair down... strawberry tea... strawberries on trays... strawberry ice cream cones... pretty nurses selling poppies from a tray... playing games for charity... the Salvation Army Band gent dancing in the crowd... Julia's shimmering hair of floating sky... find me in my field of grass while the bands played on... nothing to get hungabout... Strawberry Fields Forever!

  I could easily end the story here, but you know I know when it's a dream. How could I not mention the evening concert at the L2 to top off our dream of a day? Seeing Gary Gibson in concert was like being in the audience at John's 1972 Live in New York City show; the likeness was astounding. And after that there was still the late night party at the Adelphi if anyone still hadn't had enough Beatles music for the day.

  Monday was the culmination of Beatle Week. A bank holiday in England enabled thousands of local fans to attend the Mathew Street Festival organized by Cavern City Tours. Dozens of great Beatle bands played continuously in different pubs and at outside stages throughout the day and evening. But our group was encouraged to attend the Liverpool Beatles Convention held in our hotel, so there at the Adelphi we wound our way through the biggest annual Beatle flea market in Europe. Throughout the afternoon we were entertained by many interesting guest speakers recounting tales of their glory days with the Beatles. Allan Williams and Bob Wooler were a comical duo, and Barry Miles, Johnny Gentle, Alan Parsons, and Sid Bernstein were amusing and informative. Julia Baird was as warm, friendly and willing as ever, with a real knack for reaching out to everyone. And one subject that Alistair Taylor covered quite assuredly was that he really believes himself to be the famous Raymond Jones in Beatles folklore who on Saturday, October 28, 1961, went into NEMS and asked Brian Epstein if he had the record "My Bonnie" by the Beatles. Certainly food for thought.

  Also in the Adelphi that day was the "Merseybeat '98" Video Programme, where for seven hours straight you could watch non-stop Beatle videos, concerts, and news clips. Also from noon to midnight in the hotel was the much publicized Album Convention. Twelve of the absolute best Beatle bands each performed one entire Beatles album with such accuracy and authenticity so close to the original that it was mind-blowing. I wish I could have seen every group, but I had to take a break after hearing "Love You To" on Revolver (which ignited an intense desire for some curried rice and tofu at a nearby Indian restaurant).

  With all this zany, kooky, crazy fun we were having, you may wonder if we ever got any sleep at all. If any of us attended the VIP Bash at 12:30 a.m. with four more Beatle bands in the Adelphi Nightclub later that night, sleep was indeed scarce. As night turned into day in a matter of minutes, our last day in Liverpool was upon us. It was a Rutles kind of day, the stuff of which legends are made... legends that last a lunchtime. Neil Innes and John Halsey (a.k.a. Ron Nasty and Barry Wom) of the Rutles appeared in the main lounge of our hotel for an informal meeting with us that morning. Amidst clicking cameras and rolling camcorders, Neil and John amused us with Rutle tales carefully chosen and told in such a way as to avoid litigation (all kinds of things it seems upset the apple cart). Time goes by as we all know, naturally. Afternoon came and we all headed one last time down Mathew Street to the Cavern Club for our Farewell Liverpool Party. Standing outside the club at almost the end of a very long line, the weather changed several different times all in less than an hour. Rain, I don't mind; shine, the weather's fine. It takes me back, and in my mind I see happy smiling faces if I flog my memory.

  Soon we were winding down the famous Cavern stairs lined with pictures of the Beatles and others painted on the brick walls. Once inside this dark and sweaty cave where it all began, Neil Innes performed some Rutle songs solo, and then John Halsey joined him for more wacky fun. Rutlemania was certainly evident that day, with half of the semi-legendary group who made the '60's what they are today. Wearing a stunning gray wig, Neil's final performance with the Bootleg Rutles guarantees the legend of the Prefab Four will live on forever. You can be whoever you are in Shangri-la-ha-ha-ha!

  After the show as a final get-together, many in our group met again at Wetherspoons for dinner. Once again we met our Liverpudlian friend there, and it was such a treat to be invited back to her house to spend the rest of the evening with her and her husband. A more lovely English home with a beautiful lawn and colorful garden you will not find, as well as hospitality that was unsurpassed.

  Arriving back at the Adelphi sometime after 11:00 p.m. we had no time for sleep, as we were departing for Heathrow and Gatwick in London at 3:00 a.m. Packing, snacking, last minute socializing, and we were off. As our coach pulled away, it was almost unbearable to be leaving this city that had captured our hearts and become such a part of us now. How infinitely lucky to have been able to see the places that mean so much to us all, and to celebrate them with those who feel the same connection. Althou

The link to Jil’s report from above

Beatles Tour to Liverpool & London 2021

Information about the upcoming 2026 tour:

Beatles Tour to Liverpool & London 2026

Cheers, Charles F. Rosenay!!!
Liverpool Productions LLC & 

International Tours and Events

o: 203.795.4737 c: 203.641.6505

www.LiverpoolTours.com   

www.LiverpoolProductions.com 

Professional & Fun Music Entertainment since 1978  

Enjoy our promo videowww.youtube.com/watch?v=40a6bryXtc8

Books Now Available from/ by Charles: 

New! Available in Hardcover and Softcover: Not Just HAPPY TOGETHER: 

THE TURTLES A-Z (AM Radio to Zappa) 

www.NotJustHappyTogether.com

Also available on AMAZON

Available in Softcover:

“Celebrities Actors Athletes Mods & Rockers: 

THE BOOK OF TOP 10 BEATLES LISTS”

Get a signed copy for you or a friend!  www.BookOfTop10BeatlesLists.com

Also available on AMAZON

Available in Hardcover, Softcover, and E-Book:

“Monsters Celebrities Actors Athletes & Rock Stars: 

THE BOOK OF TOP 10 HORROR LISTS”

Get a signed copy for you or a friend! www.BookOfTop10HorrorLists.com

Also available on AMAZON

Available in Softcover:

“TRUE GHOST STORIES OF CONNECTICUT”

Get a signed copy for you or a friend! www.ParanormalConnecticut.com

If you choose to go on this trip with Liverpool Productions, you will not be disappointed. There are always many pleasant surprises with Charles Rosenay’s tours. In the 90s when George Harrison did his tour with Eric Clapton of Japan, Charles and members of his tour group were able to spot George Harrison and Eric Clapton at the Japanese airport. Charles ran into Julian Lennon on another trip. Charles always strives to make each trip that he organizes to be a unique Beatles journey and experience. He always searches for additional tour destinations that are somewhat different from previous trips. The memories I have from my journey in 1988 will be carried by me for the balance of my life. I met so many wonderful people from all over the world on my journey and if you decide to go on one of Charles Rosenay’s tours, I know that you will also have your own precious memories that will remain with you forever!

Hope you have a WONDERFUL AND MAGICAL JOURNEY!

Be Healthy and Be Happy!

Best Wishes to all of you!

Buzz

OUR BOOK OF THE DAY – BRAND NEW 4TH EDITION OF LIDDYPOOL

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Yellow Submarine – More Than A Cartoon?

Yellow Submarine
Yellow Submarine

The Apple Films’ 1968 release of Yellow Submarine was an event that at the time seemed at first not to be of any relevant importance. It was another Beatles film, and the fact seemed to diminish, when it was hailed as a cartoon film and not even using their own voices !!

It seemed to reflect the Beatles’ attitude towards the film was that it was a cheap way to go along with the contract to supply another cinema release, all be it without putting too much time and effort into the project. Again, to back this up, further reports and news articles surfaced where musicians and orchestras were left waiting, while various group members went into a back room and knocked off another song composition to fill a required spot, and hey presto, after about half an hour a song was done.

Yellow Submarine
Yellow Submarine

It is very true, that The Beatles were not too enamoured with the project, and Al Brodax, the creator of the cartoon Popeye was entrusted to do the film, and apparently was left largely alone with his team to do just that. In 1968, cartoons were labelled as Disney and mere fillers in a kiddies cinema programme, and there that concept seemed to have ended any proper work or studio input. The group thought that it would only be moderately successful at that, and the newly submitted songs were also seen as largely second-rate.

Time has proved  the exact opposite in fact and somewhat different, as the film was the first full length cartoon pop film, and one envied by so called experts as being absolutely brilliant!! Even the staff at Disney doffed their caps in respect at this cartoon from little England. It is now seen as a brilliant concept of ‘The Trip’ using colour and images as a harmless and a beautiful effect of being under the influence of a trip, yet retaining the image and concept of being a children’s cartoon story and film. It is now seen as groundbreaking and innovative, something that the group have always been. Many of the tricks used then have been imitated and used by others, and it can clearly be seen as being the cornerstone and catalyst of the world respected British cartoon and animation industry.

But what of the music?

Well that’s a completely different story, and one that needs telling. The Beatles themselves submitted finally just 4 new songs for the film, leaving George Martin to score the picture, too which he did a brilliant job! The group added the now familiar title track again to give Ringo a spot, and adapted “All You Need Is Love”, into this cartoon fairly tale of good overcoming and reforming the bad. 

The issued formula was indeed a soundtrack album issued in January 1969, containing those 4 new songs and the other two tracks on side 1, with side 2 given over to the soundtrack in nearly full timing. This concept was slated as being cheap and dismissive of Beatle quality to the fans, and gained so much traction in certain parts that critics virtually dismissed the entire project at the time.

Nowadays we know, feel and understand so much more, and it can be seen again as a brave and innovative step, that other artists now follow in the same vein. However, that was not the way that the group wanted the music offering to be. The original concept was to be an EP, recorded at first 45 rpm, then altered to 33-1/3rd rpm for better fidelity. Also they had at the time the recording of “Across The Universe” completed at Abbey Road in 1968, and considered at one time to be the new single. This was then discussed to be added to the package to fill the recording quotas from their contract with EMI.

So one can see that actually Yellow Submarine took up quite a large chunk of the group’s time and effort, not withstanding the many other things that were swirling around at that time, A Clockwork Orange, The Get Back Sessions, John and Yoko Peace trips and associated legal quandaries that the couple were embroiled in.

Again the idea of a film soundtrack double album was discussed, but having just asked fans to fork out for the double “White Album”, it was considered to be too much to ask fans to pay for another. So many factors were at play, so that hopefully even after 60+  years, the process and play has come to be explained in a lot clearer fashion.

The enclosed photographs are concept copies, of the EP concept in full, and again they sit very comfortably in my Apple collection, so please enjoy.

By the way, the film is brilliant and deserves to be lauded as such, and even Her late and much missed Majesty Queen Elizabeth has often being quoted as saying that Yellow Submarine was one of her all time favourite films showing how good can overcome huge odds. 

Thank you ma’am,. . .  you always had a grasp on things!!

Nigel Pearce

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A FEW ITEMS FROM PATTI BOYD (LAYLA)

Pattie Boyd, former wife of both George Harrison and Eric Clapton, has always been very kind in accommodating fans who would like her signature for their collections. I have made several requests regarding the print material I have purchased from her, and she has always been kind in honoring my autograph requests!

I have provided the link to her website below if you have decided you would like to order something from her. This lady has inspired a handful of songs that will live forever. That in itself is no small achievement and legacy assuring her of immortality!

Pattie has always diplomatically avoided the definitive response to one of the questions that I would love to be able to have the answer to. At the Magical Mystery Tour Party, John Lennon supposedly flirted with her angering very understandably his wife, Cynthia Lennon, Pattie’s husband George Harrison, and party guest Lulu who apparently was not hesitant to berate and chastise the drunken John at the event for his actions! I am wondering two things about this event. What did John say to Patti and what did Lulu say to John? I doubt we will ever hear the answers to those two questions! That is a distinct problem that some of us obsessive Beatles fans have as we often may want to know WAY TOO MUCH!!!

Something (Remastered 2015) George’s Beatles classic. Some revisionists have claimed that George did not write the song about Pattie. I do not accept that viewpoint...Possibly the greatest of all of the Beatles love songs!

THE PATTI BOYD WEBSITE

Pattie Boyd – The Official Home of all things Pattie Boyd

THE BOOK SECTION OF THE WEBSITE

Books – Pattie Boyd

A booklet of some of Pattie’s photos available at her website:

Wonderful Tonight

George, Paul, and Ringo all jammed at Eric and Pattie’s 1979 wedding! This is one of Pattie’s photos at the event!

I love having this item for several reasons as Patti signs her name and Eric’s pseudonym for her (Layla). Plus, the lyrics and the album cover that featured the song are also presented!

Layla

THREE OF THE FOUR

A photo that Patti took in India of Paul, Ringo and John. George must have been off meditating!!!

Hope you enjoyed the blog snapshot of Pattie’s photography.

Best Wishes to you all!

Be Healthy and Be Happy!

Buzz

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THE BEATLES LOOKING BACK, THE FINAL TRIP- HARDBACK, 100 COPIES OF A SIGNED & NUMBERED LIMITED EDITION BY TOM FONTAINE

At the time of posting there are less than 20 copies left of this limited signed and numbered edition of the book:

  • Limited Edition
  • Larger 12×12 inch Hardcover
  • Final 20 of 100
  • Numbered and Signed by Author
  • Endorsed Upon Request

The Limited Edition of 100 Copies:

The link to the signed and numbered edition:

https://www.rarelifetimecollections.com/store/p/the-beatles-looking-back-the-final-trip

There are only a handful of Beatles collectors that I have encountered over the years either in person or over the internet that have truly impressed me or bowled me over with the volume and the quality of their collections. Tom Fontaine is one of them. Viewing his items can literally leave most Beatles collectors both speechless and stunned. Most collectors are individually proud of the items they have acquired over a period of many years. However, after viewing Tom Fontane’s items in this book, I felt envious of his many wonderful acquisitions. Tom’s collecting specialty was acquiring Beatles autographs, but he was able to secure so much more in his collecting career. What a beautiful collection he built up during those years. Tom has now reached the stage of his life where he made the decision to share most of his collection with others by downsizing the # of artifacts that he once had. Luckily, prior to doing this, he has preserved photos of his former collection in this wonderful book. There is also a trade edition available at Amazon and the links are also provided in this post for that version. The focus of this post is the signed and numbered limited edition of 100 copies. This signed edition is a larger format than the trade edition. Furthermore, at the time of this writing, there are less than 20 copies still available to purchase of this great book. I am sure you collectors out there remember that great proverb of “He who hesitates, is lost!!!”

I want to express my deep appreciation to Tom Fontaine for allowing me to purchase copy #100 of the limited edition. I had informed Tom of my collecting obsession whenever I am interested in purchasing a limited-edition book that I ask about the availability of obtaining the last numbered book of the signed edition. Tom recognized that aspect of the collecting mentality and graciously made the last copy available to me to purchase!!

THE FOREWORDS OF THE BOOK FROM CHRIS O’DELL AND SIMON WEITZMAN:

SIMON SAYS:

TOM”S INSCRIPTION TO ME ON COPY #100:

THE TABLE OF CONTENTS:

THE LIMITED EDITION’S BACK COVER:

THE TRADE EDITION AT AMAZON:

AMAZON US:
The Beatles Looking Back: The Final Trip: Fontaine, Tom: 9781962402095: Amazon.com: Books

AMAZON UK:

The Beatles Looking Back: The Final Trip: Amazon.co.uk: Fontaine, Tom: 9781962402095: Books

Amazon’s Description of the book:

A one-of-a-kind tribute to the world’s most influential band

The Beatles: Looking Back – The Final Trip, curated by acclaimed memorabilia collector Tom Fontaine, isn’t simply a catalog of rare artifacts-it’s the culmination of a lifetime’s devotion, personal encounters, and a half-century journey tracing the continued legacy of John, Paul, George, and Ringo.

Fontaine invites fans, historians, and fellow collectors to voyage through his unparalleled archive-a treasure trove of original photographs, handwritten lyrics, concert memorabilia, autographs, rare documents, and behind-the-scenes artifacts spanning The Beatles’ collective and solo careers. This isn’t just memorabilia; it’s living history, carefully preserved and lovingly presented.

What sets this work apart is the author’s storytelling power. He interweaves his own coming-of-age alongside The Beatles-from card-collecting in his childhood in 1964 Indianapolis to befriending dozens of devotees and industry insiders. Readers witness the band’s rapid evolution, their artistry, their personalities, and their social impact through irreplaceable objects and firsthand accounts. Every item, from signed album covers and concert tickets to personal letters and documentary photos, tells a fragment of music history.

The collection also covers overlooked facets of their careers: artifacts from their earliest days as The Quarrymen, rare autographs of members and associates, and unique pieces such as the last concert baseball at Candlestick Park or the historic contract signed by all four. Fontaine’s documentation revives forgotten moments and amplifies how The Beatles shaped generations, crossed boundaries, and transformed music, fashion, and identity globally.

The Final Trip shows readers The Beatles as not just cultural icons, but vibrant, evolving individuals-reminding us that collecting is ultimately about preserving human connection, memory, and inspiration. Fontaine’s bittersweet farewell to this chapter in his life is an affirmation of the enduring magic The Beatles still conjure in fans worldwide.

For anyone who wants to know The Beatles in an intimate way, Fontaine provides this experience through rare interviews, unpublished artifacts, and the lens of a true insider. It is a moving, persuasive call to honor not only the band’s legacy but the hearts of those who keep their story alive.

Be Healthy and Be Happy!

Buzz

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DIFFERENT COVERS FOR THE SAME BEATLES/ BOB DYLAN BOOK – DUE IN APRIL OF 2026

New Beatles/ Dylan book – Different Covers?

WHAT ARE THE VARIOUS FACTORS IN THE CHOICE OF A COVER?

I have been communicating recently with the author of this forthcoming book about the influence of Bob Dylan and the Beatles not only on pop, rock and folk culture, but also how the respective artists influenced one another in their musical and poetic development. In viewing the prospective book cover differences for the US and the UK editions of the book, which I look forward to with great anticipation, it made me wonder why the same book would have distinct and different covers in the two different countries?

I realize that each has a different publisher listed for the different countries but that raises other issues for inquiry. Are book covers exclusive to each company and is that part of the licensing agreement between author and publisher? I am ignorant of this subject and would like to know what goes into these issues when final covers are chosen for worldwide distribution. I would appreciate your input in the comment section about this element of the publishing industry. What factors are considered by publishers and authors when covers are chosen for a book? Do they use focus groups to make that determination or is it more common to have a single marketing executive making that decision? Is the primary or most salient factor the cost of obtaining the licensing rights for those specific photos to use as the cover?

THE AMERICAN COVER AND EDITION:

AMAZON US LINK:

Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other―and the World: Windolf, Jim: 9781668075562: Amazon.com: Books Publisher-Scribner

Amazon US description of the book:

Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other―and the World Hardcover – April 14, 2026
by Jim Windolf (Author)


Persuasive, captivating, and bursting with insight, this dual biography by acclaimed New York Times journalist Jim Windolf dives into the surprisingly supportive, occasionally rivalrous, and always fertile relationship between Bob Dylan and The Beatles, uncovering how they inspired and transformed each other as songwriters, recording artists, and cultural icons.

Few artists have shaped pop culture as profoundly as the Beatles and Bob Dylan. In Where the Music Had to Go, journalist Jim Windolf unveils the profound and often startling relationship between these era-defining musical acts. This must-read work explores how Dylan and the Beatles not only transformed the music scene but also each other, creating a legacy that continues to resonate.

From Dylan’s early dismissal of the Beatles as being for “teenyboppers” to his jaw-dropping realization of their talent, the book captures the pivotal moments that pushed Dylan to “go electric” and inspired the Beatles to deepen their lyrics. Packed with vivid anecdotes—imagine the Beatles rehearsing Dylan songs or Dylan spending hours at Lennon’s childhood home—the book paints a picture of a relationship full of camaraderie, rivalry, and mutual evolution.

Windolf’s meticulous research uncovers hidden gems, peeling back layers of history to reveal the stories fans didn’t even know they were missing. From Lennon’s and McCartney’s lyrical transformations to George Harrison’s growth as a songwriter, the book showcases the ripple effects of the Beatles-Dylan connection.

More than a music biography, this is a front-row seat to the forces that shaped the sound of a generation. With Windolf’s captivating storytelling and unrivaled insight, Where the Music Had to Go offers an unmissable experience for music lovers, history buffs, and anyone curious about the magic that happens when legends collide.

Where The Music Had To Go - Beatles/ Bob Dylan
Where The Music Had To Go – Beatles/ Bob Dylan

THE UK COVER AND EDITION:

AMAZON UK LINK:

Where the Music Had to Go: How Bob Dylan and The Beatles Changed Each Other – and the World: Amazon.co.uk: Windolf, Jim: 9781399627849: Books PublisherWhite Rabbit

Where the Music Had to Go: How Bob Dylan and The Beatles Changed Each Other – and the World Hardcover – 16 April 2026
by Jim Windolf (Author)

Amazon UK description of the book:
FEATURING AN EXCLUSIVE NEW INTERVIEW WITH SIR PAUL McCARTNEY

Persuasive, captivating and bursting with insight, this dual biography by acclaimed journalist Jim Windolf dives into the surprisingly supportive, occasionally rivalrous, always fertile relationship between Bob Dylan and the Beatles.

Few artists have shaped pop culture as profoundly as the Beatles and Bob Dylan. In Where the Music Had to Go, Jim Windolf offers a new, persuasive interpretation of how two of the twentieth century’s greatest recording artists influenced one another – and reveals how their apprenticeships, accomplishments and legacies are uncannily intertwined.

From Dylan’s early dismissal of the Beatles as being for ‘teenyboppers’ to his rapid acknowledgment of their talent, the book captures the pivotal moments that pushed Dylan to ‘go electric’ and inspired the Beatles to deepen their lyrics. Packed with vivid anecdotes (the Beatles rehearsing Dylan songs; Dylan spending hours at Lennon’s childhood home), the book paints a picture of a relationship full of camaraderie, rivalry and mutual evolution.

Windolf’s meticulous research uncovers hidden gems, peeling back layers of history to reveal the stories fans didn’t even know they were missing. From Lennon’s and McCartney’s lyrical transformations to George Harrison’s growth as a songwriter, the book showcases the ripple effects of the Beatles-Dylan connection. More than a music biography, this is a front-row seat to the forces that shaped the sound of a generation.

Where The Music Had To Go - Beatles/ Bob Dylan
Where The Music Had To Go – Beatles/ Bob Dylan

Mini Survey – We Need Your Help!

In the comments section I would like for you to express two things for a mini survey. Which cover do you prefer and why? Finally, what region of the world are you expressing your opinion from?

Thank you in advance for your opinions and insight!

In closing I will give you my personal opinion.

My preference is the UK cover for 2 two reasons. I prefer the black and red lettering which grabs my attention, and the UK cover is setup to imply that Dylan and the Beatles are looking at one another which is one of the main focal points of the book!

Though the ultimate judgement of the book will not rest with the cover, it will of course be the content and text that will be the determining factor in the importance of the book. My preliminary communication with the author portends well for the final result in 2026!

Be Healthy and Be Happy!

Buzz

OUR FEATURED BOOK OF THE DAY – THE BEATLES:WHAT IF?

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THE BEATLES AND THE CIRQUE DU SOLEIL’S LOVE

The 18 Year Run of Cirque Du Soleil’s LOVE in Las Vegas:

This wonderful show had a long 18 year run in Las Vegas and was extremely successful and positively reviewed by both the critics and the public attendees!

Check out this Wikipedia link for some of the history and background of the show:

Love (Cirque du Soleil) – Wikipedia

Inspired by the conversations between George Harrison and his friend Guy Laliberté.

Bidding Farewell to The Beatles LOVE | Blog – Cirque du Soleil

Cirque Du Soleil’s Love
Cirque Du Soleil’s Love

AMAZON US CD AND VINYL:

Amazon.com: Love [2 LP]: CDs & Vinyl

AMAZON US DOCUMENTARY:

Amazon.com: All Together Now: A Documentary Film : The Beatles, Adrian Wills: Movies & TV

AMAZON UK: CD AND VINYL:

Love: Amazon.co.uk: CDs & Vinyl

AMAZON UK DOCUMENTARY:

All Together Now [DVD]: Amazon.co.uk: The Beatles Cirque Du Soleil: DVD & Blu-ray

The 10th anniversary of the show and the accompanying limited-edition program celebrating that event:

The Beatles Paul and Ringo Surprise everyone at Cirque 10th anniversary ‘Love” show 2016

Paul McCartney and Ringo Starr attend 10th anniversary performance of LOVE

10th Anniversary of LOVE – CIRQUE DU SOLEIL

The cover of the program:

A sample page from the 10-year anniversary program:

My favorite track from the Love soundtrack featuring the masterful string arrangement of the late George Martin to George Harrison’s beautiful song, “While My Guitar Gently Weeps”, from the White Album. George Martin added strings to Harrison’s demo of the song, and it is a masterpiece!

22- While My Guitar Gently Weeps- The Beatles (Love)

Be Healthy and Be Happy!

Buzz

OUR FEATURED BOOK – CUNARD YANKS